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@article{Winter20c,
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|
|
author = {with Dantas, P.},
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|
|
title = {Evolving curricula: reflections on The Quarantine Seminars},
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|
|
year = {forthcoming}
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|
|
}
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|
@misc{Winter20b,
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|
|
author = {},
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|
|
title = {Liner notes to the album <em>the yggdrasil-soli</em> by Ulrich Krieger},
|
|
|
publisher = {Winds Measures Recordings},
|
|
|
year = {2020},
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|
|
howpublished = {krieger_yggdrasil_soli_liner_notes.pdf}
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|
|
}
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|
@incollection{Winter20a,
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|
|
author = {},
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|
|
title = {Meta+phenomenology: primer towards a phenomenology formally based on algorithmic information theory and metabiology},
|
|
|
editor = {Doria, F. & Wuppuluri, S.},
|
|
|
booktitle = {Unravelling Complexity: Life and Work of Gregory Chaitin},
|
|
|
publisher = {World Scientific},
|
|
|
year = {2020},
|
|
|
howpublished = {https://www.academia.edu/37925387/Unravelling_Complexity_Wuppuluri_Doria_World_Scientific_2020_}
|
|
|
}
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|
@incollection{Winter19c,
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|
|
author = {},
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|
|
title = {A few more thoughts about Leibniz: the prediction of harmonic distance in harmonic space (with text to preliminary thoughts)},
|
|
|
journal = {MusMat: Brazilian Journal of Music and Mathematics},
|
|
|
volume = {3},
|
|
|
number = {1},
|
|
|
pages = {79–92},
|
|
|
year = {2019},
|
|
|
howpublished = {A_few_more_thoughts_about_Leibniz.pdf}
|
|
|
}
|
|
|
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|
|
@incollection{Winter19b,
|
|
|
author = {},
|
|
|
title = {steady state: a study in taxation},
|
|
|
editor = {Vriezen, S.},
|
|
|
volume = {38},
|
|
|
journal = {nY},
|
|
|
year = {2019},
|
|
|
howpublished = {https://www.ny-web.be/tijdschrift/feb-2019/}
|
|
|
}
|
|
|
|
|
|
@misc{Winter19a,
|
|
|
author = {with Polansky, L.},
|
|
|
title = {liner notes to the album <em>Changes</em> by James Tenney},
|
|
|
publisher = {New World Records},
|
|
|
year = {2019},
|
|
|
howpublished = {tenney_changes_liner_notes.pdf}
|
|
|
}
|
|
|
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|
|
@incollection{Winter17,
|
|
|
author = {},
|
|
|
title = {On minimal change musical morphologies},
|
|
|
editor = {Pareyon, G., Pina-Romero, S., Agustin-Aquino, O.A., and Lluis-Puebla, E.},
|
|
|
booktitle = {The Musical-Mathematical Mind},
|
|
|
publisher = {Springer},
|
|
|
year = {2017},
|
|
|
howpublished = {On_minimal_change_musical_morphologies.pdf}
|
|
|
}
|
|
|
|
|
|
|
|
|
@misc{Winter16,
|
|
|
author = {},
|
|
|
title = {Liner notes to the album <em>Three Pieces for Two Pianos</em> by Larry Polansky},
|
|
|
publisher = {New World Records},
|
|
|
year = {2016},
|
|
|
howpublished = {polansky_piano_liner_notes.pdf}
|
|
|
}
|
|
|
|
|
|
@Book{Tenney15,
|
|
|
author = {Tenney, J.},
|
|
|
title = {From Scratch: Writings in Music Theory},
|
|
|
editor = {Polansky, L., Pratt, L., Wannamaker, R., and Winter, M.},
|
|
|
publisher = {University of Illinois Press},
|
|
|
year = {2015},
|
|
|
howpublished = {https://www.press.uillinois.edu/books/catalog/78det5km.html}
|
|
|
}
|
|
|
|
|
|
@misc{grove,
|
|
|
author = {},
|
|
|
title = {Approximating Omega},
|
|
|
journal = {Carbono (online)},
|
|
|
volume = {7},
|
|
|
year = {2014},
|
|
|
