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\large
\textit{\textbf{robinson}} \\
\normalsize 
from \textit{a history of the domino problem}\\
for 4 to 8 sustaining instruments

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\normalsize 
The ensemble can play any 4 or more adjacent parts (preferably as many as possible) and any 4 or more adjacent sections. The tempo (marked between 60 and 90 beats per second) can be derived from the number of players such that the more the performers, the slower the tempo. The tempo can also be slightly different for each section.

Each tone should be played as a swell that enters from and exits to as soft a dynamic as possible. The peak dynamic of the swell is given below the beginning of each note.

The pitches of the piece are derived from a rational tuning series based on the harmonic series. The notes in the score should be interpreted with the following cent deviations given from the nearest pitch in 24-tone equal temperament as accurately as possible. 

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\includegraphics[scale=0.75]{robinson\string_pitches.pdf}

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\footnotesize 
*This piece is part of a large-scale performance-installation titled \textit{a history of the domino problem}. It may be played alone or alongside other pieces from \textit{a history of the domino problem}. Instructions are given in the score detailing the superordinate, large-scale work.
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\begin{flushright} 
michael winter\\
(schloss solitude, stuttgart and calle monclova 62, mexico city; 2018-19)\\
version generated: \today
\end{flushright} 

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