rebasing for gitea
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|
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GNU GENERAL PUBLIC LICENSE
|
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Version 3, 29 June 2007
|
||||
|
||||
Copyright (C) 2007 Free Software Foundation, Inc. <http://fsf.org/>
|
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Everyone is permitted to copy and distribute verbatim copies
|
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of this license document, but changing it is not allowed.
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|
||||
Preamble
|
||||
|
||||
The GNU General Public License is a free, copyleft license for
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software and other kinds of works.
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|
||||
The licenses for most software and other practical works are designed
|
||||
to take away your freedom to share and change the works. By contrast,
|
||||
the GNU General Public License is intended to guarantee your freedom to
|
||||
share and change all versions of a program--to make sure it remains free
|
||||
software for all its users. We, the Free Software Foundation, use the
|
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GNU General Public License for most of our software; it applies also to
|
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any other work released this way by its authors. You can apply it to
|
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your programs, too.
|
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|
||||
When we speak of free software, we are referring to freedom, not
|
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price. Our General Public Licenses are designed to make sure that you
|
||||
have the freedom to distribute copies of free software (and charge for
|
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them if you wish), that you receive source code or can get it if you
|
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want it, that you can change the software or use pieces of it in new
|
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free programs, and that you know you can do these things.
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|
||||
To protect your rights, we need to prevent others from denying you
|
||||
these rights or asking you to surrender the rights. Therefore, you have
|
||||
certain responsibilities if you distribute copies of the software, or if
|
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you modify it: responsibilities to respect the freedom of others.
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||||
For example, if you distribute copies of such a program, whether
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gratis or for a fee, you must pass on to the recipients the same
|
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freedoms that you received. You must make sure that they, too, receive
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or can get the source code. And you must show them these terms so they
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know their rights.
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Developers that use the GNU GPL protect your rights with two steps:
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(1) assert copyright on the software, and (2) offer you this License
|
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giving you legal permission to copy, distribute and/or modify it.
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|
||||
For the developers' and authors' protection, the GPL clearly explains
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that there is no warranty for this free software. For both users' and
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authors' sake, the GPL requires that modified versions be marked as
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changed, so that their problems will not be attributed erroneously to
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authors of previous versions.
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|
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Some devices are designed to deny users access to install or run
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modified versions of the software inside them, although the manufacturer
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can do so. This is fundamentally incompatible with the aim of
|
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protecting users' freedom to change the software. The systematic
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pattern of such abuse occurs in the area of products for individuals to
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use, which is precisely where it is most unacceptable. Therefore, we
|
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have designed this version of the GPL to prohibit the practice for those
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products. If such problems arise substantially in other domains, we
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stand ready to extend this provision to those domains in future versions
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of the GPL, as needed to protect the freedom of users.
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Finally, every program is threatened constantly by software patents.
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States should not allow patents to restrict development and use of
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software on general-purpose computers, but in those that do, we wish to
|
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avoid the special danger that patents applied to a free program could
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make it effectively proprietary. To prevent this, the GPL assures that
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patents cannot be used to render the program non-free.
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The precise terms and conditions for copying, distribution and
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||||
modification follow.
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|
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TERMS AND CONDITIONS
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0. Definitions.
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|
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"This License" refers to version 3 of the GNU General Public License.
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"Copyright" also means copyright-like laws that apply to other kinds of
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works, such as semiconductor masks.
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"The Program" refers to any copyrightable work licensed under this
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License. Each licensee is addressed as "you". "Licensees" and
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To "modify" a work means to copy from or adapt all or part of the work
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exact copy. The resulting work is called a "modified version" of the
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earlier work or a work "based on" the earlier work.
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A "covered work" means either the unmodified Program or a work based
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on the Program.
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|
||||
To "propagate" a work means to do anything with it that, without
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permission, would make you directly or secondarily liable for
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infringement under applicable copyright law, except executing it on a
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computer or modifying a private copy. Propagation includes copying,
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distribution (with or without modification), making available to the
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public, and in some countries other activities as well.
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To "convey" a work means any kind of propagation that enables other
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parties to make or receive copies. Mere interaction with a user through
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An interactive user interface displays "Appropriate Legal Notices"
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||||
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||||
1. Source Code.
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The "source code" for a work means the preferred form of the work
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A "Standard Interface" means an interface that either is an official
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||||
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The "System Libraries" of an executable work include anything, other
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"Major Component", in this context, means a major essential component
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The "Corresponding Source" for a work in object code form means all
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programs which are used unmodified in performing those activities but
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linked subprograms that the work is specifically designed to require,
|
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such as by intimate data communication or control flow between those
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The Corresponding Source need not include anything that users
|
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can regenerate automatically from other parts of the Corresponding
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||||
Source.
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||||
The Corresponding Source for a work in source code form is that
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same work.
|
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|
||||
2. Basic Permissions.
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||||
|
||||
All rights granted under this License are granted for the term of
|
||||
copyright on the Program, and are irrevocable provided the stated
|
||||
conditions are met. This License explicitly affirms your unlimited
|
||||
permission to run the unmodified Program. The output from running a
|
||||
covered work is covered by this License only if the output, given its
|
||||
content, constitutes a covered work. This License acknowledges your
|
||||
rights of fair use or other equivalent, as provided by copyright law.
|
||||
|
||||
You may make, run and propagate covered works that you do not
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convey, without conditions so long as your license otherwise remains
|
||||
in force. You may convey covered works to others for the sole purpose
|
||||
of having them make modifications exclusively for you, or provide you
|
||||
with facilities for running those works, provided that you comply with
|
||||
the terms of this License in conveying all material for which you do
|
||||
not control copyright. Those thus making or running the covered works
|
||||
for you must do so exclusively on your behalf, under your direction
|
||||
and control, on terms that prohibit them from making any copies of
|
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your copyrighted material outside their relationship with you.
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Conveying under any other circumstances is permitted solely under
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||||
the conditions stated below. Sublicensing is not allowed; section 10
|
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makes it unnecessary.
|
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|
||||
3. Protecting Users' Legal Rights From Anti-Circumvention Law.
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No covered work shall be deemed part of an effective technological
|
||||
measure under any applicable law fulfilling obligations under article
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11 of the WIPO copyright treaty adopted on 20 December 1996, or
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||||
similar laws prohibiting or restricting circumvention of such
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||||
measures.
|
||||
|
||||
When you convey a covered work, you waive any legal power to forbid
|
||||
circumvention of technological measures to the extent such circumvention
|
||||
is effected by exercising rights under this License with respect to
|
||||
the covered work, and you disclaim any intention to limit operation or
|
||||
modification of the work as a means of enforcing, against the work's
|
||||
users, your or third parties' legal rights to forbid circumvention of
|
||||
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|
||||
|
||||
4. Conveying Verbatim Copies.
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||||
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||||
You may convey verbatim copies of the Program's source code as you
|
||||
receive it, in any medium, provided that you conspicuously and
|
||||
appropriately publish on each copy an appropriate copyright notice;
|
||||
keep intact all notices stating that this License and any
|
||||
non-permissive terms added in accord with section 7 apply to the code;
|
||||
keep intact all notices of the absence of any warranty; and give all
|
||||
recipients a copy of this License along with the Program.
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||||
You may charge any price or no price for each copy that you convey,
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||||
and you may offer support or warranty protection for a fee.
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||||
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||||
5. Conveying Modified Source Versions.
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|
||||
You may convey a work based on the Program, or the modifications to
|
||||
produce it from the Program, in the form of source code under the
|
||||
terms of section 4, provided that you also meet all of these conditions:
|
||||
|
||||
a) The work must carry prominent notices stating that you modified
|
||||
it, and giving a relevant date.
|
||||
|
||||
b) The work must carry prominent notices stating that it is
|
||||
released under this License and any conditions added under section
|
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7. This requirement modifies the requirement in section 4 to
|
||||
"keep intact all notices".
|
||||
|
||||
c) You must license the entire work, as a whole, under this
|
||||
License to anyone who comes into possession of a copy. This
|
||||
License will therefore apply, along with any applicable section 7
|
||||
additional terms, to the whole of the work, and all its parts,
|
||||
regardless of how they are packaged. This License gives no
|
||||
permission to license the work in any other way, but it does not
|
||||
invalidate such permission if you have separately received it.
|
||||
|
||||
d) If the work has interactive user interfaces, each must display
|
||||
Appropriate Legal Notices; however, if the Program has interactive
|
||||
interfaces that do not display Appropriate Legal Notices, your
|
||||
work need not make them do so.
|
||||
|
||||
A compilation of a covered work with other separate and independent
|
||||
works, which are not by their nature extensions of the covered work,
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||||
and which are not combined with it such as to form a larger program,
|
||||
in or on a volume of a storage or distribution medium, is called an
|
||||
"aggregate" if the compilation and its resulting copyright are not
|
||||
used to limit the access or legal rights of the compilation's users
|
||||
beyond what the individual works permit. Inclusion of a covered work
|
||||
in an aggregate does not cause this License to apply to the other
|
||||
parts of the aggregate.
|
||||
|
||||
6. Conveying Non-Source Forms.
|
||||
|
||||
You may convey a covered work in object code form under the terms
|
||||
of sections 4 and 5, provided that you also convey the
|
||||
machine-readable Corresponding Source under the terms of this License,
|
||||
in one of these ways:
|
||||
|
||||
a) Convey the object code in, or embodied in, a physical product
|
||||
(including a physical distribution medium), accompanied by the
|
||||
Corresponding Source fixed on a durable physical medium
|
||||
customarily used for software interchange.
|
||||
|
||||
b) Convey the object code in, or embodied in, a physical product
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||||
(including a physical distribution medium), accompanied by a
|
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written offer, valid for at least three years and valid for as
|
||||
long as you offer spare parts or customer support for that product
|
||||
model, to give anyone who possesses the object code either (1) a
|
||||
copy of the Corresponding Source for all the software in the
|
||||
product that is covered by this License, on a durable physical
|
||||
medium customarily used for software interchange, for a price no
|
||||
more than your reasonable cost of physically performing this
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||||
conveying of source, or (2) access to copy the
|
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Corresponding Source from a network server at no charge.
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||||
|
||||
c) Convey individual copies of the object code with a copy of the
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written offer to provide the Corresponding Source. This
|
||||
alternative is allowed only occasionally and noncommercially, and
|
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only if you received the object code with such an offer, in accord
|
||||
with subsection 6b.
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|
||||
d) Convey the object code by offering access from a designated
|
||||
place (gratis or for a charge), and offer equivalent access to the
|
||||
Corresponding Source in the same way through the same place at no
|
||||
further charge. You need not require recipients to copy the
|
||||
Corresponding Source along with the object code. If the place to
|
||||
copy the object code is a network server, the Corresponding Source
|
||||
may be on a different server (operated by you or a third party)
|
||||
that supports equivalent copying facilities, provided you maintain
|
||||
clear directions next to the object code saying where to find the
|
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Corresponding Source. Regardless of what server hosts the
|
||||
Corresponding Source, you remain obligated to ensure that it is
|
||||
available for as long as needed to satisfy these requirements.
|
||||
|
||||
e) Convey the object code using peer-to-peer transmission, provided
|
||||
you inform other peers where the object code and Corresponding
|
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Source of the work are being offered to the general public at no
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charge under subsection 6d.
|
||||
|
||||
A separable portion of the object code, whose source code is excluded
|
||||
from the Corresponding Source as a System Library, need not be
|
||||
included in conveying the object code work.
|
||||
|
||||
A "User Product" is either (1) a "consumer product", which means any
|
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tangible personal property which is normally used for personal, family,
|
||||
or household purposes, or (2) anything designed or sold for incorporation
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||||
into a dwelling. In determining whether a product is a consumer product,
|
||||
doubtful cases shall be resolved in favor of coverage. For a particular
|
||||
product received by a particular user, "normally used" refers to a
|
||||
typical or common use of that class of product, regardless of the status
|
||||
of the particular user or of the way in which the particular user
|
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actually uses, or expects or is expected to use, the product. A product
|
||||
is a consumer product regardless of whether the product has substantial
|
||||
commercial, industrial or non-consumer uses, unless such uses represent
|
||||
the only significant mode of use of the product.
|
||||
|
||||
"Installation Information" for a User Product means any methods,
|
||||
procedures, authorization keys, or other information required to install
|
||||
and execute modified versions of a covered work in that User Product from
|
||||
a modified version of its Corresponding Source. The information must
|
||||
suffice to ensure that the continued functioning of the modified object
|
||||
code is in no case prevented or interfered with solely because
|
||||
modification has been made.
|
||||
|
||||
If you convey an object code work under this section in, or with, or
|
||||
specifically for use in, a User Product, and the conveying occurs as
|
||||
part of a transaction in which the right of possession and use of the
|
||||
User Product is transferred to the recipient in perpetuity or for a
|
||||
fixed term (regardless of how the transaction is characterized), the
|
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Corresponding Source conveyed under this section must be accompanied
|
||||
by the Installation Information. But this requirement does not apply
|
||||
if neither you nor any third party retains the ability to install
|
||||
modified object code on the User Product (for example, the work has
|
||||
been installed in ROM).
|
||||
|
||||
The requirement to provide Installation Information does not include a
|
||||
requirement to continue to provide support service, warranty, or updates
|
||||
for a work that has been modified or installed by the recipient, or for
|
||||
the User Product in which it has been modified or installed. Access to a
|
||||
network may be denied when the modification itself materially and
|
||||
adversely affects the operation of the network or violates the rules and
|
||||
protocols for communication across the network.
|
||||
|
||||
Corresponding Source conveyed, and Installation Information provided,
|
||||
in accord with this section must be in a format that is publicly
|
||||
documented (and with an implementation available to the public in
|
||||
source code form), and must require no special password or key for
|
||||
unpacking, reading or copying.
|
||||
|
||||
7. Additional Terms.
|
||||
|
||||
"Additional permissions" are terms that supplement the terms of this
|
||||
License by making exceptions from one or more of its conditions.
|
||||
Additional permissions that are applicable to the entire Program shall
|
||||
be treated as though they were included in this License, to the extent
|
||||
that they are valid under applicable law. If additional permissions
|
||||
apply only to part of the Program, that part may be used separately
|
||||
under those permissions, but the entire Program remains governed by
|
||||
this License without regard to the additional permissions.
|
||||
|
||||
When you convey a copy of a covered work, you may at your option
|
||||
remove any additional permissions from that copy, or from any part of
|
||||
it. (Additional permissions may be written to require their own
|
||||
removal in certain cases when you modify the work.) You may place
|
||||
additional permissions on material, added by you to a covered work,
|
||||
for which you have or can give appropriate copyright permission.
|
||||
|
||||
Notwithstanding any other provision of this License, for material you
|
||||
add to a covered work, you may (if authorized by the copyright holders of
|
||||
that material) supplement the terms of this License with terms:
|
||||
|
||||
a) Disclaiming warranty or limiting liability differently from the
|
||||
terms of sections 15 and 16 of this License; or
|
||||
|
||||
b) Requiring preservation of specified reasonable legal notices or
|
||||
author attributions in that material or in the Appropriate Legal
|
||||
Notices displayed by works containing it; or
|
||||
|
||||
c) Prohibiting misrepresentation of the origin of that material, or
|
||||
requiring that modified versions of such material be marked in
|
||||
reasonable ways as different from the original version; or
|
||||
|
||||
d) Limiting the use for publicity purposes of names of licensors or
|
||||
authors of the material; or
|
||||
|
||||
e) Declining to grant rights under trademark law for use of some
|
||||
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||||
|
||||
f) Requiring indemnification of licensors and authors of that
|
||||
material by anyone who conveys the material (or modified versions of
|
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it) with contractual assumptions of liability to the recipient, for
|
||||
any liability that these contractual assumptions directly impose on
|
||||
those licensors and authors.
|
||||
|
||||
All other non-permissive additional terms are considered "further
|
||||
restrictions" within the meaning of section 10. If the Program as you
|
||||
received it, or any part of it, contains a notice stating that it is
|
||||
governed by this License along with a term that is a further
|
||||
restriction, you may remove that term. If a license document contains
|
||||
a further restriction but permits relicensing or conveying under this
|
||||
License, you may add to a covered work material governed by the terms
|
||||
of that license document, provided that the further restriction does
|
||||
not survive such relicensing or conveying.
|
||||
|
||||
If you add terms to a covered work in accord with this section, you
|
||||
must place, in the relevant source files, a statement of the
|
||||
additional terms that apply to those files, or a notice indicating
|
||||
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|
||||
|
||||
Additional terms, permissive or non-permissive, may be stated in the
|
||||
form of a separately written license, or stated as exceptions;
|
||||
the above requirements apply either way.
|
||||
|
||||
8. Termination.
|
||||
|
||||
You may not propagate or modify a covered work except as expressly
|
||||
provided under this License. Any attempt otherwise to propagate or
|
||||
modify it is void, and will automatically terminate your rights under
|
||||
this License (including any patent licenses granted under the third
|
||||
paragraph of section 11).
|
||||
|
||||
However, if you cease all violation of this License, then your
|
||||
license from a particular copyright holder is reinstated (a)
|
||||
provisionally, unless and until the copyright holder explicitly and
|
||||
finally terminates your license, and (b) permanently, if the copyright
|
||||
holder fails to notify you of the violation by some reasonable means
|
||||
prior to 60 days after the cessation.
|
||||
|
||||
Moreover, your license from a particular copyright holder is
|
||||
reinstated permanently if the copyright holder notifies you of the
|
||||
violation by some reasonable means, this is the first time you have
|
||||
received notice of violation of this License (for any work) from that
|
||||
copyright holder, and you cure the violation prior to 30 days after
|
||||
your receipt of the notice.
|
||||
|
||||
Termination of your rights under this section does not terminate the
|
||||
licenses of parties who have received copies or rights from you under
|
||||
this License. If your rights have been terminated and not permanently
|
||||
reinstated, you do not qualify to receive new licenses for the same
|
||||
material under section 10.
|
||||
|
||||
9. Acceptance Not Required for Having Copies.
|
||||
|
||||
You are not required to accept this License in order to receive or
|
||||
run a copy of the Program. Ancillary propagation of a covered work
|
||||
occurring solely as a consequence of using peer-to-peer transmission
|
||||
to receive a copy likewise does not require acceptance. However,
|
||||
nothing other than this License grants you permission to propagate or
|
||||
modify any covered work. These actions infringe copyright if you do
|
||||
not accept this License. Therefore, by modifying or propagating a
|
||||
covered work, you indicate your acceptance of this License to do so.
|
||||
|
||||
10. Automatic Licensing of Downstream Recipients.
|
||||
|
||||
Each time you convey a covered work, the recipient automatically
|
||||
receives a license from the original licensors, to run, modify and
|
||||
propagate that work, subject to this License. You are not responsible
|
||||
for enforcing compliance by third parties with this License.
|
||||
|
||||
An "entity transaction" is a transaction transferring control of an
|
||||
organization, or substantially all assets of one, or subdividing an
|
||||
organization, or merging organizations. If propagation of a covered
|
||||
work results from an entity transaction, each party to that
|
||||
transaction who receives a copy of the work also receives whatever
|
||||
licenses to the work the party's predecessor in interest had or could
|
||||
give under the previous paragraph, plus a right to possession of the
|
||||
Corresponding Source of the work from the predecessor in interest, if
|
||||
the predecessor has it or can get it with reasonable efforts.
|
||||
|
||||
You may not impose any further restrictions on the exercise of the
|
||||
rights granted or affirmed under this License. For example, you may
|
||||
not impose a license fee, royalty, or other charge for exercise of
|
||||
rights granted under this License, and you may not initiate litigation
|
||||
(including a cross-claim or counterclaim in a lawsuit) alleging that
|
||||
any patent claim is infringed by making, using, selling, offering for
|
||||
sale, or importing the Program or any portion of it.
|
||||
|
||||
11. Patents.
|
||||
|
||||
A "contributor" is a copyright holder who authorizes use under this
|
||||
License of the Program or a work on which the Program is based. The
|
||||
work thus licensed is called the contributor's "contributor version".
|
||||
|
||||
A contributor's "essential patent claims" are all patent claims
|
||||
owned or controlled by the contributor, whether already acquired or
|
||||
hereafter acquired, that would be infringed by some manner, permitted
|
||||
by this License, of making, using, or selling its contributor version,
|
||||
but do not include claims that would be infringed only as a
|
||||
consequence of further modification of the contributor version. For
|
||||
purposes of this definition, "control" includes the right to grant
|
||||
patent sublicenses in a manner consistent with the requirements of
|
||||
this License.
|
||||
|
||||
Each contributor grants you a non-exclusive, worldwide, royalty-free
|
||||
patent license under the contributor's essential patent claims, to
|
||||
make, use, sell, offer for sale, import and otherwise run, modify and
|
||||
propagate the contents of its contributor version.
|
||||
|
||||
In the following three paragraphs, a "patent license" is any express
|
||||
agreement or commitment, however denominated, not to enforce a patent
|
||||
(such as an express permission to practice a patent or covenant not to
|
||||
sue for patent infringement). To "grant" such a patent license to a
|
||||
party means to make such an agreement or commitment not to enforce a
|
||||
patent against the party.
|
||||
|
||||
If you convey a covered work, knowingly relying on a patent license,
|
||||
and the Corresponding Source of the work is not available for anyone
|
||||
to copy, free of charge and under the terms of this License, through a
|
||||
publicly available network server or other readily accessible means,
|
||||
then you must either (1) cause the Corresponding Source to be so
|
||||
available, or (2) arrange to deprive yourself of the benefit of the
|
||||
patent license for this particular work, or (3) arrange, in a manner
|
||||
consistent with the requirements of this License, to extend the patent
|
||||
license to downstream recipients. "Knowingly relying" means you have
|
||||
actual knowledge that, but for the patent license, your conveying the
|
||||
covered work in a country, or your recipient's use of the covered work
|
||||
in a country, would infringe one or more identifiable patents in that
|
||||
country that you have reason to believe are valid.
|
||||
|
||||
If, pursuant to or in connection with a single transaction or
|
||||
arrangement, you convey, or propagate by procuring conveyance of, a
|
||||
covered work, and grant a patent license to some of the parties
|
||||
receiving the covered work authorizing them to use, propagate, modify
|
||||
or convey a specific copy of the covered work, then the patent license
|
||||
you grant is automatically extended to all recipients of the covered
|
||||
work and works based on it.
|
||||
|
||||
A patent license is "discriminatory" if it does not include within
|
||||
the scope of its coverage, prohibits the exercise of, or is
|
||||
conditioned on the non-exercise of one or more of the rights that are
|
||||
specifically granted under this License. You may not convey a covered
|
||||
work if you are a party to an arrangement with a third party that is
|
||||
in the business of distributing software, under which you make payment
|
||||
to the third party based on the extent of your activity of conveying
|
||||
the work, and under which the third party grants, to any of the
|
||||
parties who would receive the covered work from you, a discriminatory
|
||||
patent license (a) in connection with copies of the covered work
|
||||
conveyed by you (or copies made from those copies), or (b) primarily
|
||||
for and in connection with specific products or compilations that
|
||||
contain the covered work, unless you entered into that arrangement,
|
||||
or that patent license was granted, prior to 28 March 2007.
|
||||
|
||||
Nothing in this License shall be construed as excluding or limiting
|
||||
any implied license or other defenses to infringement that may
|
||||
otherwise be available to you under applicable patent law.
|
||||
|
||||
12. No Surrender of Others' Freedom.
|
||||
|
||||
If conditions are imposed on you (whether by court order, agreement or
|
||||
otherwise) that contradict the conditions of this License, they do not
|
||||
excuse you from the conditions of this License. If you cannot convey a
|
||||
covered work so as to satisfy simultaneously your obligations under this
|
||||
License and any other pertinent obligations, then as a consequence you may
|
||||
not convey it at all. For example, if you agree to terms that obligate you
|
||||
to collect a royalty for further conveying from those to whom you convey
|
||||
the Program, the only way you could satisfy both those terms and this
|
||||
License would be to refrain entirely from conveying the Program.
|
||||
|
||||
13. Use with the GNU Affero General Public License.
|
||||
|
||||
Notwithstanding any other provision of this License, you have
|
||||
permission to link or combine any covered work with a work licensed
|
||||
under version 3 of the GNU Affero General Public License into a single
|
||||
combined work, and to convey the resulting work. The terms of this
|
||||
License will continue to apply to the part which is the covered work,
|
||||
but the special requirements of the GNU Affero General Public License,
|
||||
section 13, concerning interaction through a network will apply to the
|
||||
combination as such.
|
||||
|
||||
14. Revised Versions of this License.
|
||||
|
||||
The Free Software Foundation may publish revised and/or new versions of
|
||||
the GNU General Public License from time to time. Such new versions will
|
||||
be similar in spirit to the present version, but may differ in detail to
|
||||
address new problems or concerns.
|
||||
|
||||
Each version is given a distinguishing version number. If the
|
||||
Program specifies that a certain numbered version of the GNU General
|
||||
Public License "or any later version" applies to it, you have the
|
||||
option of following the terms and conditions either of that numbered
|
||||
version or of any later version published by the Free Software
|
||||
Foundation. If the Program does not specify a version number of the
|
||||
GNU General Public License, you may choose any version ever published
|
||||
by the Free Software Foundation.
|
||||
|
||||
If the Program specifies that a proxy can decide which future
|
||||
versions of the GNU General Public License can be used, that proxy's
|
||||
public statement of acceptance of a version permanently authorizes you
|
||||
to choose that version for the Program.
|
||||
|
||||
Later license versions may give you additional or different
|
||||
permissions. However, no additional obligations are imposed on any
|
||||
author or copyright holder as a result of your choosing to follow a
|
||||
later version.
|
||||
|
||||
15. Disclaimer of Warranty.
|
||||
|
||||
THERE IS NO WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY
|
||||
APPLICABLE LAW. EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT
|
||||
HOLDERS AND/OR OTHER PARTIES PROVIDE THE PROGRAM "AS IS" WITHOUT WARRANTY
|
||||
OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO,
|
||||
THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR
|
||||
PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE PROGRAM
|
||||
IS WITH YOU. SHOULD THE PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF
|
||||
ALL NECESSARY SERVICING, REPAIR OR CORRECTION.
|
||||
|
||||
16. Limitation of Liability.
|
||||
|
||||
IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING
|
||||
WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MODIFIES AND/OR CONVEYS
|
||||
THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING ANY
|
||||
GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE
|
||||
USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF
|
||||
DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD
|
||||
PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS),
|
||||
EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF
|
||||
SUCH DAMAGES.
|
||||
|
||||
17. Interpretation of Sections 15 and 16.
|
||||
|
||||
If the disclaimer of warranty and limitation of liability provided
|
||||
above cannot be given local legal effect according to their terms,
|
||||
reviewing courts shall apply local law that most closely approximates
|
||||
an absolute waiver of all civil liability in connection with the
|
||||
Program, unless a warranty or assumption of liability accompanies a
|
||||
copy of the Program in return for a fee.
|
||||
|
||||
END OF TERMS AND CONDITIONS
|
||||
|
||||
How to Apply These Terms to Your New Programs
|
||||
|
||||
If you develop a new program, and you want it to be of the greatest
|
||||
possible use to the public, the best way to achieve this is to make it
|
||||
free software which everyone can redistribute and change under these terms.
|
||||
|
||||
To do so, attach the following notices to the program. It is safest
|
||||
to attach them to the start of each source file to most effectively
|
||||
state the exclusion of warranty; and each file should have at least
|
||||
the "copyright" line and a pointer to where the full notice is found.
|
||||
|
||||
{one line to give the program's name and a brief idea of what it does.}
|
||||
Copyright (C) {year} {name of author}
|
||||
|
||||
This program is free software: you can redistribute it and/or modify
|
||||
it under the terms of the GNU General Public License as published by
|
||||
the Free Software Foundation, either version 3 of the License, or
|
||||
(at your option) any later version.