howpublished = {https://revistacarbono.com/artigos/07-omega-michael-winter/}
|
|
|
}
|
|
|
|
|
|
|
|
|
|
|
|
@article{Winter10,
|
|
|
author = {with Akhmedov, A.},
|
|
|
title = {Chordal and timbral morphologies using Hamiltonian cycles},
|
|
|
journal = {Journal of Mathematics and Music},
|
|
|
volume = {8},
|
|
|
number = {1},
|
|
|
pages = {1–24},
|
|
|
year = {2014},
|
|
|
howpublished = {Chordal_and_timbral_morphologies_using_Hamiltonian_cycles.pdf}
|
|
|
}
|
|
|
|
|
|
@incollection{Winter12,
|
|
|
author = {},
|
|
|
title = {Relativity and scalability with respect to sound and silence},
|
|
|
editor = {Lely, J. & Saunders, M.},
|
|
|
booktitle = {Word Events: Perspectives on Verbal Notation},
|
|
|
publisher = {Bloomsbury},
|
|
|
year = {2012},
|
|
|
howpublished = {https://www.bloomsbury.com/us/word-events-9781441173102/}
|
|
|
}
|
|
|
|
|
|
|
|
|
@article{Polansky11,
|
|
|
author = {with Polansky, L. & Barnett, A.},
|
|
|
title = {A few more words about James Tenney: dissonant counterpoint and statistical feedback},
|
|
|
journal = {Journal of Mathematics and Music},
|
|
|
volume = {5},
|
|
|
number = {2},
|
|
|
pages = {63–82},
|
|
|
year = {2011},
|
|
|
howpublished = {Dissonant_counterpoint_and_statistical_feedback.pdf}
|
|
|
}
|
|
|
|
|
|
@misc{emy,
|
|
|
author = {},
|
|
|
title = {Notes on a new economics for a new music},
|
|
|
journal = {Experimental Music Yearbook (online)},
|
|
|
volume = {2},
|
|
|
year = {2010},
|
|
|
howpublished = {https://experimentalmusicyearbook.com/filter/Michael-Winter/notes-on-a-new-economics-for-a-new-art}
|
|
|
}
|
|
|
|
|
|
@article{doi:10.1080/07494467.2010.509594,
|
|
|
author = {with Barrett, G.D.},
|
|
|
title = {LiveScore: real–time notation in the music of Harris Wulfson},
|
|
|
journal = {Contemporary Music Review},
|
|
|
volume = {29},
|
|
|
number = {1},
|
|
|
pages = {55–62},
|
|
|
year = {2010},
|
|
|
howpublished = {Livescore.pdf}
|
|
|
}
|
|
|
|
|
|
|
|
|
|
|
|
@phdthesis{WinterDiss10,
|
|
|
type = {Dissertation},
|
|
|
title = {Structural Metrics: an epistemology},
|
|
|
author = {},
|
|
|
publisher = {Dissertation},
|
|
|
school = {University of California, Santa Barbara},
|
|
|
year = {2010},
|
|
|
howpublished = {Structural_Metrics.pdf}
|
|
|
}
|
|
|
|
|
|
|
|
|
@article{SAM:7914368,
|
|
|
author = {},
|
|
|
title = {James Tenney: Selected Works 1961–1969 (review)},
|
|
|
journal = {Journal of the Society for American Music},
|
|
|
volume = {4},
|
|
|
number = {Special Issue 04},
|
|
|
month = {11},
|
|
|
year = {2010},
|
|
|
pages = {531–533}
|
|
|
}
|
|
|
|
|
|
@misc{grove,
|
|
|
author = {with Hanson, S., Streb, C., and Polansky, L.},
|
|
|
title = {James Tenney biographical entry},
|
|
|
booktitle = {Grove Dictionary of American Music},
|
|
|
publisher = {Oxford University Press},
|
|
|
year = {2009}
|
|
|
}
|
|
|
|
|
|
@article{doi:10.1080/07494460701671566,
|
|
|
author = {},
|
|
|
title = {On James Tenney's Arbor Vitae for string quartet},
|
|
|
journal = {Contemporary Music Review},
|
|
|
volume = {27},
|
|
|
number = {1},
|
|
|
pages = {131–150},
|
|
|
year = {2008},
|
|
|
howpublished = {On_Arbor_Vitae.pdf}
|
|
|
}
|
|
|
|
|
|
@article{Winter07,
|
|
|
author = {},
|
|
|
title = {Mavericks on mavericks: James Tenney’s last courses at CalArts},
|
|
|
journal = {MusikTexte},
|
|
|
volume = {112},
|
|
|
pages = {66–69},
|
|
|
year = {2007},
|
|
|
howpublished = {https://musiktexte.de/epages/dc91cfee-4fdc-41fe-82da-0c2b88528c1e.sf/de_DE/?ObjectPath=/Shops/dc91cfee-4fdc-41fe-82da-0c2b88528c1e/Products/MT-112}
|
|
|
|
|
|
}
|
|
|
|
|
|
|
|
|
@inproceedings{Wulfson:2007,
|
|
|
author = {with Barrett, G.D. & Wulfson, H.},
|
|
|
title = {Automatic Notation Generators},
|
|
|
booktitle = {Proceedings of the 7th International NIME Conference},
|
|
|
series = {NIME '07},
|
|
|
year = {2007},
|
|
|
pages = {346–351},
|
|
|
acmid = {1279817},
|
|
|
address = {New York, NY, USA},
|
|
|
howpublished = {Automatic_notation_generators.pdf}
|
|
|
}
|
|
|
|
|
|
|