TheexhibitionwillfeatureindividualandcollaborativeworksbyMichaelWinterandMareikeYin-YeeLeeinaconstellationdesignedspecificallyfortheLichthofOstexhibitionroomoftheHumboldtUniversity.TheoriginalkineticsculptureWintercreatedtovisualizetheaperiodictilingsofthehistoryofthedominoproblemwillbejuxtaposedwithrecentworksbyYin-YeeLeeaswellascollaborativelycreatedrealizationsofthetilings.TheworksondisplaybyYin-YeeLeewillhighlightselectionsfromherHiddenLakesandMissingPiecesseriesinwhichenigmaticoutlinesoflakesandvariousshapesencourageobserverstoperceivesimilaritiesanddifferencesinform,pattern,andrepetitionbetweenthepiecesandtomentallyfillinblankspace.ThecollaborativerealizationsofthetilingswillincludeprintsgeneratedbyWinterwiththeaidofacomputerthatincorporateimagesandcolorschemesbyYin-YeeLeeaswellasafloormosaicofdrawingsonmirrors.Theexhibitionplaysonthemacroversusthemicro,transformation,andhowtopologiesofvariouscolorcombinations,relationshipsbetweenshapesandgradientsreflectinspaceinordertoilluminate"a few thoughts on how things fit together..."
Thekineticsculpturedisplaysthemosaicsusingvisualcryptography.Invisualcryptography,amessageisencryptedbydividingtheinformationofthemessageintotwo`shadow' images, each which look completely random independently. The message is decrypted and revealed when the shadow images are combined/overlayed in a precise orientation. In the kinetic sculpture of a history of the domino problem, the shadow images are printed on photomasks, which are essentially high-resolution transparencies: quartz wafers with a chrome coating etched at a pixel size ranging from nano- to micrometers. A high-precision, motorized multiaxis aligns the finely printed shadow images to reveal the mosaics (along with 3 other images of poetic texts inspired by the history of the Domino Problem).