|
||||
|
||||
This program is distributed in the hope that it will be useful,
|
||||
but WITHOUT ANY WARRANTY; without even the implied warranty of
|
||||
MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
|
||||
GNU General Public License for more details.
|
||||
|
||||
You should have received a copy of the GNU General Public License
|
||||
along with this program. If not, see <http://www.gnu.org/licenses/>.
|
||||
|
||||
Also add information on how to contact you by electronic and paper mail.
|
||||
|
||||
If the program does terminal interaction, make it output a short
|
||||
notice like this when it starts in an interactive mode:
|
||||
|
||||
{project} Copyright (C) {year} {fullname}
|
||||
This program comes with ABSOLUTELY NO WARRANTY; for details type `show w'.
|
||||
This is free software, and you are welcome to redistribute it
|
||||
under certain conditions; type `show c' for details.
|
||||
|
||||
The hypothetical commands `show w' and `show c' should show the appropriate
|
||||
parts of the General Public License. Of course, your program's commands
|
||||
might be different; for a GUI interface, you would use an "about box".
|
||||
|
||||
You should also get your employer (if you work as a programmer) or school,
|
||||
if any, to sign a "copyright disclaimer" for the program, if necessary.
|
||||
For more information on this, and how to apply and follow the GNU GPL, see
|
||||
<http://www.gnu.org/licenses/>.
|
||||
|
||||
The GNU General Public License does not permit incorporating your program
|
||||
into proprietary programs. If your program is a subroutine library, you
|
||||
may consider it more useful to permit linking proprietary applications with
|
||||
the library. If this is what you want to do, use the GNU Lesser General
|
||||
Public License instead of this License. But first, please read
|
||||
<http://www.gnu.org/philosophy/why-not-lgpl.html>.
|
||||
|
||||
@ -0,0 +1,8 @@
|
||||
a history of the domino problemo
|
||||
|
||||
essential details of the contents of this repository are outlined in the score/documentation at: https://www.unboundedpress.org/scores/a_history_of_the_domino_problem_score.pdf
|
||||
|
||||
note that all large files are within the attachment for the code release here at: https://gitea.unboundedpress.org/mwinter/a_history_of_the_domino_problem/releases
|
||||
|
||||
as more extensive documentation of the interface is written it will be posted here in this README.
|
||||
|
||||
@ -0,0 +1,171 @@
|
||||
// Include the AccelStepper library:
|
||||
#include <AccelStepper.h>
|
||||
|
||||
// Define stepper motor connections and motor interface type. Motor interface type must be set to 1 when using a driver:
|
||||
|
||||
// Set stepper 1 pins
|
||||
#define m1LimitNegPin 2
|
||||
#define m1LimitPosPin 3
|
||||
#define m1DirPin 4
|
||||
#define m1StepPin 5
|
||||
#define m1PowerPin 6
|
||||
|
||||
// Set stepper 2 pins
|
||||
#define m2LimitNegPin 9
|
||||
#define m2LimitPosPin 10
|
||||
#define m2DirPin 11
|
||||
#define m2StepPin 12
|
||||
#define m2PowerPin 13
|
||||
|
||||
#define motorInterfaceType 1
|
||||
|
||||
// Create a new instance of the AccelStepper class:
|
||||
AccelStepper m1Stepper = AccelStepper(motorInterfaceType, m1StepPin, m1DirPin);
|
||||
AccelStepper m2Stepper = AccelStepper(motorInterfaceType, m2StepPin, m2DirPin);
|
||||
|
||||
unsigned long previousMillis = 0;
|
||||
unsigned long currentMillis = 0;
|
||||
|
||||
void setup() {
|
||||
|
||||
pinMode(m1PowerPin, OUTPUT);
|
||||
pinMode(m1LimitNegPin, INPUT);
|
||||
pinMode(m1LimitPosPin, INPUT);
|
||||
|
||||
pinMode(m2PowerPin, OUTPUT);
|
||||
pinMode(m2LimitNegPin, INPUT);
|
||||
pinMode(m2LimitPosPin, INPUT);
|
||||
|
||||
Serial.begin(115200);
|
||||
|
||||
// Set the maximum speed in steps per second:
|
||||
m1Stepper.setMaxSpeed(200);
|
||||
m1Stepper.setAcceleration(100);
|
||||
m1Stepper.setCurrentPosition(0);
|
||||
|
||||
m2Stepper.setMaxSpeed(200);
|
||||
m2Stepper.setAcceleration(100);
|
||||
m2Stepper.setCurrentPosition(0);
|
||||
}
|
||||
|
||||
|
||||
int integerValue=0;
|
||||
bool negativeNumber = false; // track if number is negative
|
||||
char incomingByte;
|
||||
|
||||
void loop() {
|
||||
|
||||
currentMillis = millis();
|
||||
|
||||
int m1EorNeg = digitalRead(m1LimitNegPin);
|
||||
int m1EorPos = digitalRead(m1LimitPosPin);
|
||||
|
||||
int m2EorNeg = digitalRead(m2LimitNegPin);
|
||||
int m2EorPos = digitalRead(m2LimitPosPin);
|
||||
|
||||
if (currentMillis - previousMillis >= 1000 == true ) {
|
||||
Serial.println("------Stepper 1------");
|
||||
Serial.print("m1EorPos:");
|
||||
Serial.println(m1EorNeg);
|
||||
Serial.print("m1EorNeg: ");
|
||||
Serial.println(m1EorPos);
|
||||
Serial.print("m1CurPos: ");
|
||||
Serial.println(m1Stepper.currentPosition() * -1);
|
||||
Serial.print("m1TarPos: ");
|
||||
Serial.println(m1Stepper.targetPosition() * -1);
|
||||
Serial.println("");
|
||||
|
||||
Serial.println("------Stepper 2------");
|
||||
Serial.print("m2EorPos: ");
|
||||
Serial.println(m2EorNeg);
|
||||
Serial.print("m2EorNeg: ");
|
||||
Serial.println(m2EorPos);
|
||||
Serial.print("m2CurPos: ");
|
||||
Serial.println(m2Stepper.currentPosition() * -1);
|
||||
Serial.print("m2TarPos: ");
|
||||
Serial.println(m2Stepper.targetPosition() * -1);
|
||||
Serial.println("");
|
||||
|
||||
previousMillis = currentMillis;
|
||||
}
|
||||
|
||||
// limit switch logic for stepper 1
|
||||
if ((m1EorNeg < m1EorPos) && (m1Stepper.targetPosition() > m1Stepper.currentPosition())) {
|
||||
m1Stepper.setSpeed(0);
|
||||
m1Stepper.moveTo(m1Stepper.currentPosition());
|
||||
digitalWrite(m1PowerPin, HIGH);
|
||||
} else if ((m1EorNeg > m1EorPos) && (m1Stepper.targetPosition() < m1Stepper.currentPosition())) {
|
||||
m1Stepper.setSpeed(0);
|
||||
m1Stepper.moveTo(m1Stepper.currentPosition());
|
||||
digitalWrite(m1PowerPin, HIGH);
|
||||
} else if (m1Stepper.targetPosition() == m1Stepper.currentPosition()) {
|
||||
digitalWrite(m1PowerPin, HIGH);
|
||||
} else {
|
||||
digitalWrite(m1PowerPin, LOW);
|
||||
m1Stepper.run();
|
||||
}
|
||||
|
||||
// limit switch logic for stepper 2
|
||||
if ((m2EorNeg < m2EorPos) && (m2Stepper.targetPosition() > m2Stepper.currentPosition())) {
|
||||
m2Stepper.setSpeed(0);
|
||||
m2Stepper.moveTo(m2Stepper.currentPosition());
|
||||
digitalWrite(m2PowerPin, HIGH);
|
||||
} else if ((m2EorNeg > m2EorPos) && (m2Stepper.targetPosition() < m2Stepper.currentPosition())) {
|
||||
m2Stepper.setSpeed(0);
|
||||
m2Stepper.moveTo(m1Stepper.currentPosition());
|
||||
digitalWrite(m2PowerPin, HIGH);
|
||||
} else if (m2Stepper.targetPosition() == m2Stepper.currentPosition()) {
|
||||
digitalWrite(m2PowerPin, HIGH);
|
||||
} else {
|
||||
digitalWrite(m2PowerPin, LOW);
|
||||
m2Stepper.run();
|
||||
}
|
||||
|
||||
if (Serial.available() > 0) { // something came across serial
|
||||
integerValue = 0; // throw away previous integerValue
|
||||
negativeNumber = false; // reset for negative
|
||||
|
||||
while(1) { // force into a loop until 'n' is received
|
||||
incomingByte = Serial.read();
|
||||
if (incomingByte == ' ') break; // exit the while(1), we're done receiving
|
||||
if (incomingByte == -1) continue; // if no characters are in the buffer read() returns -1
|
||||
if (incomingByte == '-') {
|
||||
negativeNumber = true;
|
||||
continue;
|
||||
}
|
||||
integerValue *= 10; // shift left 1 decimal place
|
||||
integerValue = ((incomingByte - 48) + integerValue); // convert ASCII to integer, add, and shift left 1 decimal place
|
||||
}
|
||||
|
||||
if (negativeNumber)
|
||||
integerValue = -integerValue;
|
||||
|
||||
integerValue = -integerValue; // this makes up for the fact that things are backwards
|
||||
m1Stepper.moveTo(integerValue);
|
||||
|
||||
|
||||
integerValue = 0; // throw away previous integerValue
|
||||
negativeNumber = false; // reset for negative
|
||||
|
||||
while(1) { // force into a loop until 'n' is received
|
||||
incomingByte = Serial.read();
|
||||
if (incomingByte == '\n') break; // exit the while(1), we're done receiving
|
||||
if (incomingByte == -1) continue; // if no characters are in the buffer read() returns -1
|
||||
if (incomingByte == '-') {
|
||||
negativeNumber = true;
|
||||
continue;
|
||||
}
|
||||
integerValue *= 10; // shift left 1 decimal place
|
||||
integerValue = ((incomingByte - 48) + integerValue); // convert ASCII to integer, add, and shift left 1 decimal place
|
||||
}
|
||||
|
||||
if (negativeNumber)
|
||||
integerValue = -integerValue;
|
||||
|
||||
integerValue = -integerValue; // this makes up for the fact that things are backwards
|
||||
m2Stepper.moveTo(integerValue);
|
||||
|
||||
}
|
||||
|
||||
//delay(100);
|
||||
}
|
||||
@ -0,0 +1 @@
|
||||
*.gds
|
||||
@ -0,0 +1,38 @@
|
||||
import pya
|
||||
import os
|
||||
|
||||
base_dir = os.path.dirname(os.path.abspath(__file__))
|
||||
|
||||
ly1 = pya.Layout()
|
||||
ly1.read(os.path.join(base_dir, "..", "gds", "alignment_marks_overlapped.gds"))
|
||||
|
||||
ly2 = pya.Layout()
|
||||
ly2.read(os.path.join(base_dir, "..", "gds", "image_overlapped.gds"))
|
||||
|
||||
ly1_top_cell = ly1.top_cell()
|
||||
tmp = ly1.create_cell("Image")
|
||||
tmp.copy_tree(ly2.top_cell())
|
||||
|
||||
ly1_top_cell.insert(pya.CellInstArray(tmp.cell_index(), pya.Trans(3, False, 0, 0)))
|
||||
ly1.rename_cell(ly1_top_cell.cell_index(), "All")
|
||||
ly1_top_cell.flatten(1)
|
||||
|
||||
ly1.write(os.path.join(base_dir, "..", "gds", "image_with_alignment_marks_overlapped.gds"))
|
||||
|
||||
|
||||
|
||||
ly1 = pya.Layout()
|
||||
ly1.read(os.path.join(base_dir, "..", "gds", "inverted_tonality", "alignment_marks_overlapped_inverse.gds"))
|
||||
|
||||
ly2 = pya.Layout()
|
||||
ly2.read(os.path.join(base_dir, "..", "gds", "inverted_tonality", "image_overlapped_inverse.gds"))
|
||||
|
||||
ly2.top_cell().transform_into(pya.Trans(3, False, 0, 0))
|
||||
|
||||
processor = pya.ShapeProcessor()
|
||||
processor.boolean(ly1, ly1.top_cell(), 0, ly2, ly2.top_cell(), 0, ly1.top_cell().shapes(0), 1, False, False, True)
|
||||
|
||||
processor = pya.ShapeProcessor()
|
||||
processor.boolean(ly1, ly1.top_cell(), 1, ly2, ly2.top_cell(), 1, ly1.top_cell().shapes(1), 1, False, False, True)
|
||||
|
||||
ly1.write(os.path.join(base_dir, "..", "gds", "inverted_tonality", "image_with_alignment_marks_overlapped_inverse.gds"))
|
||||
@ -0,0 +1,449 @@
|
||||
import pya
|
||||
import os
|
||||
|
||||
base_dir = os.path.dirname(os.path.abspath(__file__))
|
||||
|
||||
# init vars
|
||||
pixel_size = 20
|
||||
shift_mult = 5
|
||||
image_size = 4266 * pixel_size * 100 #calculate this directly (4266 and 4242 for shift_mult 5 and 3, respectively)
|
||||
image_size_half = image_size / 2
|
||||
image_dist = (shift_mult * 3 * 2 + 2) * pixel_size * 100
|
||||
object_border = 0
|
||||
#print(image_dist)
|
||||
|
||||
|
||||
# create layout
|
||||
layout = pya.Layout()
|
||||
layout.dbu = 0.01
|
||||
top = layout.create_cell("Top")
|
||||
layer1_index = layout.insert_layer(pya.LayerInfo.new(1, 0))
|
||||
layer2_index = layout.insert_layer(pya.LayerInfo.new(2, 0))
|
||||
layer3_index = layout.insert_layer(pya.LayerInfo.new(3, 0))
|
||||
layer4_index = layout.insert_layer(pya.LayerInfo.new(4, 0))
|
||||
layer5_index = layout.insert_layer(pya.LayerInfo.new(5, 0))
|
||||
|
||||
|
||||
# wafer limits
|
||||
wafer = layout.create_cell("Wafer")
|
||||
wafer_circle_limit = layout.create_cell("CIRCLE", "Basic",
|
||||
{ "actual_radius": 75000, "npoints": 256, "layer": pya.LayerInfo(5, 0)} )
|
||||
wafer1_cell_border = layout.create_cell("DONUT", "Basic",
|
||||
{ "actual_radius1": 67500, "actual_radius2": 75000, "npoints": 256, "layer": pya.LayerInfo(1, 0)} )
|
||||
wafer2_cell_border = layout.create_cell("DONUT", "Basic",
|
||||
{ "actual_radius1": 67500, "actual_radius2": 75000, "npoints": 256, "layer": pya.LayerInfo(2, 0)} )
|
||||
wafer.insert(pya.CellInstArray(wafer_circle_limit.cell_index(), pya.Trans(0, 0)))
|
||||
wafer.insert(pya.CellInstArray(wafer1_cell_border.cell_index(), pya.Trans(0, 0)))
|
||||
wafer.insert(pya.CellInstArray(wafer2_cell_border.cell_index(), pya.Trans(0, 0)))
|
||||
|
||||
limit_region = pya.Region(wafer_circle_limit.begin_shapes_rec(layer5_index))
|
||||
|
||||
wafer1_fill_region = pya.Region()
|
||||
wafer1_fill_region.insert(pya.Box(-7500000, -6850000 + 1750000, 7500000, -1 * (6850000 + 1850000))) #mount area fill
|
||||
|
||||
frame_width = 300000
|
||||
square_width = 2000000
|
||||
wafer1_fill_region.insert(pya.Box(image_size_half, image_size_half, image_size_half + square_width, image_size_half + square_width)) #encoder
|
||||
wafer1_fill_region.insert(pya.Box(image_size_half, -1 * image_size_half, image_size_half + square_width, -1 * (image_size_half + square_width))) #encoder
|
||||
wafer1_fill_region.insert(pya.Box(-1 * image_size_half, image_size_half, -1 * (image_size_half + square_width), image_size_half + square_width)) #encoder
|
||||
wafer1_fill_region.insert(pya.Box(-1 * image_size_half, -1 * image_size_half, -1 * (image_size_half + square_width), -1 * (image_size_half + square_width))) #encoder
|
||||
wafer.shapes(layer1_index).insert(limit_region & wafer1_fill_region)
|
||||
|
||||
wafer2_fill_region = pya.Region()
|
||||
wafer2_fill_region.insert(pya.Box(-7500000, 6850000 - 1750000, 7500000, 6850000 + 1850000)) #mount area fill
|
||||
wafer2_fill_region.insert(pya.Box(image_size_half, image_size_half, image_size_half + square_width, image_size_half + square_width)) #encoder
|
||||
wafer2_fill_region.insert(pya.Box(image_size_half, -1 * image_size_half, image_size_half + square_width, -1 * (image_size_half + square_width))) #encoder
|
||||
wafer2_fill_region.insert(pya.Box(-1 * image_size_half, image_size_half, -1 * (image_size_half + square_width), image_size_half + square_width)) #encoder
|
||||
wafer2_fill_region.insert(pya.Box(-1 * image_size_half, -1 * image_size_half, -1 * (image_size_half + square_width), -1 * (image_size_half + square_width))) #encoder
|
||||
wafer.shapes(layer2_index).insert(limit_region & wafer2_fill_region)
|
||||
|
||||
wafer.shapes(layer3_index).insert(pya.Box(-7500000, -6850000, 7500000, 6850000 - 1850000)) #printable area wafer 1
|
||||
wafer.shapes(layer4_index).insert(pya.Box(-7500000, 6850000, 7500000, -1 * (6850000 - 1850000))) #printable area wafer 2
|
||||
|
||||
top.insert(pya.CellInstArray(wafer.cell_index(), pya.Trans(0, 0)))
|
||||
layout.rename_cell(wafer.cell_index(), "Wafer_Border")
|
||||
|
||||
# def for circ grating
|
||||
def gen_circ_grating(pitch, width, square_size, name):
|
||||
|
||||
#create grating archetype for circ grating
|
||||
circ_grating = layout.create_cell("Circ_Grating")
|
||||
circ_grating_inv = layout.create_cell("Circ_Grating_Inv")
|
||||
|
||||
i = 0
|
||||
while (i * pitch) < (8000):
|
||||
donut = layout.create_cell("DONUT", "Basic",
|
||||
{ "actual_radius1": (i * pitch), "actual_radius2": (i * pitch + width), "npoints": 256, "layer": pya.LayerInfo(1, 0)} )
|
||||
circ_grating.insert(pya.CellInstArray(donut.cell_index(), pya.Trans(0, 0)))
|
||||
i = i + 1
|
||||
|
||||
i = 0
|
||||
while (i * pitch) < (8000):
|
||||
donut = layout.create_cell("DONUT", "Basic",
|
||||
{ "actual_radius1": (i * pitch) + width, "actual_radius2": (i * pitch + width) + width, "npoints": 256, "layer": pya.LayerInfo(2, 0)} )
|
||||
circ_grating_inv.insert(pya.CellInstArray(donut.cell_index(), pya.Trans(0, 0)))
|
||||
i = i + 1
|
||||
|
||||
circ_grating_clip = layout.clip(circ_grating.cell_index(), pya.Box(-1 * square_size, -1 * square_size, square_size, square_size))
|
||||
circ_grating_inv_clip = layout.clip(circ_grating_inv.cell_index(), pya.Box(-1 * square_size, -1 * square_size, square_size, square_size))
|
||||
|
||||
circ_grating.delete()
|
||||
circ_grating_inv.delete()
|
||||
|
||||
layout.rename_cell(circ_grating_clip, name + "_Clip")
|
||||
layout.rename_cell(circ_grating_inv_clip, name + "_Inv_Clip")
|
||||
|
||||
return [circ_grating_clip, circ_grating_inv_clip]
|
||||
|
||||
|
||||
# verniers
|
||||
linear_grating_vernier = layout.create_cell("Vernier")
|
||||
base_period = image_size_half - 500000
|
||||
revealing_period = image_dist
|
||||
velocity_ratio = 1
|
||||
pitch1 = (base_period * (revealing_period / velocity_ratio)) / (base_period - (revealing_period / velocity_ratio))
|
||||
pitch2 = revealing_period / velocity_ratio
|
||||
opening1 = 4000
|
||||
#print(pitch1)
|
||||
#print(pitch2)
|
||||
|
||||
|
||||
frame_width = 300000
|
||||
|
||||
for i in range(-1 * int((image_size_half) / pitch1), int((image_size_half) / pitch1)):
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer2_index).insert(pya.Box(opening1 / 2, -1 * frame_width, pitch1 - opening1 / 2, 0))
|
||||
linear_grating_vernier.insert(pya.CellInstArray(line.cell_index(), pya.Trans(i * pitch1, 0)))
|
||||
|
||||
for i in range(-1 * int((image_size_half - image_dist) / pitch2), int((image_size_half - image_dist) / pitch2)):
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer1_index).insert(pya.Box(opening1 / 2, -1 * frame_width, pitch2 - opening1 / 2, 0))
|
||||
linear_grating_vernier.insert(pya.CellInstArray(line.cell_index(), pya.Trans(i * pitch2, 0)))
|
||||
|
||||
base_period = -1 * (image_size_half - 500000)
|
||||
revealing_period = image_dist
|
||||
velocity_ratio = 5
|
||||
pitch3 = (base_period * (revealing_period / velocity_ratio)) / (base_period - (revealing_period / velocity_ratio))
|
||||
pitch4 = revealing_period / velocity_ratio
|
||||
opening2 = 800
|
||||
|
||||
for i in range(-1 * int(image_size_half / pitch3), int(image_size_half / pitch3)):
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer2_index).insert(pya.Box(opening2 / 2, 0, pitch3 - opening2 / 2, frame_width))
|
||||
linear_grating_vernier.insert(pya.CellInstArray(line.cell_index(), pya.Trans(i * pitch3, 0)))
|
||||
|
||||
|
||||
for i in range(-1 * int((image_size_half - image_dist) / pitch4), int((image_size_half - image_dist) / pitch4)):
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer1_index).insert(pya.Box(opening2 / 2, 0, pitch4 - opening2 / 2, frame_width))
|
||||
linear_grating_vernier.insert(pya.CellInstArray(line.cell_index(), pya.Trans(i * pitch4, 0)))
|
||||
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer2_index).insert(pya.Box(image_size_half - (2 * image_dist), -1 * frame_width, image_size_half, 0))
|
||||
line.shapes(layer2_index).insert(pya.Box(-1 * (image_size_half - (2 * image_dist)), -1 * frame_width, -1 * (image_size_half), 0))
|
||||
line.shapes(layer2_index).insert(pya.Box(image_size_half - (2 * image_dist), image_dist, image_size_half, image_dist + frame_width))
|
||||
line.shapes(layer2_index).insert(pya.Box(-1 * (image_size_half - (2 * image_dist)), image_dist, -1 * (image_size_half), image_dist + frame_width))
|
||||
|
||||
#These four lines can be taken away to get rid of the bounding black out
|
||||
line.shapes(layer2_index).insert(pya.Box(-1 * image_size_half, image_dist, image_size_half, 0 - image_dist))
|
||||
line.shapes(layer2_index).insert(pya.Box(-1 * image_size_half, -1 * (frame_width - image_dist), image_size_half, -1 * (frame_width + image_dist)))
|
||||
line.shapes(layer2_index).insert(pya.Box(-1 * image_size_half, 0, image_size_half, image_dist))
|
||||
line.shapes(layer2_index).insert(pya.Box(-1 * image_size_half, frame_width + (1 * image_dist), image_size_half, frame_width - image_dist))
|
||||
linear_grating_vernier.insert(pya.CellInstArray(line.cell_index(), pya.Trans(0, 0)))
|
||||
|
||||
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer1_index).insert(pya.Box(image_size_half - image_dist, -1 * frame_width, image_size_half - (2 * image_dist), 0))
|
||||
line.shapes(layer1_index).insert(pya.Box(-1 * (image_size_half - image_dist), -1 * frame_width, -1 * (image_size_half - (2 * image_dist)), 0))
|
||||
line.shapes(layer1_index).insert(pya.Box(image_size_half - image_dist, 0, image_size_half - (2 * image_dist), frame_width))
|
||||
line.shapes(layer1_index).insert(pya.Box(-1 * (image_size_half - image_dist), 0, -1 * (image_size_half - (2 * image_dist)), frame_width))
|
||||
linear_grating_vernier.insert(pya.CellInstArray(line.cell_index(), pya.Trans(0, 0)))
|
||||
|
||||
vernier_extent = image_size_half + object_border + frame_width + image_dist
|
||||
top.insert(pya.CellInstArray(linear_grating_vernier.cell_index(), pya.Trans(3, False, vernier_extent, 0)))
|
||||
top.insert(pya.CellInstArray(linear_grating_vernier.cell_index(), pya.Trans(1, False, -1 * vernier_extent, 0)))
|
||||
top.insert(pya.CellInstArray(linear_grating_vernier.cell_index(), pya.Trans(0, False, 0, vernier_extent)))
|
||||
top.insert(pya.CellInstArray(linear_grating_vernier.cell_index(), pya.Trans(2, False, 0, -1 * vernier_extent)))
|
||||
vernier_extent = vernier_extent + frame_width + image_dist
|
||||
|
||||
|
||||
# linear grating unison for rotational alignment
|
||||
linear_grating_uni = layout.create_cell("Linear_Grating_Uni")
|
||||
pitch = 2000
|
||||
line_width = 1000
|
||||
frame_width = 300000 / 2
|
||||
line_length = image_size_half - 500000
|
||||
|
||||
i = -1 * frame_width
|
||||
while (i) < (frame_width):
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer1_index).insert(pya.Box(0, -1 * line_length, line_width, line_length))
|
||||
linear_grating_uni.insert(pya.CellInstArray(line.cell_index(), pya.Trans(i, 0)))
|
||||
i = i + pitch
|
||||
|
||||
i = -1 * frame_width
|
||||
shift = line_width
|
||||
while (i) < (frame_width):
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer2_index).insert(pya.Box(0, -1 * line_length, line_width, line_length))
|
||||
linear_grating_uni.insert(pya.CellInstArray(line.cell_index(), pya.Trans(i + shift, 0)))
|
||||
i = i + pitch
|
||||
|
||||
unison_rot_extent = vernier_extent + object_border + frame_width + image_dist
|
||||
top.insert(pya.CellInstArray(linear_grating_uni.cell_index(), pya.Trans(2, False, unison_rot_extent, 0)))
|
||||
top.insert(pya.CellInstArray(linear_grating_uni.cell_index(), pya.Trans(0, False, -1 * unison_rot_extent, 0)))
|
||||
unison_rot_extent = unison_rot_extent + frame_width + image_dist
|
||||
|
||||
|
||||
# 9 * 9 grid with larger squares
|
||||
circ_grating_square_array_2 = layout.create_cell("Circ_Grating_Square_Array_2")
|
||||
square_dist = 400000
|
||||
pitch = 10
|
||||
width = 5
|
||||
square_size = (square_dist / 2) - 20000
|
||||
[circ_grating_square_array_clip, circ_grating_square_array_inv_clip] = gen_circ_grating(pitch, width, square_size, "Circ_Grating_2")
|
||||
|
||||
for r in range(-1, 2):
|
||||
for c in range(-1, 2):
|
||||
circ_grating_square_array_2.insert(pya.CellInstArray(circ_grating_square_array_clip, pya.Trans(0, False, square_dist * r, square_dist * c)))
|
||||
circ_grating_square_array_2.insert(pya.CellInstArray(circ_grating_square_array_inv_clip, pya.Trans(0, False, square_dist * r + (r * image_dist), square_dist * c + (c * image_dist))))
|
||||
|
||||
grid_extent = unison_rot_extent + square_size + square_dist + image_dist
|
||||
y_offset = square_dist + image_dist + (square_size)
|
||||
top.insert(pya.CellInstArray(circ_grating_square_array_2.cell_index(), pya.Trans(2, False, grid_extent, 0)))
|
||||
top.insert(pya.CellInstArray(circ_grating_square_array_2.cell_index(), pya.Trans(0, False, -1 * grid_extent, 0)))
|
||||
|
||||
# verniers md course
|
||||
linear_grating_vernier_md_course = layout.create_cell("Vernier_md_course")
|
||||
square_size = 650000
|
||||
fray = 0
|
||||
line_length = square_size / 2 + fray
|
||||
velocity_ratio = 2
|
||||
pitch1 = ((square_size * 1) * (image_dist / velocity_ratio)) / ((square_size * 1) - (image_dist / velocity_ratio))
|
||||
pitch2 = image_dist / velocity_ratio
|
||||
opening = 8000
|
||||
|
||||
for i in range(-1 * int(square_size / 2 / pitch1) - 0, int(square_size / 2 / pitch1) + 0):
|
||||
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer2_index).insert(pya.Box(opening / 2, -1 * line_length, pitch1 - opening / 2, line_length))
|
||||
linear_grating_vernier_md_course.insert(pya.CellInstArray(line.cell_index(), pya.Trans(i * pitch1, 0)))
|
||||
linear_grating_vernier_md_course.insert(pya.CellInstArray(line.cell_index(), pya.Trans(1, False, 0, (i * pitch1))))
|
||||
|
||||
for i in range(-1 * int(square_size / 2 / pitch2) - 0, int(square_size / 2 / pitch2) + 0):
|
||||
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer1_index).insert(pya.Box(opening / 2, -1 * line_length, pitch2 - opening / 2, line_length))
|
||||
linear_grating_vernier_md_course.insert(pya.CellInstArray(line.cell_index(), pya.Trans(i * pitch2, 0)))
|
||||
linear_grating_vernier_md_course.insert(pya.CellInstArray(line.cell_index(), pya.Trans(1, False, 0, (i * pitch2))))
|
||||
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer2_index).insert(pya.Box(-1 * (square_size / 2 + (1 * image_dist)), square_size / 2 - image_dist, square_size / 2 + (1 * image_dist), square_size / 2 + (1 * image_dist)))
|
||||
linear_grating_vernier_md_course.insert(pya.CellInstArray(line.cell_index(), pya.Trans(0, 0)))
|
||||
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer2_index).insert(pya.Box(-1 * (square_size / 2 + (1 * image_dist)), square_size / 2 - image_dist, square_size / 2 + (0 * image_dist), square_size / 2 + (1 * image_dist)))
|
||||
#linear_grating_vernier_md_course.insert(pya.CellInstArray(line.cell_index(), pya.Trans(0, 0)))
|
||||
linear_grating_vernier_md_course.insert(pya.CellInstArray(line.cell_index(), pya.Trans(1, False, 0, 0)))
|
||||
linear_grating_vernier_md_course.insert(pya.CellInstArray(line.cell_index(), pya.Trans(2, False, 0, 0)))
|
||||
linear_grating_vernier_md_course.insert(pya.CellInstArray(line.cell_index(), pya.Trans(1, True, 0, 0)))
|
||||
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer1_index).insert(pya.Box(-1 * (square_size / 2 + (1 * image_dist)), square_size / 2, square_size / 2 + (1 * image_dist), square_size / 2 + (0 * image_dist)))
|
||||
linear_grating_vernier_md_course.insert(pya.CellInstArray(line.cell_index(), pya.Trans(0, 0)))
|
||||
linear_grating_vernier_md_course.insert(pya.CellInstArray(line.cell_index(), pya.Trans(1, False, 0, 0)))
|
||||
linear_grating_vernier_md_course.insert(pya.CellInstArray(line.cell_index(), pya.Trans(2, False, 0, 0)))
|
||||
linear_grating_vernier_md_course.insert(pya.CellInstArray(line.cell_index(), pya.Trans(3, False, 0, 0)))
|
||||
|
||||
triangle = layout.create_cell("Triangle")
|
||||
triangle.shapes(layer2_index).insert(pya.Polygon([pya.Point(-45000, -1 * image_dist), pya.Point(45000, -1 * image_dist), pya.Point(0, 0)]))
|
||||
linear_grating_vernier_md_course.insert(pya.CellInstArray(triangle.cell_index(), pya.Trans(0, False, 0, -1 * (square_size / 2 + (image_dist * 1)))))
|
||||
linear_grating_vernier_md_course.insert(pya.CellInstArray(triangle.cell_index(), pya.Trans(1, False, (square_size / 2 + (image_dist * 1)), 0)))
|
||||
|
||||
grid_extent = unison_rot_extent + (square_size / 2) + (image_dist * 1)
|
||||
y_offset = y_offset + (square_size / 2) + (image_dist * 3)
|
||||
top.insert(pya.CellInstArray(linear_grating_vernier_md_course.cell_index(), pya.Trans(0, False, (grid_extent + fray), (y_offset + fray))))
|
||||
top.insert(pya.CellInstArray(linear_grating_vernier_md_course.cell_index(), pya.Trans(0, True, (grid_extent + fray), -1 * (y_offset + fray))))
|
||||
top.insert(pya.CellInstArray(linear_grating_vernier_md_course.cell_index(), pya.Trans(2, False, -1 * (grid_extent + fray), -1 * (y_offset + fray))))
|
||||
top.insert(pya.CellInstArray(linear_grating_vernier_md_course.cell_index(), pya.Trans(2, True, -1 * (grid_extent + fray), (y_offset + fray))))
|
||||
|
||||
|
||||
# verniers md fine
|
||||
linear_grating_vernier_md_fine = layout.create_cell("Vernier_md_fine")
|
||||
square_size = 650000
|
||||
fray = 0
|
||||
line_length = square_size / 2 + fray
|
||||
velocity_ratio = 3
|
||||
pitch1 = ((square_size * -1) * (image_dist / velocity_ratio)) / ((square_size * -1) - (image_dist / velocity_ratio))
|
||||
pitch2 = image_dist / velocity_ratio
|
||||
opening = 8000 * 2/3
|
||||
|
||||
for i in range(-1 * int(square_size / 2 / pitch1) - 0, int(square_size / 2 / pitch1) + 0):
|
||||
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer2_index).insert(pya.Box(opening / 2, -1 * line_length, pitch1 - opening / 2, line_length))
|
||||
linear_grating_vernier_md_fine.insert(pya.CellInstArray(line.cell_index(), pya.Trans(i * pitch1, 0)))
|
||||
linear_grating_vernier_md_fine.insert(pya.CellInstArray(line.cell_index(), pya.Trans(1, False, 0, (i * pitch1))))
|
||||
|
||||
for i in range(-1 * int(square_size / 2 / pitch1) - 0, int(square_size / 2 / pitch1) + 0):
|
||||
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer1_index).insert(pya.Box(opening / 2, -1 * line_length, pitch2 - opening / 2, line_length))
|
||||
linear_grating_vernier_md_fine.insert(pya.CellInstArray(line.cell_index(), pya.Trans(i * pitch2, 0)))
|
||||
linear_grating_vernier_md_fine.insert(pya.CellInstArray(line.cell_index(), pya.Trans(1, False, 0, (i * pitch2))))
|
||||
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer2_index).insert(pya.Box(-1 * (square_size / 2 + (1 * image_dist)), square_size / 2 - image_dist, square_size / 2 + (1 * image_dist), square_size / 2 + (1 * image_dist)))
|
||||
linear_grating_vernier_md_fine.insert(pya.CellInstArray(line.cell_index(), pya.Trans(0, 0)))
|
||||
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer2_index).insert(pya.Box(-1 * (square_size / 2 + (1 * image_dist)), square_size / 2 - image_dist, square_size / 2 + (0 * image_dist), square_size / 2 + (1 * image_dist)))
|
||||
#linear_grating_vernier_md_fine.insert(pya.CellInstArray(line.cell_index(), pya.Trans(0, 0)))
|
||||
linear_grating_vernier_md_fine.insert(pya.CellInstArray(line.cell_index(), pya.Trans(1, False, 0, 0)))
|
||||
linear_grating_vernier_md_fine.insert(pya.CellInstArray(line.cell_index(), pya.Trans(2, False, 0, 0)))
|
||||
linear_grating_vernier_md_fine.insert(pya.CellInstArray(line.cell_index(), pya.Trans(1, True, 0, 0)))
|
||||
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer1_index).insert(pya.Box(-1 * (square_size / 2 + (1 * image_dist)), square_size / 2, square_size / 2 + (1 * image_dist), square_size / 2 + (0 * image_dist)))
|
||||
linear_grating_vernier_md_fine.insert(pya.CellInstArray(line.cell_index(), pya.Trans(0, 0)))
|
||||
linear_grating_vernier_md_fine.insert(pya.CellInstArray(line.cell_index(), pya.Trans(1, False, 0, 0)))
|
||||
linear_grating_vernier_md_fine.insert(pya.CellInstArray(line.cell_index(), pya.Trans(2, False, 0, 0)))
|
||||
linear_grating_vernier_md_fine.insert(pya.CellInstArray(line.cell_index(), pya.Trans(3, False, 0, 0)))
|
||||
|
||||
triangle = layout.create_cell("Triangle")
|
||||
triangle.shapes(layer2_index).insert(pya.Polygon([pya.Point(-45000, -1 * image_dist), pya.Point(45000, -1 * image_dist), pya.Point(0, 0)]))
|
||||
linear_grating_vernier_md_fine.insert(pya.CellInstArray(triangle.cell_index(), pya.Trans(0, False, 0, -1 * (square_size / 2 + (image_dist * 1)))))
|
||||
linear_grating_vernier_md_fine.insert(pya.CellInstArray(triangle.cell_index(), pya.Trans(1, False, (square_size / 2 + (image_dist * 1)), 0)))
|
||||
|
||||
|
||||
grid_extent = unison_rot_extent + (square_size / 2) + (image_dist * 1)
|
||||
y_offset = y_offset + square_size + (image_dist * 1)
|
||||
|
||||
top.insert(pya.CellInstArray(linear_grating_vernier_md_course.cell_index(), pya.Trans(0, True, (grid_extent + fray), (y_offset + fray))))
|
||||
top.insert(pya.CellInstArray(linear_grating_vernier_md_course.cell_index(), pya.Trans(0, False, (grid_extent + fray), -1 * (y_offset + fray))))
|
||||
top.insert(pya.CellInstArray(linear_grating_vernier_md_course.cell_index(), pya.Trans(2, True, -1 * (grid_extent + fray), -1 * (y_offset + fray))))
|
||||
top.insert(pya.CellInstArray(linear_grating_vernier_md_course.cell_index(), pya.Trans(2, False, -1 * (grid_extent + fray), (y_offset + fray))))
|
||||
y_offset = y_offset + (square_size / 2) + (image_dist * 3)
|
||||
|
||||
# larger squares only in the unison position
|
||||
circ_grating_uni = layout.create_cell("Circ_Grating_Uni")
|
||||
pitch = 20
|
||||
width = 10
|
||||
square_size = 530000 / 2
|
||||
[circ_grating_uni_clip, circ_grating_uni_inv_clip] = gen_circ_grating(pitch, width, square_size, "Circ_Grating_3")
|
||||
|
||||
circ_grating_uni.insert(pya.CellInstArray(circ_grating_uni_clip, pya.Trans(0, False, 0, 0)))
|
||||
circ_grating_uni.insert(pya.CellInstArray(circ_grating_uni_inv_clip, pya.Trans(0, False, 0, 0)))
|
||||
|
||||
grid_extent = unison_rot_extent + square_size + image_dist
|
||||
y_offset = y_offset + (square_size / 1)
|
||||
top.insert(pya.CellInstArray(circ_grating_uni.cell_index(), pya.Trans(0, False, grid_extent, -1 * y_offset)))
|
||||
top.insert(pya.CellInstArray(circ_grating_uni.cell_index(), pya.Trans(0, False, -1 * grid_extent, -1 * y_offset)))
|
||||
top.insert(pya.CellInstArray(circ_grating_uni.cell_index(), pya.Trans(0, False, grid_extent, y_offset)))
|
||||
top.insert(pya.CellInstArray(circ_grating_uni.cell_index(), pya.Trans(0, False, -1 * grid_extent, y_offset)))
|
||||
|
||||
|
||||
#top.insert(pya.CellInstArray(linear_grating_encoder_clip, pya.Trans(0, False, image_size_half, image_size_half)))
|
||||
|
||||
# linear grating encoder for optional optosensor
|
||||
def gen_encoder_grating(alg_layout, cell):
|
||||
frame_width = 300000
|
||||
linear_grating_encoder_1 = alg_layout.create_cell("Linear_Grating_Encoder_1")
|
||||
linear_grating_encoder_2 = alg_layout.create_cell("Linear_Grating_Encoder_2")
|
||||
pitch = 1000
|
||||
line_width = 500
|
||||
square_width = (frame_width * 2) + (image_dist * 2)
|
||||
square_width = 2000000
|
||||
line_length = square_width
|
||||
|
||||
i = -1 * square_width
|
||||
while (i) < (square_width):
|
||||
line = alg_layout.create_cell("Line")
|
||||
line.shapes(layer1_index).insert(pya.Box(line_width, 0, -1 * square_width, line_width))
|
||||
line.shapes(layer1_index).insert(pya.Box(0, 0, line_width, -1 * square_width))
|
||||
linear_grating_encoder_1.insert(pya.CellInstArray(line.cell_index(), pya.Trans(0, False, i, i)))
|
||||
line = alg_layout.create_cell("Line")
|
||||
line.shapes(layer2_index).insert(pya.Box(line_width, 0, -1 * square_width, line_width))
|
||||
line.shapes(layer2_index).insert(pya.Box(0, 0, line_width, -1 * square_width))
|
||||
linear_grating_encoder_2.insert(pya.CellInstArray(line.cell_index(), pya.Trans(0, False, i, i)))
|
||||
i = i + pitch
|
||||
|
||||
i = -1 * square_width
|
||||
shift = line_width
|
||||
while (i) < (frame_width + image_dist):
|
||||
line = alg_layout.create_cell("Line")
|
||||
line.shapes(layer2_index).insert(pya.Box(line_width, 0, -1 * square_width, line_width))
|
||||
line.shapes(layer2_index).insert(pya.Box(0, 0, line_width, -1 * square_width))
|
||||
linear_grating_encoder_1.insert(pya.CellInstArray(line.cell_index(), pya.Trans(0, False, i + shift, i + shift)))
|
||||
line = alg_layout.create_cell("Line")
|
||||
line.shapes(layer1_index).insert(pya.Box(line_width, 0, -1 * square_width, line_width))
|
||||
line.shapes(layer1_index).insert(pya.Box(0, 0, line_width, -1 * square_width))
|
||||
linear_grating_encoder_2.insert(pya.CellInstArray(line.cell_index(), pya.Trans(0, False, i + shift, i + shift)))
|
||||
i = i + pitch
|
||||
|
||||
|
||||
inner_clip_2 = alg_layout.clip(linear_grating_encoder_2.cell_index(), pya.Box(0, 0, frame_width + image_dist, frame_width + image_dist))
|
||||
linear_grating_encoder_clip_2 = alg_layout.clip(linear_grating_encoder_2.cell_index(), pya.Box(0, 0, square_width, square_width))
|
||||
|
||||
cell.insert(pya.CellInstArray(linear_grating_encoder_clip_2, pya.Trans(0, False, image_size_half, image_size_half)))
|
||||
cell.insert(pya.CellInstArray(inner_clip_2, pya.Trans(0, False, image_size_half + frame_width + image_dist, image_size_half + frame_width + image_dist)))
|
||||
|
||||
cell.insert(pya.CellInstArray(linear_grating_encoder_clip_2, pya.Trans(1, False, -1 * image_size_half, image_size_half)))
|
||||
cell.insert(pya.CellInstArray(inner_clip_2, pya.Trans(1, False, -1 * (image_size_half + frame_width + image_dist), image_size_half + frame_width + image_dist)))
|
||||
|
||||
inner_clip_1 = alg_layout.clip(linear_grating_encoder_1.cell_index(), pya.Box(0, 0, frame_width + image_dist, frame_width + image_dist))
|
||||
linear_grating_encoder_clip_1 = alg_layout.clip(linear_grating_encoder_1.cell_index(), pya.Box(0, 0, square_width, square_width))
|
||||
|
||||
cell.insert(pya.CellInstArray(linear_grating_encoder_clip_1, pya.Trans(2, False, -1 * image_size_half, -1 * image_size_half)))
|
||||
cell.insert(pya.CellInstArray(inner_clip_1, pya.Trans(2, False, -1 * (image_size_half + frame_width + image_dist), -1 * (image_size_half + frame_width + image_dist))))
|
||||
|
||||
cell.insert(pya.CellInstArray(linear_grating_encoder_clip_1, pya.Trans(3, False, image_size_half, -1 * image_size_half)))
|
||||
cell.insert(pya.CellInstArray(inner_clip_1, pya.Trans(3, False, image_size_half + frame_width + image_dist, -1 * (image_size_half + frame_width + image_dist))))
|
||||
|
||||
cell.flatten(1)
|
||||
alg_layout.prune_cell(linear_grating_encoder_1.cell_index(), -1)
|
||||
alg_layout.prune_cell(linear_grating_encoder_2.cell_index(), -1)
|
||||
|
||||
top.flatten(1)
|
||||
|
||||
wafer1_region1 = pya.Region(top.begin_shapes_rec(layer1_index))
|
||||
wafer1_region2 = pya.Region(top.begin_shapes_rec(layer3_index))
|
||||
|
||||
wafer2_region1 = pya.Region(top.begin_shapes_rec(layer2_index))
|
||||
wafer2_region2 = pya.Region(top.begin_shapes_rec(layer4_index))
|
||||
|
||||
|
||||
alignment_layout = pya.Layout()
|
||||
alignment = alignment_layout.create_cell("Alignment")
|
||||
alignment_layout.dbu = 0.01
|
||||
layer1_index = alignment_layout.insert_layer(pya.LayerInfo.new(1, 0))
|
||||
layer2_index = alignment_layout.insert_layer(pya.LayerInfo.new(2, 0))
|
||||
|
||||
encode_region = pya.Region()
|
||||
square_width = 2000000
|
||||
encode_region.insert(pya.Box(image_size_half, image_size_half, image_size_half + square_width, image_size_half + square_width)) #encoder
|
||||
encode_region.insert(pya.Box(image_size_half, -1 * image_size_half, image_size_half + square_width, -1 * (image_size_half + square_width))) #encoder
|
||||
encode_region.insert(pya.Box(-1 * image_size_half, image_size_half, -1 * (image_size_half + square_width), image_size_half + square_width)) #encoder
|
||||
encode_region.insert(pya.Box(-1 * image_size_half, -1 * image_size_half, -1 * (image_size_half + square_width), -1 * (image_size_half + square_width))) #encoder
|
||||
|
||||
alignment.shapes(layer1_index).insert((wafer1_region1 & wafer1_region2) - encode_region)
|
||||
alignment.shapes(layer2_index).insert((wafer2_region1 & wafer2_region2) - encode_region)
|
||||
|
||||
gen_encoder_grating(alignment_layout, alignment)
|
||||
#alignment_layout.transform(pya.Trans(2, False, 0, 0))
|
||||
|
||||
alignment_layout.write(os.path.join(base_dir, "..", "gds", "alignment_marks_overlapped.gds"))
|
||||
|
||||
alignment_inv_layout = pya.Layout()
|
||||
alignment_inv = alignment_inv_layout.create_cell("Alignment_Inverse")
|
||||
alignment_inv_layout.dbu = 0.01
|
||||
layer1_index = alignment_inv_layout.insert_layer(pya.LayerInfo.new(1, 0))
|
||||
layer2_index = alignment_inv_layout.insert_layer(pya.LayerInfo.new(2, 0))
|
||||
|
||||
alignment_inv.shapes(layer1_index).insert(wafer1_region2 - wafer1_region1)
|
||||
alignment_inv.shapes(layer2_index).insert(wafer2_region2 - wafer2_region1)
|
||||
|
||||
gen_encoder_grating(alignment_inv_layout, alignment_inv)
|
||||
#alignment_inv_layout.transform(pya.Trans(2, False, 0, 0))
|
||||
|
||||
alignment_inv_layout.write(os.path.join(base_dir, "..", "gds", "inverted_tonality", "alignment_marks_overlapped_inverse.gds"))
|
||||
@ -0,0 +1,147 @@
|
||||
import pya
|
||||
import os
|
||||
from PIL import Image
|
||||
|
||||
base_dir = os.path.dirname(os.path.abspath(__file__))
|
||||
|
||||
#for some reason pya is not getting the size so using PIL
|
||||
im = Image.open(os.path.join(base_dir, "..", "visualizations", "11735", "shadow_img_0_final.png"))
|
||||
#width, height = [100, 100]
|
||||
width, height = im.size
|
||||
im.close()
|
||||
|
||||
# create layout
|
||||
layout = pya.Layout()
|
||||
layout.dbu = 0.01
|
||||
image = layout.create_cell("Image")
|
||||
layer1_index = layout.insert_layer(pya.LayerInfo.new(1, 0))
|
||||
layer2_index = layout.insert_layer(pya.LayerInfo.new(2, 0))
|
||||
|
||||
image1 = pya.Image(os.path.join(base_dir, "..", "visualizations", "11735", "shadow_img_0_final.png"))
|
||||
|
||||
# The dimension of one pixel
|
||||
pixelSize = 2000
|
||||
# image distance in pixels minus the 2 pixel offset
|
||||
shift_mult = 5
|
||||
image_dist = (shift_mult * 3 * 2)
|
||||
|
||||
image1_region = pya.Region()
|
||||
image2_region = pya.Region()
|
||||
image1_region_bb = pya.Region()
|
||||
image2_region_bb = pya.Region()
|
||||
final_region = pya.Region()
|
||||
|
||||
# Iterate over all rows in image1
|
||||
for y in range(height):
|
||||
# Iterate over all columns in image1
|
||||
for x in range(width):
|
||||
|
||||
# Use each channel for a different layer
|
||||
# d > 0.5 selects all pixels with a level > 50% in that channel
|
||||
d = image1.get_pixel(x, y, 0)
|
||||
if d < 0.5:
|
||||
# Create a polygon corresponding to one pixel
|
||||
p1 = pya.DPoint((x * pixelSize) - (0.5 * width * pixelSize), (y * pixelSize) - (0.5 * width * pixelSize))
|
||||
p2 = pya.DPoint(((x + 1) * pixelSize) - (0.5 * width * pixelSize), ((y + 1) * pixelSize) - (0.5 * width * pixelSize))
|
||||
dbox = pya.DBox(p1, p2)
|
||||
box = pya.Box.from_dbox(dbox)
|
||||
poly = pya.Polygon(box)
|
||||
image1_region.insert(poly)
|
||||
|
||||
image1._destroy()
|
||||
image2 = pya.Image(os.path.join(base_dir, "..", "visualizations", "11735", "shadow_img_1_final.png"))
|
||||
|
||||
# Iterate over all rows in image2
|
||||
for y in range(image_dist, height - image_dist):
|
||||
# Iterate over all columns in image2
|
||||
for x in range(image_dist, width - image_dist):
|
||||
|
||||
# Use each channel for a different layer
|
||||
# d > 0.5 selects all pixels with a level > 50% in that channel
|
||||
d = image2.get_pixel(x, y, 0)
|
||||
if d < 0.5:
|
||||
# Create a polygon corresponding to one pixel
|
||||
p1 = pya.DPoint((x * pixelSize) - (0.5 * width * pixelSize), (y * pixelSize) - (0.5 * width * pixelSize))
|
||||
p2 = pya.DPoint(((x + 1) * pixelSize) - (0.5 * width * pixelSize), ((y + 1) * pixelSize) - (0.5 * width * pixelSize))
|
||||
dbox = pya.DBox(p1, p2)
|
||||
box = pya.Box.from_dbox(dbox)
|
||||
poly = pya.Polygon(box)
|
||||
image2_region.insert(poly)
|
||||
|
||||
print("pixel import finished")
|
||||
image2._destroy()
|
||||
|
||||
image1_bb = pya.Box(-0.5 * width * pixelSize, -0.5 * height * pixelSize, 0.5 * width * pixelSize, 0.5 * width * pixelSize)
|
||||
image2_bb = pya.Box(((-0.5 * width) + image_dist) * pixelSize, ((-0.5 * height) + image_dist) * pixelSize, ((0.5 * width) - image_dist) * pixelSize, ((0.5 * height) - image_dist) * pixelSize)
|
||||
image1_region_bb.insert(image1_bb)
|
||||
image2_region_bb.insert(image2_bb)
|
||||
|
||||
#if you resize image1, you must sent merged_semantics to True!!!!
|
||||
#image1_region.merged_semantics = False
|
||||
#image2_region.merged_semantics = False
|
||||
#image1_region_inverse.merged_semantics = False
|
||||
#image2_region_inverse.merged_semantics = False
|
||||
#image1_region_bb.merged_semantics = False
|
||||
#image2_region_bb.merged_semantics = False
|
||||
#final_region.merged_semantics = False
|
||||
|
||||
#image1_region.strict_handling = True
|
||||
#image2_region.strict_handling = True
|
||||
#image1_region_inverse.strict_handling = True
|
||||
#image2_region_inverse.strict_handling = True
|
||||
#image2_region.strict_handling = True
|
||||
#image1_region_bb.strict_handling = True
|
||||
#image2_region_bb.strict_handling = True
|
||||
#final_region.strict_handling = True
|
||||
|
||||
#image1_region.size(25) #opting not to resize image1
|
||||
image2_region.size(150)
|
||||
print("resize finished")
|
||||
|
||||
image_layout = pya.Layout()
|
||||
image = image_layout.create_cell("Image")
|
||||
image_layout.dbu = 0.01
|
||||
layer1_image_index = image_layout.insert_layer(pya.LayerInfo.new(1, 0))
|
||||
layer2_image_index = image_layout.insert_layer(pya.LayerInfo.new(2, 0))
|
||||
|
||||
print("finalizing layout for image_overlapped.gds")
|
||||
#normal
|
||||
image.shapes(layer1_index).insert(image1_region)
|
||||
image_layout.clip(image.cell_index(), image1_bb)
|
||||
processor = pya.ShapeProcessor()
|
||||
processor.merge(image_layout, image, layer1_image_index, image.shapes(layer1_image_index), False, 0, False, True)
|
||||
print("layer1 finished")
|
||||
image.shapes(layer2_image_index).insert(image2_region_bb & image2_region)
|
||||
print("layer2 finished")
|
||||
print("layout for image_overlapped.gds finished")
|
||||
|
||||
image_layout.write(os.path.join(base_dir, "..", "gds", "image_overlapped.gds"))
|
||||
print("image_overlapped.gds written")
|
||||
|
||||
|
||||
image_inv_layout = pya.Layout()
|
||||
image_inv = image_inv_layout.create_cell("Image_Inverse")
|
||||
image_inv_layout.dbu = 0.01
|
||||
layer1_image_inv_index = image_inv_layout.insert_layer(pya.LayerInfo.new(1, 0))
|
||||
layer2_image_inv_index = image_inv_layout.insert_layer(pya.LayerInfo.new(2, 0))
|
||||
|
||||
print("finalizing layout for image_overlapped_inverse.gds")
|
||||
#inverted
|
||||
#image_inv.shapes(layer1_index).insert(pya.Box(-7500000, -6850000, 7500000, 6850000 - 1850000)) #printable area wafer 1
|
||||
#image_inv.shapes(layer2_index).insert(pya.Box(-7500000, 6850000, 7500000, -1 * (6850000 - 1850000))) #printable area wafer 2
|
||||
|
||||
#the printable areas are rotated for the overlay with the alignment marks
|
||||
image_inv.shapes(layer1_index).insert(pya.Box(-7500000, -6850000, 7500000, 6850000 - 1850000).transformed(pya.Trans(1, False, 0, 0))) #printable area wafer 1
|
||||
image_inv.shapes(layer2_index).insert(pya.Box(-7500000, 6850000, 7500000, -1 * (6850000 - 1850000)).transformed(pya.Trans(1, False, 0, 0))) #printable area wafer 2
|
||||
|
||||
processor = pya.ShapeProcessor()
|
||||
processor.boolean(image_layout, image, layer1_image_index, image_inv_layout, image_inv, layer1_image_inv_index, image_inv.shapes(layer1_image_inv_index), 3, False, False, True)
|
||||
print("layer1 finished")
|
||||
processor = pya.ShapeProcessor()
|
||||
processor.boolean(image_layout, image, layer2_image_index, image_inv_layout, image_inv, layer2_image_inv_index, image_inv.shapes(layer2_image_inv_index), 3, False, False, True)
|
||||
print("layer2 finished")
|
||||
print("layout for image_overlapped_inverse.gds finished")
|
||||
|
||||
image_inv_layout.write(os.path.join(base_dir, "..", "gds", "inverted_tonality", "image_overlapped_inverse.gds"))
|
||||
print("image_overlapped_inverse.gds written")
|
||||
|
||||
@ -0,0 +1,156 @@
|
||||
import pya
|
||||
import os
|
||||
|
||||
base_dir = os.path.dirname(os.path.abspath(__file__))
|
||||
|
||||
# init vars
|
||||
velocity_ratio1 = 2
|
||||
opening1 = 8000
|
||||
|
||||
velocity_ratio2 = 3
|
||||
opening2 = opening1 * velocity_ratio1 / velocity_ratio2
|
||||
|
||||
|
||||
pixel_size = 20
|
||||
shift_mult = 5
|
||||
image_size = 4266 * pixel_size * 100 #calculate this directly (4266 and 4242 for shift_mult 5 and 3, respectively)
|
||||
image_size_half = image_size / 2
|
||||
image_dist = (shift_mult * 3 * 2 + 2) * pixel_size * 100
|
||||
object_border = 0
|
||||
#print(image_dist)
|
||||
|
||||
|
||||
# create layout
|
||||
layout = pya.Layout()
|
||||
layout.dbu = 0.01
|
||||
top = layout.create_cell("Top")
|
||||
layer1_index = layout.insert_layer(pya.LayerInfo.new(1, 0))
|
||||
layer2_index = layout.insert_layer(pya.LayerInfo.new(2, 0))
|
||||
layer3_index = layout.insert_layer(pya.LayerInfo.new(3, 0))
|
||||
layer4_index = layout.insert_layer(pya.LayerInfo.new(4, 0))
|
||||
layer5_index = layout.insert_layer(pya.LayerInfo.new(5, 0))
|
||||
|
||||
y_offset = 0
|
||||
|
||||
# verniers md course
|
||||
linear_grating_vernier_md_course = layout.create_cell("Vernier_md_course")
|
||||
square_size = 650000
|
||||
fray = 0
|
||||
line_length = square_size / 2 + fray
|
||||
pitch11 = ((square_size * 1) * (image_dist / velocity_ratio1)) / ((square_size * 1) - (image_dist / velocity_ratio1))
|
||||
pitch12 = image_dist / velocity_ratio1
|
||||
|
||||
for i in range(-1 * int(square_size / 2 / pitch11) - 0, int(square_size / 2 / pitch11) + 0):
|
||||
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer2_index).insert(pya.Box(opening1 / 2, -1 * line_length, pitch11 - opening1 / 2, line_length))
|
||||
linear_grating_vernier_md_course.insert(pya.CellInstArray(line.cell_index(), pya.Trans(i * pitch11, 0)))
|
||||
linear_grating_vernier_md_course.insert(pya.CellInstArray(line.cell_index(), pya.Trans(1, False, 0, (i * pitch11))))
|
||||
|
||||
for i in range(-1 * int(square_size / 2 / pitch12) - 0, int(square_size / 2 / pitch12) + 0):
|
||||
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer1_index).insert(pya.Box(opening1 / 2, -1 * line_length, pitch12 - opening1 / 2, line_length))
|
||||
linear_grating_vernier_md_course.insert(pya.CellInstArray(line.cell_index(), pya.Trans(i * pitch12, 0)))
|
||||
linear_grating_vernier_md_course.insert(pya.CellInstArray(line.cell_index(), pya.Trans(1, False, 0, (i * pitch12))))
|
||||
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer2_index).insert(pya.Box(-1 * (square_size / 2 + (1 * image_dist)), square_size / 2 - image_dist, square_size / 2 + (1 * image_dist), square_size / 2 + (1 * image_dist)))
|
||||
linear_grating_vernier_md_course.insert(pya.CellInstArray(line.cell_index(), pya.Trans(0, 0)))
|
||||
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer2_index).insert(pya.Box(-1 * (square_size / 2 + (1 * image_dist)), square_size / 2 - image_dist, square_size / 2 + (0 * image_dist), square_size / 2 + (1 * image_dist)))
|
||||
#linear_grating_vernier_md_course.insert(pya.CellInstArray(line.cell_index(), pya.Trans(0, 0)))
|
||||
linear_grating_vernier_md_course.insert(pya.CellInstArray(line.cell_index(), pya.Trans(1, False, 0, 0)))
|
||||
linear_grating_vernier_md_course.insert(pya.CellInstArray(line.cell_index(), pya.Trans(2, False, 0, 0)))
|
||||
linear_grating_vernier_md_course.insert(pya.CellInstArray(line.cell_index(), pya.Trans(1, True, 0, 0)))
|
||||
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer1_index).insert(pya.Box(-1 * (square_size / 2 + (1 * image_dist)), square_size / 2, square_size / 2 + (1 * image_dist), square_size / 2 + (0 * image_dist)))
|
||||
linear_grating_vernier_md_course.insert(pya.CellInstArray(line.cell_index(), pya.Trans(0, 0)))
|
||||
linear_grating_vernier_md_course.insert(pya.CellInstArray(line.cell_index(), pya.Trans(1, False, 0, 0)))
|
||||
linear_grating_vernier_md_course.insert(pya.CellInstArray(line.cell_index(), pya.Trans(2, False, 0, 0)))
|
||||
linear_grating_vernier_md_course.insert(pya.CellInstArray(line.cell_index(), pya.Trans(3, False, 0, 0)))
|
||||
|
||||
triangle = layout.create_cell("Triangle")
|
||||
triangle.shapes(layer2_index).insert(pya.Polygon([pya.Point(-45000, -1 * image_dist), pya.Point(45000, -1 * image_dist), pya.Point(0, 0)]))
|
||||
linear_grating_vernier_md_course.insert(pya.CellInstArray(triangle.cell_index(), pya.Trans(0, False, 0, -1 * (square_size / 2 + (image_dist * 1)))))
|
||||
linear_grating_vernier_md_course.insert(pya.CellInstArray(triangle.cell_index(), pya.Trans(1, False, (square_size / 2 + (image_dist * 1)), 0)))
|
||||
|
||||
y_offset = y_offset + (square_size / 2) + (image_dist * 3)
|
||||
grid_extent = 0
|
||||
top.insert(pya.CellInstArray(linear_grating_vernier_md_course.cell_index(), pya.Trans(0, False, (grid_extent + fray), (y_offset + fray))))
|
||||
|
||||
|
||||
# verniers md fine
|
||||
linear_grating_vernier_md_fine = layout.create_cell("Vernier_md_fine")
|
||||
square_size = 650000
|
||||
fray = 0
|
||||
line_length = square_size / 2 + fray
|
||||
pitch21 = ((square_size * -1) * (image_dist / velocity_ratio2)) / ((square_size * -1) - (image_dist / velocity_ratio2))
|
||||
pitch22 = image_dist / velocity_ratio2
|
||||
|
||||
for i in range(-1 * int(square_size / 2 / pitch21) - 0, int(square_size / 2 / pitch21) + 0):
|
||||
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer2_index).insert(pya.Box(opening2 / 2, -1 * line_length, pitch21 - opening2 / 2, line_length))
|
||||
linear_grating_vernier_md_fine.insert(pya.CellInstArray(line.cell_index(), pya.Trans(i * pitch21, 0)))
|
||||
linear_grating_vernier_md_fine.insert(pya.CellInstArray(line.cell_index(), pya.Trans(1, False, 0, (i * pitch21))))
|
||||
|
||||
for i in range(-1 * int(square_size / 2 / pitch22) - 0, int(square_size / 2 / pitch22) + 0):
|
||||
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer1_index).insert(pya.Box(opening2 / 2, -1 * line_length, pitch22 - opening2 / 2, line_length))
|
||||
linear_grating_vernier_md_fine.insert(pya.CellInstArray(line.cell_index(), pya.Trans(i * pitch22, 0)))
|
||||
linear_grating_vernier_md_fine.insert(pya.CellInstArray(line.cell_index(), pya.Trans(1, False, 0, (i * pitch22))))
|
||||
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer2_index).insert(pya.Box(-1 * (square_size / 2 + (1 * image_dist)), square_size / 2 - image_dist, square_size / 2 + (1 * image_dist), square_size / 2 + (1 * image_dist)))
|
||||
linear_grating_vernier_md_fine.insert(pya.CellInstArray(line.cell_index(), pya.Trans(0, 0)))
|
||||
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer2_index).insert(pya.Box(-1 * (square_size / 2 + (1 * image_dist)), square_size / 2 - image_dist, square_size / 2 + (0 * image_dist), square_size / 2 + (1 * image_dist)))
|
||||
#linear_grating_vernier_md_fine.insert(pya.CellInstArray(line.cell_index(), pya.Trans(0, 0)))
|
||||
linear_grating_vernier_md_fine.insert(pya.CellInstArray(line.cell_index(), pya.Trans(1, False, 0, 0)))
|
||||
linear_grating_vernier_md_fine.insert(pya.CellInstArray(line.cell_index(), pya.Trans(2, False, 0, 0)))
|
||||
linear_grating_vernier_md_fine.insert(pya.CellInstArray(line.cell_index(), pya.Trans(1, True, 0, 0)))
|
||||
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer1_index).insert(pya.Box(-1 * (square_size / 2 + (1 * image_dist)), square_size / 2, square_size / 2 + (1 * image_dist), square_size / 2 + (0 * image_dist)))
|
||||
linear_grating_vernier_md_fine.insert(pya.CellInstArray(line.cell_index(), pya.Trans(0, 0)))
|
||||
linear_grating_vernier_md_fine.insert(pya.CellInstArray(line.cell_index(), pya.Trans(1, False, 0, 0)))
|
||||
linear_grating_vernier_md_fine.insert(pya.CellInstArray(line.cell_index(), pya.Trans(2, False, 0, 0)))
|
||||
linear_grating_vernier_md_fine.insert(pya.CellInstArray(line.cell_index(), pya.Trans(3, False, 0, 0)))
|
||||
|
||||
triangle = layout.create_cell("Triangle")
|
||||
triangle.shapes(layer2_index).insert(pya.Polygon([pya.Point(-45000, -1 * image_dist), pya.Point(45000, -1 * image_dist), pya.Point(0, 0)]))
|
||||
linear_grating_vernier_md_fine.insert(pya.CellInstArray(triangle.cell_index(), pya.Trans(0, False, 0, -1 * (square_size / 2 + (image_dist * 1)))))
|
||||
linear_grating_vernier_md_fine.insert(pya.CellInstArray(triangle.cell_index(), pya.Trans(1, False, (square_size / 2 + (image_dist * 1)), 0)))
|
||||
|
||||
|
||||
y_offset = y_offset + square_size + (image_dist * 1)
|
||||
|
||||
grid_extent = 0
|
||||
top.insert(pya.CellInstArray(linear_grating_vernier_md_fine.cell_index(), pya.Trans(0, True, (grid_extent + fray), (y_offset + fray))))
|
||||
|
||||
|
||||
top.flatten(1)
|
||||
|
||||
top.write(os.path.join(base_dir, "..", "gds", "md_vernier_test.gds"))
|
||||
|
||||
bb_region = pya.Region(pya.Box(-650000, -300000, 650000, 2000000))
|
||||
wafer1 = pya.Region(top.begin_shapes_rec(layer1_index))
|
||||
wafer2 = pya.Region(top.begin_shapes_rec(layer2_index))
|
||||
|
||||
|
||||
alignment_inv_layout = pya.Layout()
|
||||
alignment_inv = alignment_inv_layout.create_cell("Alignment_Inverse")
|
||||
alignment_inv_layout.dbu = 0.01
|
||||
layer1_index = alignment_inv_layout.insert_layer(pya.LayerInfo.new(1, 0))
|
||||
layer2_index = alignment_inv_layout.insert_layer(pya.LayerInfo.new(2, 0))
|
||||
|
||||
alignment_inv.shapes(layer1_index).insert(bb_region - wafer1)
|
||||
alignment_inv.shapes(layer2_index).insert(bb_region - wafer2)
|
||||
|
||||
alignment_inv_layout.write(os.path.join(base_dir, "..", "gds", "inverted_tonality", "md_vernier_test_inverse.gds"))
|
||||
|
||||
@ -0,0 +1,48 @@
|
||||
import pya
|
||||
import os
|
||||
|
||||
base_dir = os.path.dirname(os.path.abspath(__file__))
|
||||
|
||||
layout = pya.Layout()
|
||||
layout.read(os.path.join(base_dir, "..", "gds", "image_with_alignment_marks_overlapped.gds"))
|
||||
|
||||
layout.delete_layer(1)
|
||||
layer3_index = layout.insert_layer(pya.LayerInfo.new(3, 0))
|
||||
layout.top_cell().shapes(0).insert(pya.Box(-7500000, 6850000 - 1850000 + 30000, 7500000, 6850000 - 1850000 + 30000 + 5000))
|
||||
layout.top_cell().shapes(layer3_index).insert(pya.Box(-7500000, -7500000, 7500000, 7500000))
|
||||
#layout.transform(pya.Trans(2, False, 0, 0))
|
||||
|
||||
layout.write(os.path.join(base_dir, "..", "gds", "wafer_1.gds"))
|
||||
|
||||
|
||||
layout = pya.Layout()
|
||||
layout.read(os.path.join(base_dir, "..", "gds", "image_with_alignment_marks_overlapped.gds"))
|
||||
|
||||
layout.delete_layer(0)
|
||||
layer3_index = layout.insert_layer(pya.LayerInfo.new(3, 0))
|
||||
#layout.transform(pya.Trans(2, True, 0, 0))
|
||||
layout.transform(pya.Trans(0, True, 0, 0))
|
||||
layout.top_cell().shapes(1).insert(pya.Box(-7500000, 6850000 - 1850000 + 30000, 7500000, 6850000 - 1850000 + 30000 + 5000))
|
||||
layout.top_cell().shapes(layer3_index).insert(pya.Box(-7500000, -7500000, 7500000, 7500000))
|
||||
|
||||
|
||||
layout.write(os.path.join(base_dir, "..", "gds", "wafer_2.gds"))
|
||||
|
||||
|
||||
layout = pya.Layout()
|
||||
layout.read(os.path.join(base_dir, "..", "gds", "inverted_tonality", "image_with_alignment_marks_overlapped_inverse.gds"))
|
||||
|
||||
layout.delete_layer(1)
|
||||
#layout.transform(pya.Trans(2, False, 0, 0))
|
||||
|
||||
layout.write(os.path.join(base_dir, "..", "gds", "inverted_tonality", "wafer_1_inverse.gds"))
|
||||
|
||||
|
||||
layout = pya.Layout()
|
||||
layout.read(os.path.join(base_dir, "..", "gds", "inverted_tonality", "image_with_alignment_marks_overlapped_inverse.gds"))
|
||||
|
||||
layout.delete_layer(0)
|
||||
#layout.transform(pya.Trans(2, True, 0, 0))
|
||||
layout.transform(pya.Trans(0, True, 0, 0))
|
||||
|
||||
layout.write(os.path.join(base_dir, "..", "gds", "inverted_tonality", "wafer_2_inverse.gds"))
|
||||
@ -0,0 +1,30 @@
|
||||
import pya
|
||||
|
||||
#amount to shift in units of distance between images
|
||||
shift_x = 0
|
||||
shift_y = 0
|
||||
|
||||
#vars on current sizes
|
||||
shift_mult = 5
|
||||
pixel_size = 20
|
||||
image_dist = (shift_mult * 3 * 2 + 2) * pixel_size * 100
|
||||
print(image_dist)
|
||||
|
||||
#shift and take the overlap returning a 3rd layer
|
||||
ly = pya.CellView.active().layout()
|
||||
l10 = ly.layer(1, 0)
|
||||
l20 = ly.layer(2, 0)
|
||||
|
||||
bbox = pya.Region()
|
||||
bbox.insert(ly.top_cell().bbox())
|
||||
|
||||
#r10 = bbox - pya.Region(ly.top_cell().begin_shapes_rec(l10))
|
||||
#r20 = bbox - pya.Region(ly.top_cell().begin_shapes_rec(l20))
|
||||
|
||||
r10 = pya.Region(ly.top_cell().begin_shapes_rec(l10))
|
||||
r20 = pya.Region(ly.top_cell().begin_shapes_rec(l20))
|
||||
|
||||
r10.move(image_dist * shift_x, image_dist* shift_y)
|
||||
ly.delete_layer(ly.layer(3, 0))
|
||||
ly.top_cell().shapes(ly.layer(3, 0)).insert(bbox - (r10 | r20))
|
||||
pya.LayoutView.current().add_missing_layers()
|
||||
@ -0,0 +1,22 @@
|
||||
import pya
|
||||
|
||||
#amount to shift in units of distance between images
|
||||
shift_x = 0
|
||||
shift_y = 0.1
|
||||
|
||||
#vars on current sizes
|
||||
shift_mult = 5
|
||||
pixel_size = 20
|
||||
image_dist = (shift_mult * 3 * 2 + 2) * pixel_size * 100
|
||||
print(image_dist)
|
||||
|
||||
#shift and take the overlap returning a 3rd layer
|
||||
ly = pya.CellView.active().layout()
|
||||
l10 = ly.layer(1, 0)
|
||||
l20 = ly.layer(2, 0)
|
||||
r10 = pya.Region(ly.top_cell().begin_shapes_rec(l10))
|
||||
r20 = pya.Region(ly.top_cell().begin_shapes_rec(l20))
|
||||
r10.move(image_dist * shift_x, image_dist* shift_y)
|
||||
ly.delete_layer(ly.layer(3, 0))
|
||||
ly.top_cell().shapes(ly.layer(3, 0)).insert(r10 & r20)
|
||||
pya.LayoutView.current().add_missing_layers()
|
||||
@ -0,0 +1,116 @@
|
||||
import pya
|
||||
import os
|
||||
|
||||
base_dir = os.path.dirname(os.path.abspath(__file__))
|
||||
|
||||
# init vars
|
||||
velocity_ratio1 = 1
|
||||
opening1 = 4000
|
||||
|
||||
velocity_ratio2 = 5
|
||||
opening2 = opening1 * velocity_ratio1 / velocity_ratio2
|
||||
|
||||
|
||||
pixel_size = 20
|
||||
shift_mult = 5
|
||||
image_size = 4266 * pixel_size * 100 #calculate this directly (4266 and 4242 for shift_mult 5 and 3, respectively)
|
||||
image_size_half = image_size / 2
|
||||
image_dist = (shift_mult * 3 * 2 + 2) * pixel_size * 100
|
||||
object_border = 0
|
||||
#print(image_dist)
|
||||
|
||||
|
||||
# create layout
|
||||
layout = pya.Layout()
|
||||
layout.dbu = 0.01
|
||||
top = layout.create_cell("Top")
|
||||
layer1_index = layout.insert_layer(pya.LayerInfo.new(1, 0))
|
||||
layer2_index = layout.insert_layer(pya.LayerInfo.new(2, 0))
|
||||
layer3_index = layout.insert_layer(pya.LayerInfo.new(3, 0))
|
||||
layer4_index = layout.insert_layer(pya.LayerInfo.new(4, 0))
|
||||
layer5_index = layout.insert_layer(pya.LayerInfo.new(5, 0))
|
||||
|
||||
# verniers
|
||||
linear_grating_vernier = layout.create_cell("Vernier")
|
||||
base_period = image_size_half - 500000
|
||||
revealing_period = image_dist
|
||||
pitch11 = (base_period * (revealing_period / velocity_ratio1)) / (base_period - (revealing_period / velocity_ratio1))
|
||||
pitch12 = revealing_period / velocity_ratio1
|
||||
#print(pitch11)
|
||||
#print(pitch12)
|
||||
|
||||
|
||||
frame_width = 300000
|
||||
|
||||
for i in range(-1 * int((image_size_half) / pitch11), int((image_size_half) / pitch11)):
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer2_index).insert(pya.Box(opening1 / 2, -1 * frame_width, pitch11 - opening1 / 2, 0))
|
||||
linear_grating_vernier.insert(pya.CellInstArray(line.cell_index(), pya.Trans(i * pitch11, 0)))
|
||||
|
||||
for i in range(-1 * int((image_size_half - image_dist) / pitch12), int((image_size_half - image_dist) / pitch12)):
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer1_index).insert(pya.Box(opening1 / 2, -1 * frame_width, pitch12 - opening1 / 2, 0))
|
||||
linear_grating_vernier.insert(pya.CellInstArray(line.cell_index(), pya.Trans(i * pitch12, 0)))
|
||||
|
||||
base_period = -1 * (image_size_half - 500000)
|
||||
revealing_period = image_dist
|
||||
pitch21 = (base_period * (revealing_period / velocity_ratio2)) / (base_period - (revealing_period / velocity_ratio2))
|
||||
pitch22 = revealing_period / velocity_ratio2
|
||||
|
||||
for i in range(-1 * int(image_size_half / pitch21), int(image_size_half / pitch21)):
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer2_index).insert(pya.Box(opening2 / 2, 0, pitch21 - opening2 / 2, frame_width))
|
||||
linear_grating_vernier.insert(pya.CellInstArray(line.cell_index(), pya.Trans(i * pitch21, 0)))
|
||||
|
||||
|
||||
for i in range(-1 * int((image_size_half - image_dist) / pitch22), int((image_size_half - image_dist) / pitch22)):
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer1_index).insert(pya.Box(opening2 / 2, 0, pitch22 - opening2 / 2, frame_width))
|
||||
linear_grating_vernier.insert(pya.CellInstArray(line.cell_index(), pya.Trans(i * pitch22, 0)))
|
||||
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer2_index).insert(pya.Box(image_size_half - (2 * image_dist), -1 * frame_width, image_size_half, 0))
|
||||
line.shapes(layer2_index).insert(pya.Box(-1 * (image_size_half - (2 * image_dist)), -1 * frame_width, -1 * (image_size_half), 0))
|
||||
line.shapes(layer2_index).insert(pya.Box(image_size_half - (2 * image_dist), image_dist, image_size_half, image_dist + frame_width))
|
||||
line.shapes(layer2_index).insert(pya.Box(-1 * (image_size_half - (2 * image_dist)), image_dist, -1 * (image_size_half), image_dist + frame_width))
|
||||
|
||||
#These four lines can be taken away to get rid of the bounding black out
|
||||
line.shapes(layer2_index).insert(pya.Box(-1 * image_size_half, image_dist, image_size_half, 0 - image_dist))
|
||||
line.shapes(layer2_index).insert(pya.Box(-1 * image_size_half, -1 * (frame_width - image_dist), image_size_half, -1 * (frame_width + image_dist)))
|
||||
line.shapes(layer2_index).insert(pya.Box(-1 * image_size_half, 0, image_size_half, image_dist))
|
||||
line.shapes(layer2_index).insert(pya.Box(-1 * image_size_half, frame_width + (2 * image_dist), image_size_half, frame_width - image_dist))
|
||||
linear_grating_vernier.insert(pya.CellInstArray(line.cell_index(), pya.Trans(0, 0)))
|
||||
|
||||
|
||||
line = layout.create_cell("Line")
|
||||
line.shapes(layer1_index).insert(pya.Box(image_size_half - image_dist, -1 * frame_width, image_size_half - (2 * image_dist), 0))
|
||||
line.shapes(layer1_index).insert(pya.Box(-1 * (image_size_half - image_dist), -1 * frame_width, -1 * (image_size_half - (2 * image_dist)), 0))
|
||||
line.shapes(layer1_index).insert(pya.Box(image_size_half - image_dist, 0, image_size_half - (2 * image_dist), frame_width))
|
||||
line.shapes(layer1_index).insert(pya.Box(-1 * (image_size_half - image_dist), 0, -1 * (image_size_half - (2 * image_dist)), frame_width))
|
||||
linear_grating_vernier.insert(pya.CellInstArray(line.cell_index(), pya.Trans(0, 0)))
|
||||
|
||||
|
||||
top.insert(pya.CellInstArray(linear_grating_vernier.cell_index(), pya.Trans(0,0 )))
|
||||
|
||||
top.flatten(1)
|
||||
|
||||
top.write(os.path.join(base_dir, "..", "gds", "ud_vernier_test.gds"))
|
||||
|
||||
bb_region = pya.Region(pya.Box(-5000000, -1 * (frame_width + image_dist), 5000000, frame_width + (2 * image_dist)))
|
||||
wafer1 = pya.Region(top.begin_shapes_rec(layer1_index))
|
||||
wafer2 = pya.Region(top.begin_shapes_rec(layer2_index))
|
||||
|
||||
|
||||
alignment_inv_layout = pya.Layout()
|
||||
alignment_inv = alignment_inv_layout.create_cell("Alignment_Inverse")
|
||||
alignment_inv_layout.dbu = 0.01
|
||||
layer1_index = alignment_inv_layout.insert_layer(pya.LayerInfo.new(1, 0))
|
||||
layer2_index = alignment_inv_layout.insert_layer(pya.LayerInfo.new(2, 0))
|
||||
|
||||
alignment_inv.shapes(layer1_index).insert(bb_region - wafer1)
|
||||
alignment_inv.shapes(layer2_index).insert(bb_region - wafer2)
|
||||
|
||||
alignment_inv_layout.write(os.path.join(base_dir, "..", "gds", "inverted_tonality", "ud_vernier_test_inverse.gds"))
|
||||
|
||||
|
||||
|
||||
@ -0,0 +1,5 @@
|
||||
*.pdf
|
||||
*.tiff
|
||||
*.jpg
|
||||
*.xcf
|
||||
|
||||
@ -0,0 +1,11 @@
|
||||
\relax
|
||||
\catcode 95\active
|
||||
\citation{*}
|
||||
\bibstyle{unsrt}
|
||||
\bibdata{hdp}
|
||||
\bibcite{doi:10.1002/j.1538-7305.1961.tb03975.x}{1}
|
||||
\bibcite{berger1966undecidability}{2}
|
||||
\bibcite{Robinson1971}{3}
|
||||
\bibcite{Grunbaum:1986:TP:19304}{4}
|
||||
\bibcite{Kari:1996:SAS:245761.245817}{5}
|
||||
\bibcite{DBLP:journals/corr/JeandelR15}{6}
|
||||
@ -0,0 +1,33 @@
|
||||
\begin{thebibliography}{1}
|
||||
|
||||
\bibitem{doi:10.1002/j.1538-7305.1961.tb03975.x}
|
||||
Hao Wang.
|
||||
\newblock Proving theorems by pattern recognition — ii.
|
||||
\newblock {\em Bell System Technical Journal}, 40(1):1--41, 1961.
|
||||
|
||||
\bibitem{berger1966undecidability}
|
||||
R.~Berger.
|
||||
\newblock {\em The Undecidability of the Domino Problem}.
|
||||
\newblock Memoirs ; No 1/66. American Mathematical Society, 1966.
|
||||
|
||||
\bibitem{Robinson1971}
|
||||
Raphael~M. Robinson.
|
||||
\newblock Undecidability and nonperiodicity for tilings of the plane.
|
||||
\newblock {\em Inventiones mathematicae}, 12(3):177--209, Sep 1971.
|
||||
|
||||
\bibitem{Grunbaum:1986:TP:19304}
|
||||
Branko Gr\"{u}nbaum and G~C Shephard.
|
||||
\newblock {\em Tilings and Patterns}.
|
||||
\newblock W. H. Freeman \& Co., New York, NY, USA, 1986.
|
||||
|
||||
\bibitem{Kari:1996:SAS:245761.245817}
|
||||
Jarkko Kari.
|
||||
\newblock A small aperiodic set of wang tiles.
|
||||
\newblock {\em Discrete Math.}, 160(1-3):259--264, November 1996.
|
||||
|
||||
\bibitem{DBLP:journals/corr/JeandelR15}
|
||||
Emmanuel Jeandel and Micha{\"{e}}l Rao.
|
||||
\newblock An aperiodic set of 11 wang tiles.
|
||||
\newblock {\em CoRR}, abs/1506.06492, 2015.
|
||||
|
||||
\end{thebibliography}
|
||||
@ -0,0 +1,46 @@
|
||||
This is BibTeX, Version 0.99d (TeX Live 2019/Arch Linux)
|
||||
Capacity: max_strings=100000, hash_size=100000, hash_prime=85009
|
||||
The top-level auxiliary file: a_history_of_the_domino_problem_score.aux
|
||||
The style file: unsrt.bst
|
||||
Database file #1: hdp.bib
|
||||
You've used 6 entries,
|
||||
1791 wiz_defined-function locations,
|
||||
492 strings with 4477 characters,
|
||||
and the built_in function-call counts, 1130 in all, are:
|
||||
= -- 106
|
||||
> -- 32
|
||||
< -- 0
|
||||
+ -- 14
|
||||
- -- 8
|
||||
* -- 69
|
||||
:= -- 188
|
||||
add.period$ -- 19
|
||||
call.type$ -- 6
|
||||
change.case$ -- 4
|
||||
chr.to.int$ -- 0
|
||||
cite$ -- 6
|
||||
duplicate$ -- 55
|
||||
empty$ -- 122
|
||||
format.name$ -- 8
|
||||
if$ -- 251
|
||||
int.to.chr$ -- 0
|
||||
int.to.str$ -- 6
|
||||
missing$ -- 8
|
||||
newline$ -- 33
|
||||
num.names$ -- 6
|
||||
pop$ -- 15
|
||||
preamble$ -- 1
|
||||
purify$ -- 0
|
||||
quote$ -- 0
|
||||
skip$ -- 19
|
||||
stack$ -- 0
|
||||
substring$ -- 62
|
||||
swap$ -- 6
|
||||
text.length$ -- 0
|
||||
text.prefix$ -- 0
|
||||
top$ -- 0
|
||||
type$ -- 0
|
||||
warning$ -- 0
|
||||
while$ -- 11
|
||||
width$ -- 7
|
||||
write$ -- 68
|
||||
File diff suppressed because it is too large
Load Diff
Binary file not shown.
@ -0,0 +1,281 @@
|
||||
\documentclass[10pt]{letter}
|
||||
|
||||
\usepackage[a4paper, top=0.7in, bottom=0.7in, left=0.7in, right=0.7in]{geometry}
|
||||
\usepackage{mathtools}
|
||||
\usepackage{wasysym}
|
||||
\usepackage{multicol}
|
||||
\usepackage{dirtree}
|
||||
\usepackage{underscore}
|
||||
\usepackage{pdfpages}
|
||||
\usepackage[framed,numbered]{sclang-prettifier}
|
||||
\usepackage{listings}
|
||||
\usepackage[obeyspaces]{url}
|
||||
\usepackage{datetime2}
|
||||
%\usepackage{draftwatermark}
|
||||
\renewcommand{\arraystretch}{1.3}
|
||||
\usepackage{graphicx}
|
||||
\usepackage{enumitem}
|
||||
|
||||
\DTMsetdatestyle{default}
|
||||
\DTMsetup{datesep={.}}
|
||||
|
||||
%\SetWatermarkColor[rgb]{1, 0.6, 0.6}
|
||||
%\SetWatermarkScale{2}
|
||||
%\SetWatermarkHorCenter{1.25in}
|
||||
%\SetWatermarkVerCenter{1.25in}
|
||||
|
||||
% Define Language
|
||||
\lstdefinelanguage{Lilypond}
|
||||
{
|
||||
% list of keywords
|
||||
morekeywords={
|
||||
}
|
||||
}
|
||||
|
||||
% Set Language
|
||||
\lstset{
|
||||
numbers=left,
|
||||
numberstyle=\small,
|
||||
numberstyle = \color{black!33},
|
||||
numbersep=8pt,
|
||||
frame = single,
|
||||
language={Lilypond},
|
||||
}
|
||||
|
||||
\newenvironment{note}{
|
||||
\vspace{-3mm}
|
||||
\small
|
||||
\par
|
||||
\leftskip=4em\rightskip=5em
|
||||
\noindent\ignorespaces}{\par\smallskip}
|
||||
|
||||
\makeatletter
|
||||
\newenvironment{thebibliography}[1]
|
||||
{\list{\@biblabel{\@arabic\c@enumiv}}%
|
||||
{\settowidth\labelwidth{\@biblabel{#1}}%
|
||||
\leftmargin\labelwidth
|
||||
\advance\leftmargin\labelsep
|
||||
\usecounter{enumiv}%
|
||||
\let\p@enumiv\@empty
|
||||
\renewcommand\theenumiv{\@arabic\c@enumiv}}%
|
||||
\sloppy
|
||||
\clubpenalty4000
|
||||
\@clubpenalty \clubpenalty
|
||||
\widowpenalty4000%
|
||||
\sfcode`\.\@m}
|
||||
{\def\@noitemerr
|
||||
{\@latex@warning{Empty `thebibliography' environment}}%
|
||||
\endlist}
|
||||
\newcommand\newblock{\hskip .11em\@plus.33em\@minus.07em}
|
||||
\makeatother
|
||||
|
||||
\begin{document}
|
||||
|
||||
\textit{\textbf{a history of the domino problem}} \\
|
||||
a performance-installation
|
||||
|
||||
\begin{flushright}
|
||||
michael winter \\ schloss solitude and cdmx; 2018 - 2019 \\
|
||||
\end{flushright}
|
||||
|
||||
\bigskip
|
||||
|
||||
\begin{center}
|
||||
\begin{tabular}{cc}
|
||||
|
||||
\centering
|
||||
\includegraphics[width=0.49\linewidth]{selects/maquina.png}
|
||||
|
||||
\centering
|
||||
\includegraphics[width=0.49\linewidth]{selects/discos.png}
|
||||
\end{tabular}
|
||||
\end{center}
|
||||
|
||||
\bigskip
|
||||
|
||||
\textbf{Description / note}
|
||||
|
||||
The domino problem, first posed by Hao Wang in 1961, is an epistemological question that asks whether there exists an algorithm to determine if an arbitrary finite set of tiles with colored edges can cover the plane such that adjacent edges match color. He conjectured that if a set of such tiles covers the plane, it can only do so periodically. However, in 1966, his student, Robert Berger, proved that the problem is undecidable (that is, there is no general algorithm) by showing the existence of a set of tiles that can only cover the plane aperiodically. This initial set contained more than 20000 tiles. Over the past 60 years, there has been a continual reduction in the size of provably aperiodic sets to the most recent discovery of a set of 11 tiles along with a proof that no smaller sets exist. It is a beautiful narrative / history of a particular epistemological problem that challenged a group of people not only to solve it, but to understand it to the extent possible.
|
||||
|
||||
\textit{a history of the domino problem} is a performance-installation that visualizes and sonifies aperiodic tilings in order to trace the history of the domino problem. The tilings are visualized using a cryptographic scheme in which two `shadow images', each which look completely random independently, are combined / overlayed at various orientations to reveal the tilings in a form that replaces the colored edges of the original constructions with binary codes. The shadow images are printed on photomasks typically used to manufacture computer chips: quartz wafers with a chrome coating etched at a pixel size of approximately 20 microns. A high-precision, motorized multiaxis stage aligns the shadow images to reveal the tilings (along with 3 other images of poetic texts inspired by the history of the domino problem). The whole apparatus rests on a light source that illuminates the photomasks which are then magnified and projected. The visualizations are accompanied by musical compositions generated from the tilings that can be realized live by performers as intermittent augmentations within the installation or as singular pieces in concert.
|
||||
|
||||
The aim of the work is to create an artistic experience that demonstrates the aesthetic qualities of these found mathematical objects while also functioning as a sort of historical record.
|
||||
|
||||
This is ultimately a piece about how things fit together.
|
||||
|
||||
\bigskip
|
||||
|
||||
\textbf{Installation and performance setting}
|
||||
|
||||
As an installation, the apparatus that aligns the image should be centered in a dark room such that observers can view the photomasks up close. Ideally, this should be set up with a teleprompter mirror at a 45 degree angle above the apparatus so that the viewer can see the photomasks without having to bend over. On the other side of the mirror, a video camera is placed such that the resulting projected image aligns with what the viewer sees in the teleprompter mirror. The camera side of the mirror must be darkened out with a cover in order to allow the viewer to only see the reflection of the photomasks. The projection should be as large as possible and at as high a resolution as possible. Ideally, the camera should be able to zoom into the images of the tilings to show more detail.
|
||||
|
||||
In the installation, recordings of the musical pieces are played back; sometimes randomly and sometimes in sync with the respective tilings from which they were generated. The installation can be augmented (e.g. for an exhibition opening) by live performances of the musical pieces instead of the recordings. If so, direct access to the apparatus should be avoided in order for a situation where the observers can view the projected images and listen to the musical accompaniment in a tranquil and focused environment.
|
||||
|
||||
A demo of the apparatus is available at: \url{https://vimeo.com/375784136}.
|
||||
|
||||
\bigskip
|
||||
|
||||
\textbf{Photomask alignment}
|
||||
|
||||
Between the two photomasks, there are nine embedded images which can be seen at nine precise orientation organized in a 3 x 3 grid. The image area is surrounded by Moire pattern and Vernier markings to aid in the alignment. Provided below are a description of each of these markings.
|
||||
|
||||
\begin{center}
|
||||
\includegraphics[width=0.7\linewidth]{selects/oraclesannotated.jpg}
|
||||
\end{center}
|
||||
|
||||
\begin{description}[labelindent=0.5cm]
|
||||
\item [unidimensional Verniers:] These are the most useful markings for image alignment. For each axis, there are a set of coarse Verniers (bordering the image) and a set of fine Verniers (further from the image) which move 5 times the speed of the coarse Veniers. Everytime an image is aligned the white blob will be centered in both the coarse and fine Verniers. These markings essentially amplify and scale the distance between the image (640 microns) and can be used by a motion tracker in a closed-loop alignment system.
|
||||
\item [multidimenional Verniers:] These are Verniers that are centered in a two-dimenional space everytime an image is focused.
|
||||
\item [linear Moire grating:] These gratings can be used to make sure that the plates are aligned rotationally (resulting in a completely monochrome bar without any patterns).
|
||||
\item [circular Moire grating:] These gratings best represent the grid of the images. When an image is aligned the respective grating on the grid will be dark. The number of fringes denotes the accuracy of the alignment (none means perfectly aligned).
|
||||
\end{description}
|
||||
|
||||
|
||||
High precision optical stages are used for the alignment of the wafers. Ideally, the wafers are not touching (separated by a few microns). If the wafers touch, they will degrade over time as they move across each other. However, it is very difficult to achieve perfect alignment without the photomasks touching as the they need to be aligned in all 6 degrees of freedom ($x$, $y$, $z$, $\theta x$, $\theta y$, and $\theta z$) in order for the resulting image to be properly produced. Only the $x$ and $y$ axis need to be moved to find the images once all the other degrees of freedom are set accurately.
|
||||
|
||||
The original setup is as follows. Each of the photomasks are mounted onto tilt stages to be able to align the masks together rotationally (note that a more ideal setup would use goniometer stages). One of the tilt / goniometer stages is then affixed to a stage with 3 degrees of freedom: $x$, $y$, and $z$. The other is fixed directly to an optical breadboard.
|
||||
|
||||
To automate the alignment, high precision motors are used to move one of the photomasks on the $x$ and $y$ axes. In the original setup, the high precision motors are stepper motors. If the photomasks are not touching, an open-loop system can be used to automate alignment. That is, the accuracy of the step count of the motors should be sufficient for alignment. However, if the photomasks need to touch in order to produce the resulting images (as is the often the case with the original setup), the friction between the two photomasks will cause inaccuracies in an open-loop system. To compensate for this, the Vernier markings can be tracked optically (using motion-tracking software or opto-interrupts) in order to create a closed-loop system. The software used to automate the system and control the motors is detailed in the following section.
|
||||
|
||||
\begin{center}
|
||||
\includegraphics[width=0.7\linewidth]{selects/maquinalit.jpg}
|
||||
\end{center}
|
||||
|
||||
\bigskip
|
||||
|
||||
\textbf{Overview of computer code}
|
||||
|
||||
As the code is subject to change / improvements, the current state of the code is available through a git repository at the following address: \url{https://gitea.unboundedpress.org/mwinter/a_history_of_the_domino_problem}. The respository contains the computer code needed to run the installation along with all the code that generated the musical pieces and all the code / schematics / files to rebuild the installation. Further, this document along with each of the scores is marked with the date it was generated in order to verify it is the most recent version.
|
||||
|
||||
The repository is organized by the various languages / formats used to generate the musical pieces and visualizations as well as control the installation. To start, I will focus on the software needed to control the installation which includes four basic components:
|
||||
|
||||
\begin{itemize}[labelindent=0.5cm]
|
||||
\item A SuperCollider program with the filename \url{installation_control.scd}.
|
||||
|
||||
\item A GUI interface written using Open Stage Control with the filename \url{installation_control_gui.json}
|
||||
|
||||
\item A motion tracker written in Python using OpenCV to track the Verniers for a closed-loop system with the filename \url{vernier_tracker.py}
|
||||
|
||||
\item Arduino code to communicate between Supercollider and the stepper-motor drivers with the filename\\ \url{multistepper.ino}
|
||||
\end{itemize}
|
||||
|
||||
In the original setup, the Arduino code is loaded onto the Arduino and the three other programs are loaded and launched on a computer (e.g., a Raspberry Pi) connected to the Arduino to control the system. The SuperCollider program is the main control center. Both the GUI and the motion tracker (which takes in video input from the video camera) communicate to the SuperCollider program through OSC messages, which, in turn, sends serial messages to the Arduino to control the stepper motors via the stepper motor drivers. The Arduino code not only sends messages to the stepper motor drivers, but also takes input signals from the limit switches of the motors to ensure that the motors are not destroyed by running into a hard stop.
|
||||
|
||||
All the other code (primarily written in SuperCollider) was written to generate the musical pieces as well as the visualizations and is maintained in the repository for reference. For the musical pieces, the SuperCollider code generates electronic realizations of the compositions and Lilypond files for generation of the musical scores.
|
||||
|
||||
The photomasks were printed from the GDSII file format (\url{*.gds}). The workflow consisted of \url{*.png} generated by SuperCollider and then formatted into \url{*.gds} files using the Python KLayout API. However, all that is needed to reprint the photomasks are the files \url{wafer_1.gds} and \url{wafer_2.gds}. Note that the the \url{*.gds} files along with all larger files are archived in a code releases available at \url{https://gitea.unboundedpress.org/mwinter/a_history_of_the_domino_problem/releases}. Again, all the other files in the repository are maintained for reference.
|
||||
|
||||
\bigskip
|
||||
|
||||
\textbf{Appendix: partial historical timeline of the domino problem, selected bibliography, acknowledgments, and tiling images}
|
||||
|
||||
pre-history:\\
|
||||
\begin{tabular}{p{0.8in}p{1.25in}p{4.25in}}
|
||||
17th century & Leibniz & pioneer of binary arithmetic and the idea of computing machines \\
|
||||
ca 1928 & Hilbert & posed the original "Entsheidungsproblem" \\
|
||||
ca 1931 & Goedel & first showed that their exists truths that are undecidable with a finite set of axioms \\
|
||||
ca 1936 & Turing & invented the concept of the modern day computer and showed its limits yet was unfortunately persecuted for his sexuality despite being a key figure in the triumph of the allied nations against the nazi regime
|
||||
\end{tabular}
|
||||
|
||||
conjecture and first proof:\\
|
||||
\begin{tabular}{p{0.8in}p{1.25in}p{4.25in}}
|
||||
ca 1961 & Wang & conjectured that aperiodic tilings of the plane did not exist \\
|
||||
ca 1966 & Berger & showed that an aperiodic set 20000+ tiles exist (using his method this was quickly reduced to 104 then 92 by Berger and Knuth, respectively)
|
||||
\end{tabular}
|
||||
|
||||
first wave of reduction:\\
|
||||
\begin{tabular}{p{0.8in}p{1.25in}p{4.25in}}
|
||||
ca 1971 & Robinson \& Lauchli & 56 and 40 tiles, respectively; using a similar technique of tiling arbitrarily large squares discovered independently
|
||||
\end{tabular}
|
||||
|
||||
second wave of reduction:\\
|
||||
\begin{tabular}{p{0.8in}p{1.25in}p{4.25in}}
|
||||
ca 1986 & Penrose \& Amman & 32 and 16 tiles, respectively; using a method that translates different, non-squared aperiodic tiles into Wang tiles
|
||||
\end{tabular}
|
||||
|
||||
third wave of reduction:\\
|
||||
\begin{tabular}{p{0.8in}p{1.25in}p{4.25in}}
|
||||
ca 1996 & Kari \& Culik & 13 tiles using an new construction with aperiodic integer sequences
|
||||
\end{tabular}
|
||||
|
||||
final reduction\\
|
||||
\begin{tabular}{p{0.8in}p{1.25in}p{4.25in}}
|
||||
ca 2015 & Jaendel \& Rao & 11 tiles with an incredible computer-assisted proof that no smaller aperiodic sets exist
|
||||
\end{tabular}
|
||||
|
||||
\bigskip
|
||||
|
||||
\nocite{*}
|
||||
\bibliographystyle{unsrt}
|
||||
\bibliography{hdp}
|
||||
|
||||
\bigskip
|
||||
|
||||
A special thanks to: Alice Koegel, Ana Filipovic\textsuperscript{$*$}, Angela Butterstein\textsuperscript{†}, Anita Carey-Yard\textsuperscript{†}, Aykan Safoğlu\textsuperscript{$*$}, Bjoern Gottstein, Charis von Ristok\textsuperscript{†}, Christof Pruss, Daniela Kern-Michler\textsuperscript{§}, David Frühauf\textsuperscript{$*$}, David Mathews\textsuperscript{$*$}, Deborah Walker, Denise Helene Sumi\textsuperscript{$*$}, Didier Aschour, Edith Lázár\textsuperscript{$*$}, Elena Morena Weber\textsuperscript{$*$}, Elke aus dem Moore\textsuperscript{†}, Elmar Mellert, Florian Hoelscher, Gaetan Borot, Helmut Dietz\textsuperscript{†}, Irasema Fernandez, Johanna Markert\textsuperscript{$*$}, Julian Hartbaum\textsuperscript{‡}, Konstantin Lom\textsuperscript{†}, Leon Müllner\textsuperscript{$*$}, Luise Boege\textsuperscript{$*$}, Lukas Ludwig\textsuperscript{$*$}, Luke Wilkins\textsuperscript{$*$}, Marieanne Roth\textsuperscript{†}, Mathias Irmsher\textsuperscript{‡}, Mitra Wakil\textsuperscript{$*$}, Patrizia Bach\textsuperscript{$*$}, Philip Mecke\textsuperscript{$*$}, Robert Blatt\textsuperscript{$*$}, Sander Wickersheim\textsuperscript{†}, Savyon\textsuperscript{$*$}, Silke Pflüger\textsuperscript{†}, Sílvia das Fadas\textsuperscript{$*$}, Simar Preet Kaur\textsuperscript{$*$}, Sonja Flury\textsuperscript{†}, Sophia Guggenberger\textsuperscript{$*$}, Sophie-Charlotte Thieroff\textsuperscript{†}, Stephan Martens\textsuperscript{‡}, Susanna Flock\textsuperscript{$*$}, Tom Rosenberg\textsuperscript{$*$}, Vincenzo Talluto\textsuperscript{§}, and Yuval Shenhar\textsuperscript{$*$}.
|
||||
|
||||
* denotes contemporary resident at Akademie Schloss Solitude\\
|
||||
† denotes Akademie Schloss Solitude staff\\
|
||||
‡ denotes Institut für Mikroelektronik Stuttgart staff\\
|
||||
§ denotes Newport Optics staff\\
|
||||
|
||||
|
||||
|
||||
\vspace{\fill}
|
||||
|
||||
\begin{flushright}
|
||||
version generated: \today
|
||||
\end{flushright}
|
||||
|
||||
\newpage
|
||||
\vspace*{\fill}
|
||||
\centering
|
||||
\includegraphics[width=1\linewidth]{selects/berger.jpg}
|
||||
Berger
|
||||
\vspace*{\fill}
|
||||
|
||||
\newpage
|
||||
\vspace*{\fill}
|
||||
\centering
|
||||
\includegraphics[width=1\linewidth]{selects/robinson.jpg}
|
||||
Robinson
|
||||
\vspace*{\fill}
|
||||
|
||||
\newpage
|
||||
\vspace*{\fill}
|
||||
\centering
|
||||
\includegraphics[width=1\linewidth]{selects/penrose.jpg}
|
||||
Penrose
|
||||
\vspace*{\fill}
|
||||
|
||||
\newpage
|
||||
\vspace*{\fill}
|
||||
\centering
|
||||
\includegraphics[width=1\linewidth]{selects/ammann.jpg}
|
||||
Ammann
|
||||
\vspace*{\fill}
|
||||
|
||||
\newpage
|
||||
\vspace*{\fill}
|
||||
\centering
|
||||
\includegraphics[width=1\linewidth]{selects/kari.jpg}
|
||||
Kari
|
||||
\vspace*{\fill}
|
||||
|
||||
\newpage
|
||||
\vspace*{\fill}
|
||||
\centering
|
||||
\includegraphics[width=1\linewidth]{selects/jaendel.jpg}
|
||||
Jaendel-Rao
|
||||
|
||||
\vspace*{\fill}
|
||||
|
||||
\includepdf[pages={-}]{../berger/berger\string_score.pdf}
|
||||
\includepdf[pages={-}]{../robinson/robinson\string_score.pdf}
|
||||
\includepdf[pages={-}]{../penrose/penrose\string_score.pdf}
|
||||
\includepdf[pages={-}]{../ammann/ammann\string_score.pdf}
|
||||
\includepdf[pages={-}]{../kari/kari\string_score.pdf}
|
||||
\includepdf[pages={-}]{../jaendel/jaendel\string_rao\string_score.pdf}
|
||||
|
||||
|
||||
|
||||
\end{document}
|
||||
@ -0,0 +1,78 @@
|
||||
|
||||
@article{doi:10.1002/j.1538-7305.1961.tb03975.x,
|
||||
author = {Wang, Hao},
|
||||
title = {Proving Theorems by Pattern Recognition — II},
|
||||
journal = {Bell System Technical Journal},
|
||||
volume = {40},
|
||||
number = {1},
|
||||
pages = {1-41},
|
||||
year = {1961}
|
||||
}
|
||||
|
||||
@book{berger1966undecidability,
|
||||
title={The Undecidability of the Domino Problem},
|
||||
author={Berger, R.},
|
||||
isbn={9780821812662},
|
||||
series={Memoirs ; No 1/66},
|
||||
url={https://books.google.com/books?id=mLfTCQAAQBAJ},
|
||||
year={1966},
|
||||
publisher={American Mathematical Society}
|
||||
}
|
||||
|
||||
@Article{Robinson1971,
|
||||
author="Robinson, Raphael M.",
|
||||
title="Undecidability and nonperiodicity for tilings of the plane",
|
||||
journal="Inventiones mathematicae",
|
||||
year="1971",
|
||||
month="Sep",
|
||||
day="01",
|
||||
volume="12",
|
||||
number="3",
|
||||
pages="177--209",
|
||||
issn="1432-1297",
|
||||
doi="10.1007/BF01418780",
|
||||
url="https://doi.org/10.1007/BF01418780"
|
||||
}
|
||||
|
||||
@book{Grunbaum:1986:TP:19304,
|
||||
author = {Gr\"{u}nbaum, Branko and Shephard, G C},
|
||||
title = {Tilings and Patterns},
|
||||
year = {1986},
|
||||
isbn = {0-716-71193-1},
|
||||
publisher = {W. H. Freeman \& Co.},
|
||||
address = {New York, NY, USA},
|
||||
}
|
||||
|
||||
@article{Kari:1996:SAS:245761.245817,
|
||||
author = {Kari, Jarkko},
|
||||
title = {A Small Aperiodic Set of Wang Tiles},
|
||||
journal = {Discrete Math.},
|
||||
issue_date = {Nov. 15, 1996},
|
||||
volume = {160},
|
||||
number = {1-3},
|
||||
month = nov,
|
||||
year = {1996},
|
||||
issn = {0012-365X},
|
||||
pages = {259--264},
|
||||
numpages = {6},
|
||||
url = {http://dx.doi.org/10.1016/0012-365X(95)00120-L},
|
||||
doi = {10.1016/0012-365X(95)00120-L},
|
||||
acmid = {245817},
|
||||
publisher = {Elsevier Science Publishers B. V.},
|
||||
address = {Amsterdam, The Netherlands, The Netherlands},
|
||||
}
|
||||
|
||||
@article{DBLP:journals/corr/JeandelR15,
|
||||
author = {Emmanuel Jeandel and
|
||||
Micha{\"{e}}l Rao},
|
||||
title = {An aperiodic set of 11 Wang tiles},
|
||||
journal = {CoRR},
|
||||
volume = {abs/1506.06492},
|
||||
year = {2015},
|
||||
url = {http://arxiv.org/abs/1506.06492},
|
||||
archivePrefix = {arXiv},
|
||||
eprint = {1506.06492},
|
||||
timestamp = {Mon, 13 Aug 2018 16:48:45 +0200},
|
||||
biburl = {https://dblp.org/rec/bib/journals/corr/JeandelR15},
|
||||
bibsource = {dblp computer science bibliography, https://dblp.org}
|
||||
}
|
||||
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\large
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\textit{\textbf{ammann}} \\
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\normalsize
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from \textit{a history of the domino problem}\\
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for 5 to 8 sustaining instruments
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\bigskip
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\normalsize
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The ensemble can play any 5 or more parts (preferably as many as possible) and any 8 or more adjacent sections. If the ensemble starts after the first section (the 2nd through 13th sections), the performers should start on the first note that has an onset within the first measure of the section (replacing the tied note from the last measure of the previous section with a rest). If ending before the final section (the 8th through 19th sections), the last note of each part should be the note tied over from the penultimate measure of the section. Each part should be as distinct in timbre as possible.
|
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|
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All the parts are notated within one octave. Written above each note is an up or down arrow indicating whether the pitch be played high or low. That is, in each part, each pitch-class can occur in one of two ways: in either a higher register or a lower one (the up / down arrows should be interpreted in the same respective register throughout). Which registers are selected for each note in each part is open, but should be selected such that there is some overlap / pitch duplications among the parts and some separation. Limiting the overlap will naturally stratify the registers of the parts. The part number should generally correspond to its relative register (i.e. part 2 should be generally higher than part 1). The ensemble can explore replacing pitches of one to two of the parts with various non-pitched percussion instruments with relatively long decays. The up and down arrows would then be interpreted as two different types of the same instrument (e.g. two sizes of triangles).
|
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|
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The pitches of the piece are derived from a rational tuning systems based on the harmonic series. The notes in the score may be interpreted to the nearest quarter-tone (as written), or preferably with the following cent deviations given from the nearest pitch in 24-tone equal temperament.
|
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\bigskip
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\includegraphics[scale=0.75]{ammann\string_pitches.pdf}
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\bigskip
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\bigskip
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\footnotesize
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*This piece is part of a large-scale performance-installation titled \textit{a history of the domino problem}. It may be played alone or alongside other pieces from \textit{a history of the domino problem}. Instructions are given in the score detailing the superordinate, large-scale work.
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\normalsize
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|
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michael winter\\
|
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(schloss solitude, stuttgart and calle monclova 62, mexico city; 2018-19)\\
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version generated: \today
|
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|
||||
\textit{\textbf{berger-knuth}} \\
|
||||
\normalsize
|
||||
from \textit{a history of the domino problem}\\
|
||||
for 3 or 6 sustaining instruments
|
||||
|
||||
\bigskip
|
||||
\bigskip
|
||||
|
||||
\normalsize
|
||||
The parts of the score are divided into two groups: `a' and `b'. Either group `a' or group `b' can be performed, but preferably both. Each part should be as distinct in timbre as possible, especially for the same part number between the two groups (e.g. 1a and 1b should be performed with different types of instruments). If only one group is interpreted, the tempo should be faster (more towards 90 beats per minute). If both groups are interpreted, the tempo should be slower (more towards 60 beats per minute). The tempo can also be slightly different for each section.
|
||||
|
||||
The ensemble can play any 2 or more adjacent sections. If the ensemble starts after the first section (the 2nd through 5th sections), the performers should start on the first note that has an onset within the first measure of the section (replacing the tied note from the last measure of the previous section with a rest). If ending before the final section (again, the 2nd through 5th sections), the last note of each part should be the note tied over from the penultimate measure of the section.
|
||||
|
||||
Generally soft and dynamically flat throughout with tones that decay over the duration of the note after the initial attack. Each part has three dynamic levels: \textit{p}, \textit{mp}, and \textit{mf}. However, part 1 should be softer than part 2 which should be softer than part 3. Performers may occasionally omit or cut short a note in order to breathe or give a sense of phrasing.
|
||||
|
||||
The pitches of the piece are derived from a rational tuning system. The notes in the score may be interpreted to the nearest quarter-tone (as written) or with the following cent deviations given from the nearest pitch in 24-tone equal temperament.
|
||||
|
||||
\bigskip
|
||||
\includegraphics[scale=0.75]{berger\string_pitches.pdf}
|
||||
|
||||
\bigskip
|
||||
\bigskip
|
||||
|
||||
\footnotesize
|
||||
*This piece is part of a large-scale performance-installation titled \textit{a history of the domino problem}. It may be played alone or alongside other pieces from \textit{a history of the domino problem}. Instructions are given in the score detailing the superordinate, large-scale work.
|
||||
\normalsize
|
||||
|
||||
\vspace{\fill}
|
||||
|
||||
\begin{flushright}
|
||||
michael winter\\
|
||||
(schloss solitude, stuttgart and calle monclova 62, mexico city; 2018-19)\\
|
||||
version generated: \today
|
||||
\end{flushright}
|
||||
|
||||
\includepdf[pages={-}]{../../score/lilypond/berger\string_knuth/berger\string_knuth.pdf}
|
||||
|
||||
|
||||
\end{document}
|
||||
@ -0,0 +1,60 @@
|
||||
\version "2.19.83"
|
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|
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#(set! paper-alist (cons '("my size" . (cons (* 9 in) (* 1.75 in))) paper-alist))
|
||||
|
||||
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|
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|
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|
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|
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|
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#(set-paper-size "my size")
|
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|
||||
|
||||
\layout {
|
||||
indent = 0.0\cm
|
||||
line-width = 20\cm
|
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|
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|
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|
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|
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|
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|
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|
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|
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{
|
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|
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|
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|
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|
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|
||||
|
||||
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|
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|
||||
\thispagestyle{empty}
|
||||
|
||||
\large
|
||||
\textit{\textbf{jaendel-rao}} \\
|
||||
\normalsize
|
||||
from \textit{a history of the domino problem}\\
|
||||
for sustaining instruments
|
||||
|
||||
\bigskip
|
||||
\bigskip
|
||||
|
||||
\normalsize
|
||||
Provided are scores for two versions of this piece: reduced and full. The instructions for the pieces are essentially the same but the reduced version allows for fewer instrumental resources.
|
||||
|
||||
Each part is notated in two `voices': one below the center line and one above. Together, the various combinations indicate 4 ways of producing a pitched-tone which means that each pitch must be able to be played in one of the 4 following ways. 1) a rest written on the center line between the two voice indicates silence, 2) and 3) a rest in one voice with a note in the other indicates to produce the tone in one way or the other pending in which voice the note is given, and 4) a note above and below the center line indicates that both ways of producing the tone must be played together. As such, each part must be taken by an instrument that can play the same pitch in two ways at the same time; e.g. a double stop on a stringed instrument. Or, two instruments can be assigned to the same part; one playing the upper voice and the other playing the lower voice. For the latter, if the instruments are similar in timbre, they should be dislocated in space to give further distinction between the two voice. Another option is to use electronics and / or amplification to create the voice distinction; e.g. the performer sustains the tone throughout the piece and the 4 types of distinctions are as follows: 1) a rest written on the center line between the two voice indicates no amplification, 2) and 3) a rest in one voice with a note in the other indicates that the tone is amplified in either the left or right speaker pending in which voice the note is given, and 4) a note above and below the center line indicates that the tone is amplified through both speakers. The ensemble can explore other simple methods of distinction using one instrument per part (e.g. four dynamic levels or four tremolo speeds), but the previous options are preferred.
|
||||
|
||||
The ensemble can choose to perform any 4 or more sections (preferable more / all). Note that the sections are offset for each successively entering voice. The entrance and exit of each note should be rather abrupt / binary. However, the part as a whole should fade in at the beginning of a section and fade out at the end of a section. Crescendo and decrescendo markings indicate the start of the fade which should last 4 measures from the mark. If the (de)crescendo markings are given where there are rests on the center line, there may not be a fade at all if a centered rest is interpreted as silence. The peak amplitude should be quite present and equal for all parts.
|
||||
|
||||
As mentioned above, each part plays one pitch. The pitches are derived from adjacent odd harmonics of a harmonic series based on an arbitrary fundamental. These should be played as precisely as possible in the register they occur in the harmonic series. Given below is an example series based on an a fundamental of a low `a' with cent deviations given from the nearest pitch in 24-tone equal temperament. Note that each part enters from high to low and are labeled accordingly.
|
||||
|
||||
\bigskip
|
||||
\includegraphics[scale=0.75]{jaendel\string_pitches.pdf}
|
||||
|
||||
\bigskip
|
||||
\bigskip
|
||||
|
||||
\footnotesize
|
||||
*This piece is part of a large-scale performance-installation titled \textit{a history of the domino problem}. It may be played alone or alongside other pieces from \textit{a history of the domino problem}. Instructions are given in the score detailing the superordinate, large-scale work.
|
||||
\normalsize
|
||||
|
||||
\vspace{\fill}
|
||||
|
||||
\begin{flushright}
|
||||
michael winter\\
|
||||
(schloss solitude, stuttgart and calle monclova 62, mexico city; 2018-19)\\
|
||||
version generated: \today
|
||||
\end{flushright}
|
||||
|
||||
\includepdf[pages={-}]{../../score/lilypond/jaendel\string_rao/jaendel\string_rao\string_reduced.pdf}
|
||||
\includepdf[pages={-}]{../../score/lilypond/jaendel\string_rao/jaendel\string_rao\string_full.pdf}
|
||||
|
||||
|
||||
\end{document}
|
||||
@ -0,0 +1,2 @@
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|
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|
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|
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|
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||||
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\documentclass[10pt]{letter}
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\begin{document}
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\thispagestyle{empty}
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\large
|
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\textit{\textbf{kari-culik}} \\
|
||||
\normalsize
|
||||
from \textit{a history of the domino problem}\\
|
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for sustaining instruments and noise / percussion
|
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\bigskip
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\bigskip
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\normalsize
|
||||
The piece consists of a set of `ensemble' instruments notated in the top staff group along with a bass part and a noise / percussion part notated in the bottom staff group. At least 3 of the ensemble parts should be performed (but preferably all). Each of the the ensemble parts span several octaves. To the extent possible, each pitch should be played in the written register. If a single instrument cannot cover the entire range, the part may be played by two instruments. Another option is to transpose or omit notes that are out of range while maintaining a generally open registral spacing and ensuring that the piece does not feel too sparse / empty. Each ensemble part should be as distinct in timbre as possible.
|
||||
|
||||
The ensemble can play any 4 or more adjacent sections. If the ensemble starts after the first section (the 2nd through 7th sections), the performers should ignore that the note is tied from a note in the previous measure (the last measure of the previous section). If ending before the final section (the 4th through 9th sections), the performers should ignore that the note is tied to a note in the following measure (the first measure of the following section).
|
||||
|
||||
Each note of the ensemble parts should have a dynamic curve as shown in the plot below entering and exiting as softly as possible with a peak dynamic between mezzo-piano and mezzo-forte (as such, the piece should feel relatively soft and tranquil throughout).
|
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|
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\includegraphics[scale=0.25]{dynamic\string_curve.pdf}
|
||||
|
||||
Each tone of the bass part should have a more defined, consistent onset that then decays throughout the rest of the tone duration. That is, the duration of the onset is not defined by the length of the tone as with the dynamic curve of the ensemble parts.
|
||||
|
||||
Each line of the noise part should be interpreted as different registers of noise (e.g. a relatively lower noise, and a relatively high noise). The noise should crescendo throughout the duration of the written note to a peak dynamic still below the general peak dynamic of the ensemble. At the end of the written duration of the note, the tone can be allowed to decay naturally or decrescendo over a period of a few seconds. Therefore, each line will need to be played on a different instrument. A suitable example would be tremolos on two different symbols with different noise registers.
|
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|
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|
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|
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\bigskip
|
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\bigskip
|
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|
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\footnotesize
|
||||
*This piece is part of a large-scale performance-installation titled \textit{a history of the domino problem}. It may be played alone or alongside other pieces from \textit{a history of the domino problem}. Instructions are given in the score detailing the superordinate, large-scale work.
|
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\normalsize
|
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|
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\vspace{\fill}
|
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|
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\begin{flushright}
|
||||
michael winter\\
|
||||
(schloss solitude, stuttgart and calle monclova 62, mexico city; 2018-19)\\
|
||||
version generated: \today
|
||||
\end{flushright}
|
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|
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\includepdf[pages={-}]{../../score/lilypond/kari\string_culik/kari\string_culik.pdf}
|
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|
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|
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\end{document}
|
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@ -0,0 +1,41 @@
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\begin{document}
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\thispagestyle{empty}
|
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\large
|
||||
\textit{\textbf{penrose}} \\
|
||||
\normalsize
|
||||
from \textit{a history of the domino problem}\\
|
||||
for 4 to 6 sustaining instruments
|
||||
|
||||
\bigskip
|
||||
\bigskip
|
||||
|
||||
\normalsize
|
||||
The ensemble can play any 4 or more parts (preferably as many as possible) and any 8 or more adjacent sections. The ensemble can explore replacing pitches of the one of the outer parts with various non-pitched percussion instruments with relatively long decays.
|
||||
|
||||
The piece should feel rather tranquil with a relatively constant dynamic throughout the piece. Parts with a higher temporal density at any given point should rise slightly above the rest of the ensemble. This sense of phrasing should come out naturally based on the temporal density alone, but can be further articulated by the performers applying a subtle swell over sequences of notes with relatively shorter durations. As a result, each section should be heard as a series of undulations / breaths. Performers may also occasionally omit or cut short a note in order to breathe or give a sense of phrasing.
|
||||
|
||||
Pitches can be transposed by an octave if necessary while maintaining relatively distinct registers among the parts to the extent possible. The pitches of the piece are derived from a rational tuning systems. The notes in the score may be interpreted to the nearest quarter-tone (as written), or preferably with the following cent deviations given from the nearest pitch in 24-tone equal temperament.
|
||||
|
||||
\bigskip
|
||||
\includegraphics[scale=0.75]{penrose\string_pitches.pdf}
|
||||
|
||||
\bigskip
|
||||
\bigskip
|
||||
|
||||
\footnotesize
|
||||
*This piece is part of a large-scale performance-installation titled \textit{a history of the domino problem}. It may be played alone or alongside other pieces from \textit{a history of the domino problem}. Instructions are given in the score detailing the superordinate, large-scale work.
|
||||
\normalsize
|
||||
|
||||
\vspace{\fill}
|
||||
|
||||
\begin{flushright}
|
||||
michael winter\\
|
||||
(schloss solitude, stuttgart and calle monclova 62, mexico city; 2018-19)\\
|
||||
version generated: \today
|
||||
\end{flushright}
|
||||
|
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\includepdf[pages={-}]{../../score/lilypond/penrose/penrose.pdf}
|
||||
|
||||
|
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\end{document}
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@ -0,0 +1,41 @@
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|
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|
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|
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|
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|
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|
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|
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>>
|
||||
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The ensemble can play any 4 or more adjacent parts (preferably as many as possible) and any 4 or more adjacent sections. The tempo (marked between 60 and 90 beats per second) can be derived from the number of players such that the more the performers, the slower the tempo. The tempo can also be slightly different for each section.
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*This piece is part of a large-scale performance-installation titled \textit{a history of the domino problem}. It may be played alone or alongside other pieces from \textit{a history of the domino problem}. Instructions are given in the score detailing the superordinate, large-scale work.
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michael winter\\
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(schloss solitude, stuttgart and calle monclova 62, mexico city; 2018-19)\\
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version generated: \today
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||||
"scroll": false,
|
||||
"border": false,
|
||||
"default": "",
|
||||
"variables": "@{parent.variables}",
|
||||
"widgets": [
|
||||
{
|
||||
"type": "push",
|
||||
"top": 150,
|
||||
"left": 90,
|
||||
"id": "jog_down",
|
||||
"linkId": "",
|
||||
"width": 60,
|
||||
"height": 60,
|
||||
"label": "^arrow-alt-circle-down",
|
||||
"color": "auto",
|
||||
"css": ":host{\n--color-raised:#2A2A2D;\n}\n> .label {\nfont-size: 300%;\n}",
|
||||
"doubleTap": false,
|
||||
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|
||||
"off": 0,
|
||||
"norelease": false,
|
||||
"value": "",
|
||||
"precision": 1,
|
||||
"address": "/jog_vertical",
|
||||
"preArgs": "",
|
||||
"target": "",
|
||||
"bypass": false
|
||||
},
|
||||
{
|
||||
"type": "push",
|
||||
"top": 90,
|
||||
"left": 150,
|
||||
"id": "jog_right",
|
||||
"linkId": "",
|
||||
"width": 60,
|
||||
"height": 60,
|
||||
"label": "^arrow-alt-circle-right",
|
||||
"color": "auto",
|
||||
"css": ":host{\n--color-raised:#2A2A2D;\n}\n> .label {\nfont-size: 300%;\n}",
|
||||
"doubleTap": false,
|
||||
"on": 1,
|
||||
"off": 0,
|
||||
"norelease": false,
|
||||
"value": "",
|
||||
"precision": 1,
|
||||
"address": "/jog_horizontal",
|
||||
"preArgs": "",
|
||||
"target": "",
|
||||
"bypass": false
|
||||
},
|
||||
{
|
||||
"type": "push",
|
||||
"top": 90,
|
||||
"left": 30,
|
||||
"id": "jog_left",
|
||||
"linkId": "",
|
||||
"width": 60,
|
||||
"height": 60,
|
||||
"label": "^arrow-alt-circle-left",
|
||||
"color": "auto",
|
||||
"css": ":host{\n--color-raised:#2A2A2D;\n}\n> .label {\nfont-size: 300%;\n}",
|
||||
"doubleTap": false,
|
||||
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|
||||
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|
||||
"norelease": false,
|
||||
"value": "",
|
||||
"precision": 1,
|
||||
"address": "/jog_horizontal",
|
||||
"preArgs": "",
|
||||
"target": "",
|
||||
"bypass": false
|
||||
},
|
||||
{
|
||||
"type": "push",
|
||||
"top": 30,
|
||||
"left": 90,
|
||||
"id": "jog_up",
|
||||
"linkId": "",
|
||||
"width": 60,
|
||||
"height": 60,
|
||||
"label": "^arrow-alt-circle-up",
|
||||
"color": "auto",
|
||||
"css": ":host{\n--color-raised:#2A2A2D;\n}\n> .label {\nfont-size: 300%;\n}",
|
||||
"doubleTap": false,
|
||||
"on": 1,
|
||||
"off": 0,
|
||||
"norelease": false,
|
||||
"value": "",
|
||||
"precision": 1,
|
||||
"address": "/jog_vertical",
|
||||
"preArgs": "",
|
||||
"target": "",
|
||||
"bypass": false
|
||||
},
|
||||
{
|
||||
"type": "toggle",
|
||||
"top": 203,
|
||||
"left": 203,
|
||||
"id": "automate",
|
||||
"linkId": "",
|
||||
"width": 30,
|
||||
"height": 30,
|
||||
"label": "#{\n@{this} == 1 ? \"^stop\" : \"^play\"\n}",
|
||||
"color": "grey",
|
||||
"css": ":host{\n--color-raised:#2A2A2D;\n> .label {\nfont-size: 150%;\n}",
|
||||
"doubleTap": false,
|
||||
"on": 1,
|
||||
"off": 0,
|
||||
"value": "",
|
||||
"precision": 1,
|
||||
"address": "/automate",
|
||||
"preArgs": "",
|
||||
"target": "",
|
||||
"bypass": false,
|
||||
"led": false,
|
||||
"default": ""
|
||||
}
|
||||
],
|
||||
"tabs": []
|
||||
},
|
||||
{
|
||||
"type": "panel",
|
||||
"top": 10,
|
||||
"left": 10,
|
||||
"id": "img_matrix",
|
||||
"linkId": "",
|
||||
"width": 240,
|
||||
"height": 240,
|
||||
"label": false,
|
||||
"color": "auto",
|
||||
"css": ".panel {\n background-color: black;\n border: 2px solid grey;\n}",
|
||||
"scroll": false,
|
||||
"border": false,
|
||||
"default": "",
|
||||
"value": "",
|
||||
"precision": 2,
|
||||
"address": "/image_select",
|
||||
"preArgs": "",
|
||||
"target": "",
|
||||
"bypass": true,
|
||||
"variables": "@{parent.variables}",
|
||||
"widgets": [
|
||||
{
|
||||
"type": "toggle",
|
||||
"top": 20,
|
||||
"left": 20,
|
||||
"id": "img_1_select",
|
||||
"linkId": "",
|
||||
"width": 40,
|
||||
"height": 40,
|
||||
"label": false,
|
||||
"color": "auto",
|
||||
"css": ":host{\n--color-raised:#2A2A2D;\n}\n:host.on{\n--color-bg:white;\n}",
|
||||
"doubleTap": false,
|
||||
"led": false,
|
||||
"on": 1,
|
||||
"off": -1,
|
||||
"default": "",
|
||||
"value": "",
|
||||
"precision": 2,
|
||||
"address": "/img_select",
|
||||
"preArgs": "",
|
||||
"target": "",
|
||||
"bypass": false
|
||||
},
|
||||
{
|
||||
"type": "toggle",
|
||||
"top": 20,
|
||||
"left": 100,
|
||||
"id": "img_2_select",
|
||||
"linkId": "",
|
||||
"width": 40,
|
||||
"height": 40,
|
||||
"label": false,
|
||||
"color": "auto",
|
||||
"css": ":host{\n--color-raised:#2A2A2D;\n}\n:host.on{\n--color-bg:white;\n}",
|
||||
"doubleTap": false,
|
||||
"led": false,
|
||||
"on": 2,
|
||||
"off": -2,
|
||||
"default": "",
|
||||
"value": "",
|
||||
"precision": 2,
|
||||
"address": "/img_select",
|
||||
"preArgs": "",
|
||||
"target": "",
|
||||
"bypass": false
|
||||
},
|
||||
{
|
||||
"type": "toggle",
|
||||
"top": 20,
|
||||
"left": 180,
|
||||
"id": "img_3_select",
|
||||
"linkId": "",
|
||||
"width": 40,
|
||||
"height": 40,
|
||||
"label": false,
|
||||
"color": "auto",
|
||||
"css": ":host{\n--color-raised:#2A2A2D;\n}\n:host.on{\n--color-bg:white;\n}",
|
||||
"doubleTap": false,
|
||||
"led": false,
|
||||
"on": 3,
|
||||
"off": -3,
|
||||
"default": "",
|
||||
"value": "",
|
||||
"precision": 2,
|
||||
"address": "/img_select",
|
||||
"preArgs": "",
|
||||
"target": "",
|
||||
"bypass": false
|
||||
},
|
||||
{
|
||||
"type": "toggle",
|
||||
"top": 100,
|
||||
"left": 20,
|
||||
"id": "img_4_select",
|
||||
"linkId": "",
|
||||
"width": 40,
|
||||
"height": 40,
|
||||
"label": false,
|
||||
"color": "auto",
|
||||
"css": ":host{\n--color-raised:#2A2A2D;\n}\n:host.on{\n--color-bg:white;\n}",
|
||||
"doubleTap": false,
|
||||
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|
||||
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|
||||
"off": -4,
|
||||
"default": "",
|
||||
"value": "",
|
||||
"precision": 2,
|
||||
"address": "/img_select",
|
||||
"preArgs": "",
|
||||
"target": "",
|
||||
"bypass": false
|
||||
},
|
||||
{
|
||||
"type": "toggle",
|
||||
"top": 180,
|
||||
"left": 20,
|
||||
"id": "img_7_select",
|
||||
"linkId": "",
|
||||
"width": 40,
|
||||
"height": 40,
|
||||
"label": false,
|
||||
"color": "auto",
|
||||
"css": ":host{\n--color-raised:#2A2A2D;\n}\n:host.on{\n--color-bg:white;\n}",
|
||||
"doubleTap": false,
|
||||
"led": false,
|
||||
"on": 7,
|
||||
"off": -7,
|
||||
"default": "",
|
||||
"value": "",
|
||||
"precision": 2,
|
||||
"address": "/img_select",
|
||||
"preArgs": "",
|
||||
"target": "",
|
||||
"bypass": false
|
||||
},
|
||||
{
|
||||
"type": "toggle",
|
||||
"top": 100,
|
||||
"left": 100,
|
||||
"id": "img_5_select",
|
||||
"linkId": "",
|
||||
"width": 40,
|
||||
"height": 40,
|
||||
"label": false,
|
||||
"color": "auto",
|
||||
"css": ":host{\n--color-raised:#2A2A2D;\n}\n:host.on{\n--color-bg:white;\n}",
|
||||
"doubleTap": false,
|
||||
"led": false,
|
||||
"on": 5,
|
||||
"off": -5,
|
||||
"default": "",
|
||||
"value": "",
|
||||
"precision": 2,
|
||||
"address": "/img_select",
|
||||
"preArgs": "",
|
||||
"target": "",
|
||||
"bypass": false
|
||||
},
|
||||
{
|
||||
"type": "toggle",
|
||||
"top": 100,
|
||||
"left": 180,
|
||||
"id": "img_6_select",
|
||||
"linkId": "",
|
||||
"width": 40,
|
||||
"height": 40,
|
||||
"label": false,
|
||||
"color": "auto",
|
||||
"css": ":host{\n--color-raised:#2A2A2D;\n}\n:host.on{\n--color-bg:white;\n}",
|
||||
"doubleTap": false,
|
||||
"led": false,
|
||||
"on": 6,
|
||||
"off": -6,
|
||||
"default": "",
|
||||
"value": "",
|
||||
"precision": 2,
|
||||
"address": "/img_select",
|
||||
"preArgs": "",
|
||||
"target": "",
|
||||
"bypass": false
|
||||
},
|
||||
{
|
||||
"type": "toggle",
|
||||
"top": 180,
|
||||
"left": 100,
|
||||
"id": "img_8_select",
|
||||
"linkId": "",
|
||||
"width": 40,
|
||||
"height": 40,
|
||||
"label": false,
|
||||
"color": "auto",
|
||||
"css": ":host{\n--color-raised:#2A2A2D;\n}\n:host.on{\n--color-bg:white;\n}",
|
||||
"doubleTap": false,
|
||||
"led": false,
|
||||
"on": 8,
|
||||
"off": -8,
|
||||
"default": "",
|
||||
"value": "",
|
||||
"precision": 2,
|
||||
"address": "/img_select",
|
||||
"preArgs": "",
|
||||
"target": "",
|
||||
"bypass": false
|
||||
},
|
||||
{
|
||||
"type": "toggle",
|
||||
"top": 180,
|
||||
"left": 180,
|
||||
"id": "img_9_select",
|
||||
"linkId": "",
|
||||
"width": 40,
|
||||
"height": 40,
|
||||
"label": false,
|
||||
"color": "auto",
|
||||
"css": ":host{\n--color-raised:#2A2A2D;\n}\n:host.on{\n--color-bg:white;\n}",
|
||||
"doubleTap": false,
|
||||
"led": false,
|
||||
"on": 9,
|
||||
"off": -9,
|
||||
"default": "",
|
||||
"value": "",
|
||||
"precision": 2,
|
||||
"address": "/img_select",
|
||||
"preArgs": "",
|
||||
"target": "",
|
||||
"bypass": false
|
||||
},
|
||||
{
|
||||
"type": "push",
|
||||
"top": 48,
|
||||
"left": 22,
|
||||
"id": "img_1_calibrate",
|
||||
"linkId": "",
|
||||
"width": 36,
|
||||
"height": 10,
|
||||
"label": false,
|
||||
"color": "auto",
|
||||
"css": ":host{\n--color-raised:grey;\n}",
|
||||
"doubleTap": false,
|
||||
"on": 1,
|
||||
"off": 0,
|
||||
"norelease": false,
|
||||
"value": "",
|
||||
"precision": 2,
|
||||
"address": "/img_calibrate",
|
||||
"preArgs": "",
|
||||
"target": "",
|
||||
"bypass": false
|
||||
},
|
||||
{
|
||||
"type": "push",
|
||||
"top": 48,
|
||||
"left": 102,
|
||||
"id": "img_2_calibrate",
|
||||
"linkId": "",
|
||||
"width": 36,
|
||||
"height": 10,
|
||||
"label": false,
|
||||
"color": "auto",
|
||||
"css": ":host{\n--color-raised:grey;\n}",
|
||||
"doubleTap": false,
|
||||
"on": 2,
|
||||
"off": 0,
|
||||
"norelease": false,
|
||||
"value": "",
|
||||
"precision": 2,
|
||||
"address": "/img_calibrate",
|
||||
"preArgs": "",
|
||||
"target": "",
|
||||
"bypass": false
|
||||
},
|
||||
{
|
||||
"type": "push",
|
||||
"top": 48,
|
||||
"left": 182,
|
||||
"id": "img_3_calibrate",
|
||||
"linkId": "",
|
||||
"width": 36,
|
||||
"height": 10,
|
||||
"label": false,
|
||||
"color": "auto",
|
||||
"css": ":host{\n--color-raised:grey;\n}",
|
||||
"doubleTap": false,
|
||||
"on": 3,
|
||||
"off": 0,
|
||||
"norelease": false,
|
||||
"value": "",
|
||||
"precision": 2,
|
||||
"address": "/img_calibrate",
|
||||
"preArgs": "",
|
||||
"target": "",
|
||||
"bypass": false
|
||||
},
|
||||
{
|
||||
"type": "push",
|
||||
"top": 128,
|
||||
"left": 22,
|
||||
"id": "img_4_calibrate",
|
||||
"linkId": "",
|
||||
"width": 36,
|
||||
"height": 10,
|
||||
"label": false,
|
||||
"color": "auto",
|
||||
"css": ":host{\n--color-raised:grey;\n}",
|
||||
"doubleTap": false,
|
||||
"on": 4,
|
||||
"off": 0,
|
||||
"norelease": false,
|
||||
"value": "",
|
||||
"precision": 2,
|
||||
"address": "/img_calibrate",
|
||||
"preArgs": "",
|
||||
"target": "",
|
||||
"bypass": false
|
||||
},
|
||||
{
|
||||
"type": "push",
|
||||
"top": 128,
|
||||
"left": 102,
|
||||
"id": "img_5_calibrate",
|
||||
"linkId": "",
|
||||
"width": 36,
|
||||
"height": 10,
|
||||
"label": false,
|
||||
"color": "auto",
|
||||
"css": ":host{\n--color-raised:grey;\n}",
|
||||
"doubleTap": false,
|
||||
"on": 5,
|
||||
"off": 0,
|
||||
"norelease": false,
|
||||
"value": "",
|
||||
"precision": 2,
|
||||
"address": "/img_calibrate",
|
||||
"preArgs": "",
|
||||
"target": "",
|
||||
"bypass": false
|
||||
},
|
||||
{
|
||||
"type": "push",
|
||||
"top": 128,
|
||||
"left": 182,
|
||||
"id": "img_6_calibrate",
|
||||
"linkId": "",
|
||||
"width": 36,
|
||||
"height": 10,
|
||||
"label": false,
|
||||
"color": "auto",
|
||||
"css": ":host{\n--color-raised:grey;\n}",
|
||||
"doubleTap": false,
|
||||
"on": 6,
|
||||
"off": 0,
|
||||
"norelease": false,
|
||||
"value": "",
|
||||
"precision": 2,
|
||||
"address": "/img_calibrate",
|
||||
"preArgs": "",
|
||||
"target": "",
|
||||
"bypass": false
|
||||
},
|
||||
{
|
||||
"type": "push",
|
||||
"top": 208,
|
||||
"left": 22,
|
||||
"id": "img_7_calibrate",
|
||||
"linkId": "",
|
||||
"width": 36,
|
||||
"height": 10,
|
||||
"label": false,
|
||||
"color": "auto",
|
||||
"css": ":host{\n--color-raised:grey;\n}",
|
||||
"doubleTap": false,
|
||||
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|
||||
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|
||||
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|
||||
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|
||||
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|
||||
"address": "/img_calibrate",
|
||||
"preArgs": "",
|
||||
"target": "",
|
||||
"bypass": false
|
||||
},
|
||||
{
|
||||
"type": "push",
|
||||
"top": 208,
|
||||
"left": 102,
|
||||
"id": "img_8_calibrate",
|
||||
"linkId": "",
|
||||
"width": 36,
|
||||
"height": 10,
|
||||
"label": false,
|
||||
"color": "auto",
|
||||
"css": ":host{\n--color-raised:grey;\n}",
|
||||
"doubleTap": false,
|
||||
"on": 8,
|
||||
"off": 0,
|
||||
"norelease": false,
|
||||
"value": "",
|
||||
"precision": 2,
|
||||
"address": "/img_calibrate",
|
||||
"preArgs": "",
|
||||
"target": "",
|
||||
"bypass": false
|
||||
},
|
||||
{
|
||||
"type": "push",
|
||||
"top": 208,
|
||||
"left": 182,
|
||||
"id": "img_9_calibrate",
|
||||
"linkId": "",
|
||||
"width": 36,
|
||||
"height": 10,
|
||||
"label": false,
|
||||
"color": "white",
|
||||
"css": ":host{\n--color-raised:grey;\n}",
|
||||
"doubleTap": false,
|
||||
"on": 9,
|
||||
"off": 0,
|
||||
"norelease": false,
|
||||
"value": "",
|
||||
"precision": 2,
|
||||
"address": "/img_calibrate",
|
||||
"preArgs": "",
|
||||
"target": "",
|
||||
"bypass": false
|
||||
}
|
||||
],
|
||||
"tabs": []
|
||||
}
|
||||
],
|
||||
"tabs": []
|
||||
},
|
||||
{
|
||||
"type": "frame",
|
||||
"top": "auto",
|
||||
"left": "auto",
|
||||
"id": "frame_3",
|
||||
"linkId": "",
|
||||
"width": 600,
|
||||
"height": 400,
|
||||
"label": "auto",
|
||||
"css": "> .frame {\n background-color: black;\n border: 2px solid grey;\n}\n:host {\n top:calc(50% - 200rem);\n left:calc(50% - 800rem);\n z-index: 10;\n}",
|
||||
"border": true,
|
||||
"default": "",
|
||||
"value": "http://10.0.0.5:5000",
|
||||
"address": "/frame_3",
|
||||
"preArgs": ""
|
||||
}
|
||||
],
|
||||
"tabs": [],
|
||||
"scroll": true
|
||||
}
|
||||
],
|
||||
"scroll": true,
|
||||
"label": false
|
||||
}
|
||||
@ -0,0 +1,9 @@
|
||||
<html>
|
||||
<head>
|
||||
<title>Video Streaming Demonstration</title>
|
||||
</head>
|
||||
<body>
|
||||
<h1>Video Streaming Demonstration</h1>
|
||||
<img src="{{ url_for('video_feed') }}">
|
||||
</body>
|
||||
</html>
|
||||
@ -0,0 +1,162 @@
|
||||
#This is a proof of concept for motion tracking of the vernier in very early stages
|
||||
|
||||
import cv2
|
||||
import sys
|
||||
from pythonosc.udp_client import SimpleUDPClient
|
||||
from flask import Flask, render_template, Response
|
||||
import threading
|
||||
import argparse
|
||||
|
||||
outputFrame = None
|
||||
lock = threading.Lock()
|
||||
|
||||
app = Flask(__name__)
|
||||
|
||||
ip = "127.0.0.1"
|
||||
port = 57120
|
||||
|
||||
client = SimpleUDPClient(ip, port) # Create client
|
||||
|
||||
# Read video (eventually will be the live capture from the camera)
|
||||
video = cv2.VideoCapture("/home/mwinter/Portfolio/a_history_of_the_domino_problem/a_history_of_the_domino_problem/recs/a_history_of_the_domino_problem_final_documentation_hq.mp4")
|
||||
|
||||
# Exit if video not opened.
|
||||
if not video.isOpened():
|
||||
print("Could not open video")
|
||||
sys.exit()
|
||||
|
||||
# Read first frame.
|
||||
video.set(cv2.CAP_PROP_POS_FRAMES, 5000)
|
||||
ok, initFrame = video.read()
|
||||
if not ok:
|
||||
print('Cannot read video file')
|
||||
sys.exit()
|
||||
|
||||
#frame = cv2.cvtColor(frame, cv2.COLOR_RGB2GRAY)
|
||||
#frame = cv2.GaussianBlur(frame,(5,5),cv2.BORDER_DEFAULT)
|
||||
|
||||
# all this for selecting ROI
|
||||
#xROI = cv2.selectROI('Tracking', initFrame)
|
||||
#yROI = cv2.selectROI('Tracking', initFrame)
|
||||
#print(xROI)
|
||||
#print(yROI)
|
||||
#xFine = (xROI[0], xROI[1], xROI[2], xROI[3] / 2)
|
||||
#xCourse = (xROI[0], xROI[1] + (xROI[3] / 2), xROI[2], xROI[3] / 2)
|
||||
#yFine = (yROI[0], yROI[1], yROI[2] / 2, yROI[3])
|
||||
#yCourse = (yROI[0] + (yROI[2] / 2), yROI[1], yROI[2] / 2, yROI[3])
|
||||
#print(xFine)
|
||||
#print(yFine)
|
||||
|
||||
xFine = (848, 187, 225, 21.0)
|
||||
yFine = (604, 402, 20.5, 276)
|
||||
|
||||
frameCountMod = 0
|
||||
centroidX = [0, 0]
|
||||
centroidY = [0, 0]
|
||||
|
||||
def track(frame, ROI, centroid, update):
|
||||
if(update):
|
||||
crop = frame[int(ROI[1]):int(ROI[1]+ROI[3]), int(ROI[0]):int(ROI[0]+ROI[2])]
|
||||
crop = cv2.cvtColor(crop, cv2.COLOR_RGB2GRAY)
|
||||
crop = cv2.GaussianBlur(crop,(7,7),cv2.BORDER_DEFAULT)
|
||||
|
||||
#ret, thresh = cv2.threshold(crop, 100, 255, cv2.THRESH_OTSU + cv2.THRESH_BINARY)
|
||||
ret,thresh = cv2.threshold(crop, 50, 255, 0)
|
||||
M = cv2.moments(thresh)
|
||||
|
||||
# calculate x,y coordinate of center
|
||||
if M["m00"] != 0:
|
||||
centroid[0] = int(M["m10"] / M["m00"])
|
||||
centroid[1] = int(M["m01"] / M["m00"])
|
||||
#else:
|
||||
# cX, cY = 0, 0
|
||||
#print(cY)
|
||||
cv2.circle(frame, (int(ROI[0]) + centroid[0], int(ROI[1]) + centroid[1]), 5, (255, 255, 255), -1)
|
||||
|
||||
def detect_motion():
|
||||
# grab global references to the video stream, output frame, and
|
||||
# lock variables
|
||||
global vs, outputFrame, lock
|
||||
|
||||
frameCountMod = 0
|
||||
centroidX = [0, 0]
|
||||
centroidY = [0, 0]
|
||||
"""Video streaming generator function."""
|
||||
while True:
|
||||
# Read a new frame
|
||||
ok, frame = video.read()
|
||||
if not ok:
|
||||
break
|
||||
|
||||
if(frameCountMod == 0):
|
||||
track(frame, xFine, centroidX, True)
|
||||
track(frame, yFine, centroidY, True)
|
||||
xPos = (centroidX[0] / xFine[2]) * 2 - 1
|
||||
yPos = (centroidY[1] / yFine[3]) * 2 - 1
|
||||
client.send_message("/trackerpos", [xPos, yPos])
|
||||
else:
|
||||
track(frame, xFine, centroidX, False)
|
||||
track(frame, yFine, centroidY, False)
|
||||
|
||||
|
||||
frameCountMod = (frameCountMod + 1) % 10
|
||||
|
||||
cv2.rectangle(frame, (int(xFine[0]), int(xFine[1])), (int(xFine[0]+int(xFine[2])),int(xFine[1]+xFine[3])), (255, 255, 255), 5)
|
||||
cv2.rectangle(frame, (int(yFine[0]), int(yFine[1])), (int(yFine[0]+int(yFine[2])),int(yFine[1]+yFine[3])), (255, 255, 255), 5)
|
||||
|
||||
# Display result
|
||||
#cv2.imshow("Tracking", frame)
|
||||
#cv2.imshow("Crop", crop)
|
||||
|
||||
with lock:
|
||||
outputFrame = frame.copy()
|
||||
|
||||
# Exit if ESC pressed
|
||||
#k = cv2.waitKey(1) & 0xff
|
||||
#if k == 27 :
|
||||
# cv2.destroyWindow('Tracking')
|
||||
# break
|
||||
|
||||
|
||||
@app.route('/')
|
||||
def index():
|
||||
"""Video streaming home page."""
|
||||
return render_template('index.html')
|
||||
|
||||
|
||||
def generate():
|
||||
# grab global references to the output frame and lock variables
|
||||
global outputFrame, lock
|
||||
|
||||
# loop over frames from the output stream
|
||||
while True:
|
||||
# wait until the lock is acquired
|
||||
with lock:
|
||||
# check if the output frame is available, otherwise skip
|
||||
# the iteration of the loop
|
||||
if outputFrame is None:
|
||||
continue
|
||||
|
||||
# encode the frame in JPEG format
|
||||
(flag, encodedImage) = cv2.imencode(".jpg", outputFrame)
|
||||
|
||||
# ensure the frame was successfully encoded
|
||||
if not flag:
|
||||
continue
|
||||
|
||||
# yield the output frame in the byte format
|
||||
yield(b'--frame\r\n' b'Content-Type: image/jpeg\r\n\r\n' +
|
||||
bytearray(encodedImage) + b'\r\n')
|
||||
|
||||
|
||||
@app.route('/video_feed')
|
||||
def video_feed():
|
||||
"""Video streaming route. Put this in the src attribute of an img tag."""
|
||||
return Response(generate(),mimetype='multipart/x-mixed-replace; boundary=frame')
|
||||
|
||||
|
||||
if __name__ == '__main__':
|
||||
t = threading.Thread(target=detect_motion)
|
||||
t.daemon = True
|
||||
t.start()
|
||||
app.run(host='10.0.0.5', threaded=True)
|
||||
@ -0,0 +1,2 @@
|
||||
*.wav
|
||||
*.mp4
|
||||
@ -0,0 +1,212 @@
|
||||
\version "2.19.81"
|
||||
|
||||
genStaff =
|
||||
#(define-music-function (parser location part)
|
||||
(string?)
|
||||
(let * ((file (string-append "includes/ammann_part_" part ".ly")))
|
||||
#{
|
||||
\new Staff \with {
|
||||
instrumentName = #part
|
||||
shortInstrumentName = #part
|
||||
}
|
||||
<<
|
||||
\include #file
|
||||
>>
|
||||
#}))
|
||||
|
||||
\paper {
|
||||
#(set-paper-size "a4" 'portrait)
|
||||
top-margin = 1 \cm
|
||||
bottom-margin = 1 \cm
|
||||
left-margin = 1.75 \cm
|
||||
|
||||
top-system-spacing =
|
||||
#'((basic-distance . 15 )
|
||||
(minimum-distance . 15 )
|
||||
(padding . 0 )
|
||||
(stretchability . 0))
|
||||
|
||||
last-bottom-spacing =
|
||||
#'((basic-distance . 15 )
|
||||
(minimum-distance . 15 )
|
||||
(padding . 0 )
|
||||
(stretchability . 0))
|
||||
|
||||
systems-per-page = 2
|
||||
|
||||
print-page-number = ##t
|
||||
oddHeaderMarkup = \markup { \on-the-fly #not-first-page "(ammann)" }
|
||||
evenHeaderMarkup = \markup { \on-the-fly #not-first-page "(ammann)" }
|
||||
oddFooterMarkup = \markup { \fill-line {
|
||||
\on-the-fly #not-first-page
|
||||
\concat {
|
||||
"-"
|
||||
\fontsize #1.5
|
||||
\on-the-fly #print-page-number-check-first
|
||||
\fromproperty #'page:page-number-string
|
||||
"-"}}}
|
||||
evenFooterMarkup = \markup { \fill-line {
|
||||
\on-the-fly #not-first-page
|
||||
\concat {
|
||||
"-"
|
||||
\fontsize #1.5
|
||||
\on-the-fly #print-page-number-check-first
|
||||
\fromproperty #'page:page-number-string
|
||||
"-"}}}
|
||||
}
|
||||
|
||||
\header {
|
||||
title = \markup { \italic {ammann}}
|
||||
subtitle = \markup { \normal-text { from \italic{a history of the domino the problem}}}
|
||||
composer = \markup \right-column {"michael winter" "(schloss solitude, stuttgart and calle monclova 62, mexico city; 2018-19)"}
|
||||
tagline = ""
|
||||
}
|
||||
|
||||
#(set-global-staff-size 11)
|
||||
|
||||
\layout {
|
||||
indent = 0.0\cm
|
||||
line-width = 17\cm
|
||||
%ragged-last = ##t
|
||||
|
||||
\context {
|
||||
\Score
|
||||
\override BarNumber.extra-offset = #'(0 . 4)
|
||||
\override BarNumber.stencil = #(make-stencil-circler 0.1 0.25 ly:text-interface::print)
|
||||
\override RehearsalMark #'direction = #DOWN
|
||||
}
|
||||
\context {
|
||||
\Staff
|
||||
\override VerticalAxisGroup.staff-staff-spacing =
|
||||
#'((basic-distance . 15 )
|
||||
(minimum-distance . 15 )
|
||||
(padding . 0 )
|
||||
(stretchability . 0))
|
||||
|
||||
\override TimeSignature.font-size = #2
|
||||
\override TimeSignature.break-align-symbol = #'clef
|
||||
\override TimeSignature.X-offset =
|
||||
#ly:self-alignment-interface::x-aligned-on-self
|
||||
\override TimeSignature.self-alignment-X = #LEFT
|
||||
%\override TimeSignature.after-line-breaking =
|
||||
% #shift-right-at-line-begin
|
||||
\override TimeSignature.Y-offset = #9
|
||||
\override TimeSignature.extra-offset = #'(2 . 0)
|
||||
|
||||
}
|
||||
|
||||
\context {
|
||||
\StaffGroup
|
||||
\name "SemiStaffGroup"
|
||||
\consists "Span_bar_engraver"
|
||||
\override SpanBar.stencil =
|
||||
#(lambda (grob)
|
||||
(if (string=? (ly:grob-property grob 'glyph-name) "|")
|
||||
(set! (ly:grob-property grob 'glyph-name) ""))
|
||||
(ly:span-bar::print grob))
|
||||
}
|
||||
\context {
|
||||
\Score
|
||||
\accepts SemiStaffGroup
|
||||
}
|
||||
}
|
||||
|
||||
|
||||
\score {
|
||||
%showLastLength = R1*128
|
||||
\new Score
|
||||
%\with{ proportionalNotationDuration = #(ly:make-moment 1 16) }
|
||||
<<
|
||||
\new SemiStaffGroup {
|
||||
<<
|
||||
\new Staff \with {
|
||||
instrumentName = #"8"
|
||||
shortInstrumentName = #"8"
|
||||
midiInstrument = #"clarinet"
|
||||
}
|
||||
<<
|
||||
\include "includes/ammann_part_0.ly"
|
||||
>>
|
||||
|
||||
\new Staff \with {
|
||||
instrumentName = #"7"
|
||||
shortInstrumentName = #"7"
|
||||
midiInstrument = #"clarinet"
|
||||
\remove "Time_signature_engraver"
|
||||
}
|
||||
<<
|
||||
\include "includes/ammann_part_1.ly"
|
||||
>>
|
||||
|
||||
\new Staff \with {
|
||||
instrumentName = #"6"
|
||||
shortInstrumentName = #"6"
|
||||
midiInstrument = #"clarinet"
|
||||
\remove "Time_signature_engraver"
|
||||
}
|
||||
<<
|
||||
\include "includes/ammann_part_2.ly"
|
||||
>>
|
||||
|
||||
\new Staff \with {
|
||||
instrumentName = #"5"
|
||||
shortInstrumentName = #"5"
|
||||
midiInstrument = #"clarinet"
|
||||
\remove "Time_signature_engraver"
|
||||
}
|
||||
<<
|
||||
\include "includes/ammann_part_3.ly"
|
||||
>>
|
||||
|
||||
\new Staff \with {
|
||||
instrumentName = #"4"
|
||||
shortInstrumentName = #"4"
|
||||
midiInstrument = #"clarinet"
|
||||
\remove "Time_signature_engraver"
|
||||
}
|
||||
<<
|
||||
\include "includes/ammann_part_4.ly"
|
||||
>>
|
||||
|
||||
\new Staff \with {
|
||||
instrumentName = #"3"
|
||||
shortInstrumentName = #"3"
|
||||
midiInstrument = #"clarinet"
|
||||
\remove "Time_signature_engraver"
|
||||
}
|
||||
<<
|
||||
\include "includes/ammann_part_5.ly"
|
||||
>>
|
||||
|
||||
\new Staff \with {
|
||||
instrumentName = #"2"
|
||||
shortInstrumentName = #"2"
|
||||
midiInstrument = #"clarinet"
|
||||
\remove "Time_signature_engraver"
|
||||
}
|
||||
<<
|
||||
\include "includes/ammann_part_6.ly"
|
||||
>>
|
||||
|
||||
\new Staff \with {
|
||||
instrumentName = #"1"
|
||||
shortInstrumentName = #"1"
|
||||
midiInstrument = #"clarinet"
|
||||
\remove "Time_signature_engraver"
|
||||
}
|
||||
<<
|
||||
\include "includes/ammann_part_7.ly"
|
||||
>>
|
||||
|
||||
%\genStaff #"0"
|
||||
%\genStaff #"1"
|
||||
%\genStaff #"2"
|
||||
%\genStaff #"3"
|
||||
%\genStaff #"4"
|
||||
%\genStaff #"5"
|
||||
>>
|
||||
}
|
||||
>>
|
||||
\layout { }
|
||||
\midi { }
|
||||
}
|
||||
Binary file not shown.
Binary file not shown.
File diff suppressed because one or more lines are too long
Binary file not shown.
File diff suppressed because one or more lines are too long
File diff suppressed because one or more lines are too long
File diff suppressed because one or more lines are too long
File diff suppressed because one or more lines are too long
File diff suppressed because one or more lines are too long
File diff suppressed because one or more lines are too long
File diff suppressed because one or more lines are too long
@ -0,0 +1,195 @@
|
||||
\version "2.19.81"
|
||||
|
||||
genStaff =
|
||||
#(define-music-function (parser location part)
|
||||
(string?)
|
||||
(let * ((file (string-append "includes/berger_part_" part ".ly")))
|
||||
#{
|
||||
\new Staff \with {
|
||||
instrumentName = #part
|
||||
shortInstrumentName = #part
|
||||
}
|
||||
<<
|
||||
\include #file
|
||||
>>
|
||||
#}))
|
||||
|
||||
\paper {
|
||||
#(set-paper-size "a4" 'portrait)
|
||||
top-margin = 1 \cm
|
||||
bottom-margin = 1 \cm
|
||||
left-margin = 1.75 \cm
|
||||
|
||||
top-system-spacing =
|
||||
#'((basic-distance . 25 )
|
||||
(minimum-distance . 25 )
|
||||
(padding . 0 )
|
||||
(stretchability . 0))
|
||||
|
||||
last-bottom-spacing =
|
||||
#'((basic-distance . 15 )
|
||||
(minimum-distance . 15 )
|
||||
(padding . 0 )
|
||||
(stretchability . 0))
|
||||
|
||||
systems-per-page = 3
|
||||
|
||||
print-page-number = ##t
|
||||
oddHeaderMarkup = \markup { \on-the-fly #not-first-page "(berger-knuth)" }
|
||||
evenHeaderMarkup = \markup { \on-the-fly #not-first-page "(berger-knuth)" }
|
||||
oddFooterMarkup = \markup { \fill-line {
|
||||
\on-the-fly #not-first-page
|
||||
\concat {
|
||||
"-"
|
||||
\fontsize #1.5
|
||||
\on-the-fly #print-page-number-check-first
|
||||
\fromproperty #'page:page-number-string
|
||||
"-"}}}
|
||||
evenFooterMarkup = \markup { \fill-line {
|
||||
\on-the-fly #not-first-page
|
||||
\concat {
|
||||
"-"
|
||||
\fontsize #1.5
|
||||
\on-the-fly #print-page-number-check-first
|
||||
\fromproperty #'page:page-number-string
|
||||
"-"}}}
|
||||
}
|
||||
|
||||
\header {
|
||||
title = \markup { \italic {berger-knuth}}
|
||||
subtitle = \markup { \normal-text { from \italic{a history of the domino the problem}}}
|
||||
composer = \markup \right-column {"michael winter" "(schloss solitude, stuttgart and calle monclova 62, mexico city; 2018-19)"}
|
||||
tagline = ""
|
||||
}
|
||||
|
||||
#(set-global-staff-size 11)
|
||||
|
||||
\layout {
|
||||
indent = 0.0\cm
|
||||
line-width = 17\cm
|
||||
%ragged-last = ##t
|
||||
|
||||
\context {
|
||||
\Score
|
||||
\override BarNumber.extra-offset = #'(0 . 4)
|
||||
\override BarNumber.stencil = #(make-stencil-circler 0.1 0.25 ly:text-interface::print)
|
||||
\override RehearsalMark #'direction = #DOWN
|
||||
}
|
||||
\context {
|
||||
\Staff
|
||||
\override VerticalAxisGroup.staff-staff-spacing =
|
||||
#'((basic-distance . 13 )
|
||||
(minimum-distance . 13 )
|
||||
(padding . 0 )
|
||||
(stretchability . 0))
|
||||
|
||||
\override TimeSignature.font-size = #2
|
||||
\override TimeSignature.break-align-symbol = #'clef
|
||||
\override TimeSignature.X-offset =
|
||||
#ly:self-alignment-interface::x-aligned-on-self
|
||||
\override TimeSignature.self-alignment-X = #LEFT
|
||||
%\override TimeSignature.after-line-breaking =
|
||||
% #shift-right-at-line-begin
|
||||
\override TimeSignature.Y-offset = #9
|
||||
\override TimeSignature.extra-offset = #'(2 . 0)
|
||||
|
||||
}
|
||||
|
||||
\context {
|
||||
\StaffGroup
|
||||
\name "SemiStaffGroup"
|
||||
\consists "Span_bar_engraver"
|
||||
\override SpanBar.stencil =
|
||||
#(lambda (grob)
|
||||
(if (string=? (ly:grob-property grob 'glyph-name) "|")
|
||||
(set! (ly:grob-property grob 'glyph-name) ""))
|
||||
(ly:span-bar::print grob))
|
||||
}
|
||||
\context {
|
||||
\Score
|
||||
\accepts SemiStaffGroup
|
||||
}
|
||||
}
|
||||
|
||||
\score{
|
||||
%showLastLength = R1*128
|
||||
\new Score
|
||||
%\with{ proportionalNotationDuration = #(ly:make-moment 1 16) }
|
||||
<<
|
||||
\new SemiStaffGroup {
|
||||
<<
|
||||
\new Staff \with {
|
||||
instrumentName = #"1a"
|
||||
shortInstrumentName = #"1a"
|
||||
midiInstrument = #"flute"
|
||||
}
|
||||
<<
|
||||
\include "includes/berger_part_3.ly"
|
||||
>>
|
||||
|
||||
\new Staff \with {
|
||||
instrumentName = #"2a"
|
||||
shortInstrumentName = #"2a"
|
||||
midiInstrument = #"clarinet"
|
||||
\remove "Time_signature_engraver"
|
||||
}
|
||||
<<
|
||||
\include "includes/berger_part_2.ly"
|
||||
>>
|
||||
|
||||
\new Staff \with {
|
||||
instrumentName = #"3a"
|
||||
shortInstrumentName = #"3a"
|
||||
midiInstrument = #"viola"
|
||||
\remove "Time_signature_engraver"
|
||||
}
|
||||
<<
|
||||
\include "includes/berger_part_1.ly"
|
||||
>>
|
||||
>>
|
||||
}
|
||||
\new SemiStaffGroup {
|
||||
<<
|
||||
\new Staff \with {
|
||||
instrumentName = #"1b"
|
||||
shortInstrumentName = #"1b"
|
||||
midiInstrument = #"cello"
|
||||
\remove "Time_signature_engraver"
|
||||
}
|
||||
<<
|
||||
\include "includes/berger_part_7.ly"
|
||||
>>
|
||||
|
||||
\new Staff \with {
|
||||
instrumentName = #"2b"
|
||||
shortInstrumentName = #"2b"
|
||||
midiInstrument = #"saxophone"
|
||||
\remove "Time_signature_engraver"
|
||||
}
|
||||
<<
|
||||
\include "includes/berger_part_6.ly"
|
||||
>>
|
||||
|
||||
\new Staff \with {
|
||||
instrumentName = #"3b"
|
||||
shortInstrumentName = #"3b"
|
||||
midiInstrument = #"bassoon"
|
||||
\remove "Time_signature_engraver"
|
||||
}
|
||||
<<
|
||||
\include "includes/berger_part_5.ly"
|
||||
>>
|
||||
|
||||
|
||||
%\genStaff #"0"
|
||||
%\genStaff #"1"
|
||||
%\genStaff #"2"
|
||||
%\genStaff #"3"
|
||||
%\genStaff #"4"
|
||||
%\genStaff #"5"
|
||||
>>
|
||||
}
|
||||
>>
|
||||
\midi{}
|
||||
\layout{}
|
||||
}
|
||||
Binary file not shown.
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File diff suppressed because one or more lines are too long
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File diff suppressed because one or more lines are too long
File diff suppressed because one or more lines are too long
File diff suppressed because one or more lines are too long
File diff suppressed because one or more lines are too long
File diff suppressed because one or more lines are too long
File diff suppressed because one or more lines are too long
File diff suppressed because one or more lines are too long
File diff suppressed because one or more lines are too long
File diff suppressed because one or more lines are too long
@ -0,0 +1,27 @@
|
||||
<<
|
||||
\numericTimeSignature
|
||||
|
||||
{
|
||||
\override RehearsalMark.X-offset = #1 \override RehearsalMark.Y-offset = #4
|
||||
\override Stem.details.beamed-lengths = #'(5)
|
||||
\set Score.markFormatter = #format-mark-box-numbers
|
||||
\tempo \markup {
|
||||
\concat {
|
||||
\smaller \general-align #Y #DOWN
|
||||
\note #"4" #1 \normal-text " ≈ 90"
|
||||
}}
|
||||
s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \mark \default e''1 | s1 | r2 e''2 ~ | e''2 r2 | e''2 r2 | s1 | r2 e''2 ~ | e''2 r2 | s1 | s1 | r2 e''2 ~ | e''2 r2 | s1 | e''1 | r2 e''2 | s1 | s1 | e''1 | s1 | s1 | s1 | e''2 r2 | s1 | r2 e''2 ~ | e''2 r2 | e''2 r2 | s1 | r2 e''2 | s1 | s1 | s1 | s1 | \mark \default s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \mark \default e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''2 r2 | s1 | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 | s1 | s1 | s1 | s1 | \mark \default e''1 ~ | e''2 r2 | e''1 | r2 e''2 ~ | e''1 ~ | e''2 r2 | e''1 | r2 e''2 | r2 e''2 ~ | e''2 r2 | e''1 ~ | e''1 | r2 e''2 ~ | e''2 r2 | e''1 ~ | e''1 | r2 e''2 ~ | e''1 ~ | e''2 r2 | e''1 | r2 e''2 ~ | e''1 ~ | e''2 r2 | e''1 | r2 e''2 | r2 e''2 ~ | e''2 r2 | e''1 | s1 | s1 | s1 | s1 | \mark \default s1 | s1 | s1 | s1 | r2 e''2 | s1 | s1 | s1 | s1 | s1 | s1 | e''1 | s1 | s1 | s1 | e''2 r2 | s1 | s1 | s1 | s1 | s1 | r2 e''2 ~ | e''2 r2 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \mark \default s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | r2 e''2 ~ | e''2 r2 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \mark \default e''1 | r2 e''2 ~ | e''1 ~ | e''1 ~ | e''1 | r2 e''2 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''2 r2 | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 | r2 e''2 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 | s1 | s1 | s1 | s1 | \mark \default e''1 | r2 e''2 | r2 e''2 ~ | e''2 r2 | e''1 | r2 e''2 | r2 e''2 ~ | e''2 r2 | e''1 ~ | e''1 | r2 e''2 ~ | e''2 r2 | e''2 r2 | e''1 | r2 e''2 ~ | e''2 r2 | e''2 r2 | e''1 | r2 e''2 | r2 e''2 ~ | e''2 r2 | e''1 | r2 e''2 | r2 e''2 ~ | e''2 r2 | e''1 ~ | e''1 | r2 e''2 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 ] \bar "|." }
|
||||
\\
|
||||
|
||||
{
|
||||
\override RehearsalMark.direction = #DOWN \override RehearsalMark.X-offset = #2 \override RehearsalMark.Y-offset = #-8
|
||||
\override Stem.details.beamed-lengths = #'(5)
|
||||
\set Score.markFormatter = #format-mark-box-numbers
|
||||
\tempo \markup {
|
||||
\concat {
|
||||
\smaller \general-align #Y #DOWN
|
||||
\note #"4" #1 \normal-text " ≈ 90"
|
||||
}}
|
||||
s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } r2 f'2 ~ | f'1 ~ | f'2 r2 | f'1 | r2 f'2 ~ | f'1 ~ | f'2 r2 | f'1 ~ | f'1 ~ | f'1 ~ | f'2 r2 | f'1 ~ | f'1 | r2 f'2 ~ | f'2 r2 | f'1 ~ | f'1 | r2 f'2 ~ | f'1 ~ | f'1 ~ | f'1 | r2 f'2 ~ | f'1 ~ | f'2 r2 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } f'1 | r2 f'2 ~ | f'1 ~ | f'2 r2 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } f'1 | s1 | s1 | s1 | s1 | s1 | r2 f'2 ~ | f'1 | s1 | s1 | r2 f'2 ~ | f'2 r2 | s1 | f'1 ~ | f'2 r2 | s1 | s1 | f'1 ~ | f'2 r2 | s1 | s1 | s1 | s1 | r2 f'2 ~ | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } f'1 | s1 | s1 | r2 f'2 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } f'2 r2 | r2 f'2 | s1 | f'2 r2 | f'2 r2 | r2 f'2 | r2 f'2 ~ | f'2 r2 | f'2 r2 | r2 f'2 | r2 f'2 | s1 | f'2 r2 | f'1 | r2 f'2 | s1 | f'2 r2 | f'2 r2 | r2 f'2 | s1 | f'2 r2 | f'2 r2 | r2 f'2 | r2 f'2 ~ | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } f'2 r2 | f'2 r2 | r2 f'2 | r2 f'2 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'2 r2 | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 | r2 f'2 ~ | f'1 ~ | f'1 ~ | f'1 | r2 f'2 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'2 r2 | f'1 ~ | f'1 ~ | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } f'1 ~ | f'1 ~ | f'1 ~ | f'1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } s1 | f'2 r2 | s1 | s1 | s1 | f'2 r2 | s1 | r2 f'2 | s1 | s1 | s1 | r2 f'2 | s1 | s1 | s1 | s1 | s1 | s1 | f'2 r2 | s1 | s1 | s1 | f'2 r2 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } r2 f'2 ~ | f'2 r2 | f'2 r2 | f'1 | r2 f'2 ~ | f'2 r2 | f'2 r2 | f'1 | r2 f'2 | s1 | f'2 r2 | f'1 | r2 f'2 | r2 f'2 ~ | f'2 r2 | f'1 | r2 f'2 | r2 f'2 ~ | f'2 r2 | f'2 r2 | f'1 | r2 f'2 ~ | f'2 r2 | f'2 r2 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } f'1 | r2 f'2 | s1 | f'2 r2 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 ] \bar "|." }
|
||||
\\
|
||||
>>
|
||||
File diff suppressed because one or more lines are too long
File diff suppressed because one or more lines are too long
File diff suppressed because one or more lines are too long
@ -0,0 +1,27 @@
|
||||
<<
|
||||
\numericTimeSignature
|
||||
|
||||
{
|
||||
\override RehearsalMark.X-offset = #1 \override RehearsalMark.Y-offset = #4
|
||||
\override Stem.details.beamed-lengths = #'(5)
|
||||
\set Score.markFormatter = #format-mark-box-numbers
|
||||
\tempo \markup {
|
||||
\concat {
|
||||
\smaller \general-align #Y #DOWN
|
||||
\note #"4" #1 \normal-text " ≈ 90"
|
||||
}}
|
||||
s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \mark \default e''1 ~ | e''4 r2. | r4 e''2. ~ | e''2. r4 | s1 | s1 | r4 e''2. ~ | e''2. r4 | s1 | r4 e''2. ~ | e''4 r2. | s1 | r2. e''4 ~ | e''1 ~ | e''4 r2. | r2. e''4 ~ | e''1 ~ | e''1 ~ | e''4 r2. | r2. e''4 ~ | e''2. r4 | s1 | s1 | r4 e''2. ~ | e''2. r4 | s1 | r4 e''2. ~ | e''1 | s1 | s1 | s1 | s1 | \mark \default e''4 r2 e''4 ~ | e''1 ~ | e''2. r4 | r4 e''2. ~ | e''1 ~ | e''1 ~ | e''2. r4 | r4 e''2. ~ | e''1 ~ | e''4 r2 e''4 ~ | e''2. r4 | r4 e''2. ~ | e''1 ~ | e''4 r2 e''4 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''4 r2 e''4 ~ | e''1 ~ | e''2. r4 | r4 e''2. ~ | e''1 ~ | e''1 ~ | e''2. r4 | r4 e''2. ~ | e''1 ~ | e''1 ~ | e''2. r4 | s1 | s1 | s1 | s1 | \mark \default s1 | r2. e''4 ~ | e''2. r4 | r4 e''2 r4 | s1 | r2. e''4 ~ | e''2. r4 | s1 | r4 e''2. ~ | e''4 r2 e''4 ~ | e''4 r2. | s1 | r4 e''2. ~ | e''4 r2 e''4 ~ | e''4 r2 e''4 ~ | e''2. r4 | r4 e''2. ~ | e''4 r2. | r2. e''4 ~ | e''2. r4 | r4 e''2 r4 | s1 | r2. e''4 ~ | e''2. r4 | s1 | r4 e''2. ~ | e''4 r2 e''4 ~ | e''4 r2. | s1 | s1 | s1 | s1 | \mark \default s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \mark \default e''1 ~ | e''2. r4 | s1 | r4 e''2. ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''4 r2. | r4 e''2. ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''2. r4 | s1 | r4 e''2. ~ | e''1 ~ | e''2. r4 | r2. e''4 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 | s1 | s1 | s1 | s1 | \mark \default e''2. r4 | r4 e''2. ~ | e''1 ~ | e''4 r2 e''4 ~ | e''2. r4 | r4 e''2. ~ | e''1 ~ | e''4 r2 e''4 ~ | e''2. r4 | r4 e''2. ~ | e''1 ~ | e''4 r2 e''4 ~ | e''1 ~ | e''2. r4 | r4 e''2. ~ | e''4 r2 e''4 ~ | e''1 ~ | e''2. r4 | r4 e''2. ~ | e''4 r2 e''4 ~ | e''1 ~ | e''2. r4 | r4 e''2. ~ | e''1 ~ | e''4 r2 e''4 ~ | e''2. r4 | r4 e''2. ~ | e''1 | s1 | s1 | s1 | s1 | \mark \default e''2. r4 | s1 | s1 | r2. e''4 ~ | e''4 r2. | s1 | r4 e''2. ~ | e''4 r2. | s1 | s1 | r4 e''2 r4 | s1 | s1 | s1 | s1 | s1 | r2. e''4 ~ | e''2. r4 | s1 | s1 | r2. e''4 ~ | e''4 r2. | s1 | r4 e''2. ~ | e''4 r2. | s1 | s1 | r4 e''2. | s1 | s1 | s1 | s1 | \mark \default s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 ] \bar "|." }
|
||||
\\
|
||||
|
||||
{
|
||||
\override RehearsalMark.direction = #DOWN \override RehearsalMark.X-offset = #2 \override RehearsalMark.Y-offset = #-8
|
||||
\override Stem.details.beamed-lengths = #'(5)
|
||||
\set Score.markFormatter = #format-mark-box-numbers
|
||||
\tempo \markup {
|
||||
\concat {
|
||||
\smaller \general-align #Y #DOWN
|
||||
\note #"4" #1 \normal-text " ≈ 90"
|
||||
}}
|
||||
s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } r4 f'2 r4 | s1 | r2. f'4 ~ | f'4 r2. | s1 | r4 f'2 r4 | r2. f'4 ~ | f'4 r2. | s1 | r4 f'2 r4 | r2. f'4 ~ | f'4 r2 f'4 ~ | f'4 r2. | r4 f'2 r4 | s1 | r2. f'4 ~ | f'4 r2. | r4 f'2 r4 | s1 | r2. f'4 ~ | f'4 r2. | s1 | r4 f'2 r4 | r2. f'4 ~ | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } f'4 r2. | s1 | r4 f'2 r4 | r2. f'4 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } f'1 ~ | f'2. r4 | r4 f'2. ~ | f'4 r2 f'4 ~ | f'1 ~ | f'2. r4 | r4 f'2. ~ | f'1 ~ | f'4 r2 f'4 ~ | f'2. r4 | r4 f'2. ~ | f'1 ~ | f'4 r2 f'4 ~ | f'2. r4 | r4 f'2 r4 | r4 f'2. ~ | f'4 r2 f'4 ~ | f'1 ~ | f'2. r4 | r4 f'2. ~ | f'4 r2 f'4 ~ | f'1 ~ | f'2. r4 | r4 f'2. ~ | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } f'1 ~ | f'4 r2 f'4 ~ | f'2. r4 | r4 f'2. | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } f'4 r2. | r2. f'4 ~ | f'1 ~ | f'4 r2. | s1 | r2. f'4 ~ | f'2. r4 | s1 | r4 f'2. ~ | f'1 ~ | f'2. r4 | s1 | r4 f'2. ~ | f'2. r4 | s1 | s1 | r4 f'2. ~ | f'4 r2. | r2. f'4 ~ | f'1 ~ | f'4 r2. | s1 | r2. f'4 ~ | f'1 ~ | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } f'4 r2. | r4 f'2. ~ | f'1 ~ | f'2. r4 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } r2. f'4 ~ | f'4 r2 f'4 ~ | f'4 r2. | r4 f'2 r4 | r2. f'4 ~ | f'4 r2 f'4 ~ | f'4 r2. | r4 f'2 r4 | r2. f'4 ~ | f'4 r2 f'4 ~ | f'4 r2. | r4 f'2 r4 | r4 f'2 r4 | r2. f'4 ~ | f'4 r2. | r4 f'2 r4 | r4 f'2 r4 | r2. f'4 ~ | f'4 r2 f'4 ~ | f'2. r4 | r4 f'2 r4 | r2. f'4 ~ | f'4 r2 f'4 ~ | f'4 r2. | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } r4 f'2 r4 | r2. f'4 ~ | f'4 r2 f'4 ~ | f'4 r2. | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } r4 f'2. ~ | f'1 ~ | f'1 ~ | f'2. r4 | r4 f'2. ~ | f'1 ~ | f'4 r2 f'4 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'4 r2 f'4 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'2. r4 | r4 f'2. ~ | f'1 ~ | f'1 ~ | f'2. r4 | r4 f'2. ~ | f'1 ~ | f'4 r2 f'4 ~ | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } f'1 ~ | f'1 ~ | f'1 ~ | f'4 r2 f'4 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } f'2. r4 | s1 | s1 | s1 | s1 | s1 | r4 f'2. ~ | f'2. r4 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | r2. f'4 ~ | f'1 ~ | f'4 r2. | s1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 ] \bar "|." }
|
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|
||||
<<
|
||||
\numericTimeSignature
|
||||
|
||||
{
|
||||
\override RehearsalMark.X-offset = #1 \override RehearsalMark.Y-offset = #4
|
||||
\override Stem.details.beamed-lengths = #'(5)
|
||||
\set Score.markFormatter = #format-mark-box-numbers
|
||||
\tempo \markup {
|
||||
\concat {
|
||||
\smaller \general-align #Y #DOWN
|
||||
\note #"4" #1 \normal-text " ≈ 90"
|
||||
}}
|
||||
\mark \default r2 e''2 ~ | e''1 ~ | e''2 r2 | e''1 | r2 e''2 | r2 e''2 ~ | e''2 r2 | e''1 | r2 e''2 | r2 e''2 ~ | e''2 r2 | e''2 r2 | e''1 | r2 e''2 ~ | e''2 r2 | e''2 r2 | e''1 | r2 e''2 ~ | e''1 ~ | e''2 r2 | e''1 | r2 e''2 | r2 e''2 ~ | e''2 r2 | e''1 | r2 e''2 | r2 e''2 ~ | e''2 r2 | s1 | s1 | s1 | s1 | \mark \default s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \mark \default s1 | r2 e''2 ~ | e''1 | s1 | r2 e''2 ~ | e''2 r2 | s1 | s1 | e''1 ~ | e''2 r2 | s1 | s1 | e''1 ~ | e''2 r2 | s1 | e''1 | s1 | s1 | r2 e''2 ~ | e''1 | s1 | s1 | s1 | s1 | s1 | r2 e''2 ~ | e''2 r2 | s1 | s1 | s1 | s1 | s1 | \mark \default e''1 ~ | e''1 | r2 e''2 ~ | e''1 ~ | e''1 ~ | e''1 | r2 e''2 ~ | e''1 ~ | e''2 r2 | e''1 ~ | e''1 ~ | e''1 ~ | e''2 r2 | e''1 ~ | e''1 | r2 e''2 ~ | e''1 ~ | e''1 ~ | e''1 | r2 e''2 ~ | e''1 ~ | e''1 ~ | e''1 | r2 e''2 ~ | e''1 ~ | e''2 r2 | e''1 ~ | e''1 | s1 | s1 | s1 | s1 | \mark \default e''2 r2 | e''1 | r2 e''2 | r2 e''2 ~ | e''2 r2 | e''2 r2 | s1 | r2 e''2 ~ | e''2 r2 | e''2 r2 | e''1 | r2 e''2 ~ | e''2 r2 | s1 | e''1 | r2 e''2 | s1 | s1 | e''1 | r2 e''2 | r2 e''2 ~ | e''2 r2 | e''2 r2 | s1 | r2 e''2 ~ | e''2 r2 | e''2 r2 | e''1 | s1 | s1 | s1 | s1 | \mark \default s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \mark \default e''1 | s1 | e''1 ~ | e''2 r2 | s1 | e''1 ~ | e''1 ~ | e''2 r2 | s1 | e''1 ~ | e''1 ~ | e''2 r2 | r2 e''2 ~ | e''1 | s1 | r2 e''2 ~ | e''1 ~ | e''1 | s1 | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''2 r2 | s1 | e''1 ~ | e''1 | s1 | s1 | s1 | s1 | \mark \default r2 e''2 ~ | e''1 ~ | e''2 r2 | e''1 | r2 e''2 ~ | e''1 ~ | e''2 r2 | e''1 ~ | e''1 | r2 e''2 ~ | e''2 r2 | e''1 ~ | e''1 | r2 e''2 ~ | e''1 ~ | e''1 ~ | e''1 | r2 e''2 ~ | e''1 ~ | e''2 r2 | e''1 | r2 e''2 ~ | e''1 ~ | e''2 r2 | e''1 ~ | e''1 ~ | e''1 ~ | e''2 r2 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 ] \bar "|." }
|
||||
\\
|
||||
|
||||
{
|
||||
\override RehearsalMark.direction = #DOWN \override RehearsalMark.X-offset = #2 \override RehearsalMark.Y-offset = #-8
|
||||
\override Stem.details.beamed-lengths = #'(5)
|
||||
\set Score.markFormatter = #format-mark-box-numbers
|
||||
\tempo \markup {
|
||||
\concat {
|
||||
\smaller \general-align #Y #DOWN
|
||||
\note #"4" #1 \normal-text " ≈ 90"
|
||||
}}
|
||||
\override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } f'2 r2 | f'2 r2 | r2 f'2 | r2 f'2 ~ | f'2 r2 | f'2 r2 | f'1 | r2 f'2 ~ | f'2 r2 | f'2 r2 | f'1 | r2 f'2 | s1 | f'2 r2 | f'1 | r2 f'2 | r2 f'2 ~ | f'2 r2 | f'2 r2 | r2 f'2 | r2 f'2 ~ | f'2 r2 | f'2 r2 | f'1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } r2 f'2 ~ | f'2 r2 | f'2 r2 | f'1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } f'1 ~ | f'2 r2 | s1 | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'2 r2 | s1 | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } f'1 ~ | f'1 ~ | f'1 ~ | f'1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } r2 f'2 | s1 | f'2 r2 | s1 | r2 f'2 | s1 | f'2 r2 | s1 | r2 f'2 | s1 | s1 | f'2 r2 | r2 f'2 | s1 | s1 | f'2 r2 | s1 | s1 | s1 | f'2 r2 | s1 | r2 f'2 | s1 | f'2 r2 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } s1 | r2 f'2 | s1 | s1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } f'1 | r2 f'2 ~ | f'2 r2 | f'2 r2 | f'1 | r2 f'2 ~ | f'1 ~ | f'2 r2 | f'1 | r2 f'2 | r2 f'2 ~ | f'2 r2 | f'1 ~ | f'1 | r2 f'2 ~ | f'2 r2 | f'1 ~ | f'1 | r2 f'2 ~ | f'2 r2 | f'2 r2 | f'1 | r2 f'2 ~ | f'1 ~ | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } f'2 r2 | f'1 | r2 f'2 | r2 f'2 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } s1 | f'1 ~ | f'2 r2 | r2 f'2 ~ | f'1 ~ | f'1 | s1 | r2 f'2 ~ | f'1 | s1 | f'1 ~ | f'1 ~ | f'2 r2 | s1 | f'1 ~ | f'1 ~ | f'2 r2 | s1 | f'1 ~ | f'2 r2 | r2 f'2 ~ | f'1 ~ | f'1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } r2 f'2 ~ | f'1 | s1 | s1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } f'2 r2 | f'2 r2 | r2 f'2 | s1 | f'2 r2 | f'2 r2 | r2 f'2 | s1 | s1 | f'2 r2 | r2 f'2 | r2 f'2 | s1 | f'2 r2 | s1 | r2 f'2 | s1 | f'2 r2 | f'2 r2 | r2 f'2 | s1 | f'2 r2 | f'2 r2 | r2 f'2 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } s1 | s1 | f'2 r2 | r2 f'2 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } s1 | s1 | s1 | s1 ] \bar "|." }
|
||||
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|
||||
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|
||||
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|
||||
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|
||||
\numericTimeSignature
|
||||
|
||||
{
|
||||
\override RehearsalMark.X-offset = #1 \override RehearsalMark.Y-offset = #4
|
||||
\override Stem.details.beamed-lengths = #'(5)
|
||||
\set Score.markFormatter = #format-mark-box-numbers
|
||||
\tempo \markup {
|
||||
\concat {
|
||||
\smaller \general-align #Y #DOWN
|
||||
\note #"4" #1 \normal-text " ≈ 90"
|
||||
}}
|
||||
s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \mark \default e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''2. r4 | r4 e''2. ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 | s1 | s1 | s1 | s1 | \mark \default r4 e''2. ~ | e''4 r2 e''4 ~ | e''4 r2 e''4 ~ | e''2. r4 | r4 e''2. ~ | e''1 ~ | e''4 r2 e''4 ~ | e''2. r4 | r4 e''2. ~ | e''1 ~ | e''4 r2 e''4 ~ | e''2. r4 | r4 e''2 r4 | r4 e''2. ~ | e''4 r2 e''4 ~ | e''1 ~ | e''2. r4 | r4 e''2. ~ | e''4 r2 e''4 ~ | e''4 r2 e''4 ~ | e''2. r4 | r4 e''2. ~ | e''4 r2 e''4 ~ | e''4 r2 e''4 ~ | e''2. r4 | r4 e''2. ~ | e''1 ~ | e''4 r2 e''4 | s1 | s1 | s1 | s1 | \mark \default s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | r4 e''2 r4 | s1 | s1 | s1 | s1 | s1 | \mark \default e''4 r2. | s1 | s1 | s1 | s1 | r2. e''4 ~ | e''2. r4 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | r2. e''4 ~ | e''1 ~ | e''4 r2. | s1 | s1 | s1 | s1 | r2. e''4 ~ | e''2. r4 | s1 | s1 | r4 e''2. ~ | e''2. r4 | s1 | s1 | s1 | s1 | \mark \default e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''2. r4 | r4 e''2. ~ | e''1 ~ | e''1 ~ | e''2. r4 | r4 e''2. ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''4 r2 e''4 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''1 ~ | e''2. r4 | r4 e''2. ~ | e''1 ~ | e''1 ~ | e''2. r4 | r4 e''2. | s1 | s1 | s1 | s1 | \mark \default e''4 r2 e''4 ~ | e''2. r4 | r4 e''2. ~ | e''4 r2. | r2. e''4 ~ | e''2. r4 | r4 e''2 r4 | r4 e''2. ~ | e''4 r2 e''4 ~ | e''2. r4 | r4 e''2 r4 | r4 e''2. ~ | e''4 r2 e''4 ~ | e''4 r2 e''4 ~ | e''2. r4 | r4 e''2. ~ | e''4 r2 e''4 ~ | e''4 r2 e''4 ~ | e''2. r4 | r4 e''2. ~ | e''4 r2 e''4 ~ | e''4 r2 e''4 ~ | e''2. r4 | r4 e''2 r4 | r4 e''2. ~ | e''4 r2 e''4 ~ | e''2. r4 | r4 e''2 r4 | s1 | s1 | s1 | s1 | \mark \default s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \mark \default e''2. r4 | s1 | s1 | r4 e''2. ~ | e''2. r4 | s1 | r4 e''2. ~ | e''1 ~ | e''2. r4 | r2. e''4 ~ | e''1 ~ | e''4 r2. | r2. e''4 ~ | e''1 ~ | e''1 ~ | e''4 r2. | r2. e''4 ~ | e''2. r4 | s1 | s1 | r4 e''2. ~ | e''2. r4 | s1 | r4 e''2. ~ | e''1 ~ | e''2. r4 | r2. e''4 ~ | e''1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 ] \bar "|." }
|
||||
\\
|
||||
|
||||
{
|
||||
\override RehearsalMark.direction = #DOWN \override RehearsalMark.X-offset = #2 \override RehearsalMark.Y-offset = #-8
|
||||
\override Stem.details.beamed-lengths = #'(5)
|
||||
\set Score.markFormatter = #format-mark-box-numbers
|
||||
\tempo \markup {
|
||||
\concat {
|
||||
\smaller \general-align #Y #DOWN
|
||||
\note #"4" #1 \normal-text " ≈ 90"
|
||||
}}
|
||||
s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } s1 | r4 f'2 r4 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | r2. f'4 ~ | f'4 r2. | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } f'4 r2 f'4 ~ | f'2. r4 | r4 f'2 r4 | r2. f'4 ~ | f'4 r2 f'4 ~ | f'4 r2. | r4 f'2 r4 | r4 f'2. ~ | f'4 r2 f'4 ~ | f'4 r2. | r4 f'2 r4 | r4 f'2. ~ | f'4 r2 f'4 ~ | f'4 r2 f'4 ~ | f'2. r4 | r4 f'2 r4 | r2. f'4 ~ | f'4 r2 f'4 ~ | f'2. r4 | r4 f'2 r4 | r2. f'4 ~ | f'4 r2 f'4 ~ | f'2. r4 | r4 f'2 r4 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } r4 f'2. ~ | f'4 r2 f'4 ~ | f'4 r2. | r4 f'2 r4 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } f'1 ~ | f'1 ~ | f'4 r2 f'4 ~ | f'1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } s1 | r2. f'4 ~ | f'4 r2. | s1 | s1 | r2. f'4 ~ | f'4 r2. | s1 | s1 | r2. f'4 ~ | f'4 r2. | s1 | r4 f'2 r4 | s1 | s1 | s1 | r4 f'2 r4 | s1 | r2. f'4 ~ | f'4 r2. | s1 | s1 | r2. f'4 ~ | f'4 r2. | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } s1 | s1 | r2. f'4 ~ | f'4 r2. | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } r4 f'2 r4 | r4 f'2. ~ | f'4 r2 f'4 ~ | f'1 ~ | f'2. r4 | r4 f'2. ~ | f'4 r2 f'4 ~ | f'4 r2 f'4 ~ | f'2. r4 | r4 f'2. ~ | f'4 r2 f'4 ~ | f'4 r2 f'4 ~ | f'2. r4 | r4 f'2 r4 | r4 f'2. ~ | f'4 r2 f'4 ~ | f'2. r4 | r4 f'2 r4 | r4 f'2. ~ | f'4 r2 f'4 ~ | f'2. r4 | r4 f'2 r4 | r4 f'2. ~ | f'4 r2 f'4 ~ | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } f'4 r2 f'4 ~ | f'2. r4 | r4 f'2. ~ | f'4 r2 f'4 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } r2. f'4 ~ | f'1 ~ | f'1 ~ | f'4 r2. | r2. f'4 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'4 r2. | r4 f'2. ~ | f'1 ~ | f'2. r4 | s1 | r4 f'2. ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'1 ~ | f'4 r2. | r2. f'4 ~ | f'1 ~ | f'1 ~ | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } f'1 ~ | f'1 ~ | f'1 ~ | f'4 r2. | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic cresc. } s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | \override RehearsalMark.direction = #DOWN \mark \markup { \italic decresc. } s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 | s1 ] \bar "|." }
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